A lot has changed since we created AI ethics guidelines for newsrooms. Here’s what you need to know now; Poynter, June 26, 2025

 Jennifer Orsi, Poynter ; A lot has changed since we created AI ethics guidelines for newsrooms. Here’s what you need to know now

"More than a year ago, the Poynter Institute published a “starter kit” for newsrooms to create their own ethics policies for using artificial intelligence in their journalism. AI use in newsrooms has grown swiftly since then — and gotten more complex — and the team behind the starter kit has just published a new update,adding more information for visual journalism and for those developing products in newsrooms.

“One of the biggest things we heard over the last year was, the editorial guidelines are great, but what do you visual teams do? What is allowed there?” said Poynter faculty member and MediaWise director Alex Mahadevan, who helps lead Poynter’s AI work. “And people building these products — chatbots and such — what are their ethical obligations?”...

Much of the new material was devised and workshopped during Poynter’s second Summit on AI, Ethics and Journalism, which took place in New York City in April, this time in partnership with The Associated Press. 

Poynter published its first guidelines in March 2024, and refined them further following its first AI Summit in St. Petersburg in June 2024. Much has changed in AI use in journalism since then, Poynter leaders said.

“Before we published these guidelines, most of the newsrooms that I talk to were avoiding AI, thinking that no good could come from it,” said Kelly McBride, Poynter senior vice president and chair of the Craig Newmark Center for Ethics and Leadership. “Many newsrooms are now doing tiny experiments, and many more are contemplating adding AI to their workflows.”"

“He Will Bring All The Power He Can”: Terry Moran on Trump’s Attacks On The Free Press and His Firing From ABC; The Bulwark, June 16, 2025

TIM MILLER AND 

TERRY MORAN

, The Bulwark ; “He Will Bring All The Power He Can”: Terry Moran on Trump’s Attacks On The Free Press and His Firing From ABC

"Journalist Terry Moran was fired from ABC after a tweet criticizing Stephen Miller sparked an overblown backlash from the Trump administration. But Moran isn’t done. He joins Tim Miller to talk about Trump’s attacks on the free press, his Trump interview and what comes next."

The loss of editorial freedom at 60 Minutes is a sorry milestone for US media; The Guardian, May 1, 2025

Margaret Sullivan, The Guardian ; The loss of editorial freedom at 60 Minutes is a sorry milestone for US media

"Pelley said that, to date, no story had been killed but that Owens “felt he lost the independence that honest journalism requires”.

Pelley’s comments were picked up widely, and now the world knows that viewers can no longer fully trust what they see on the Sunday evening show that has done such important and groundbreaking journalism for decades.

Of course, as with so many of the red alerts mentioned above – lawsuits, threats, changes in long-held practices that protect the public’s right to know – the problem involves Donald Trump’s overweening desire to control the media. Controlling the message is what would-be authoritarians always do.

Trump sued 60 Minutes for $20bn a few months ago, claiming unfair and deceptive editing of an interview with his then rival for the presidency, Kamala Harris. And his newly appointed head of the Federal Communications Commission, Brendan Carr, took an aggressive approach by reopening an investigation into CBS over supposed distortion of the news. The editing of the Harris interview, by all reasonable accounts, followed standard practices.

What has happened with 60 Minutes is a high-octane version of what is happening everywhere in Trump 2.0.

Those who could stand up to Trump’s bullying are instead doing what scholars of authoritarianism say must be avoided, if democracy is to be salvaged. They are obeying in advance.

Not everyone, of course. It’s inspiring to see prominent institutions – Harvard and other universities, many law firms, Georgetown law school and the Associated Press – refusing to buckle."

The Washington Post’s New Mission: Reach ‘All of America’; The New York Times, January 16, 2025

Benjamin Mullin, The New York Times ; The Washington Post’s New Mission: Reach ‘All of America’

[Kip Currier: “Two things only the people anxiously desire — bread and circuses.” 

-- Juvenal, Roman satirical poet (c. 100 AD).

To think that The Washington Post was the newspaper whose investigative reporters Bob Woodward and Carl Bernstein exposed the 1970's Watergate break-in and cover-up, resulting in the eventual resignation of Pres. Richard Nixon on August 8, 1974...

And to now see its stature intentionally diminished and its mission incrementally debased, week by week, at the hands of billionaire Jeff Bezos and hand-picked former newspaper administrators who worked for billionaire Rupert Murdoch-owned U.K. newspapers.]

[Excerpt]

"After Donald J. Trump entered the White House in 2017, The Washington Post adopted a slogan that underscored the newspaper’s traditional role as a government watchdog: “Democracy Dies in Darkness.”

This week, as Mr. Trump prepares to re-enter the White House, the newspaper debuted a mission statement that evokes a more expansive view of The Post’s journalism, without death or darkness: “Riveting Storytelling for All of America.”...

The slide deck that Ms. Watford presented describes artificial intelligence as a key enabler of The Post’s success, the people said. It describes The Post as “an A.I.-fueled platform for news” that delivers “vital news, ideas and insights for all Americans where, how and when they want it.” It also lays out three pillars of The Post’s overall plan: “great journalism,” “happy customers” and “make money.” The Post lost roughly $77 million in 2023.

But many aspects of The Post’s new mission have nothing to do with emerging technology. The slide deck includes a list of seven principles first articulated by Eugene Meyer, an influential Post owner, in 1935. Among them: “the newspaper shall tell all the truth” and “the newspaper’s duty is to its readers and to the public at large, and not to the private interests of its owners.”"

Why I'm quitting the Washington Post; Open Windows, January 3, 2025

ANN TELNAES, Open Windows; Why I'm quitting the Washington Post

"I’ve worked for the Washington Post since 2008 as an editorial cartoonist. I have had editorial feedback and productive conversations—and some differences—about cartoons I have submitted for publication, but in all that time I’ve never had a cartoon killed because of who or what I chose to aim my pen at. Until now.

The cartoon that was killed criticizes the billionaire tech and media chief executives who have been doing their best to curry favor with incoming President-elect Trump. There have been multiple articles recently about these men with lucrative government contracts and an interest in eliminating regulations making their way to Mar-a-lago. The group in the cartoon included Mark Zuckerberg/Facebook & Meta founder and CEO, Sam Altman/AI CEO, Patrick Soon-Shiong/LA Times publisher, the Walt Disney Company/ABC News, and Jeff Bezos/Washington Post owner. 

While it isn’t uncommon for editorial page editors to object to visual metaphors within a cartoon if it strikes that editor as unclear or isn’t correctly conveying the message intended by the cartoonist, such editorial criticism was not the case regarding this cartoon. To be clear, there have been instances where sketches have been rejected or revisions requested, but never because of the point of view inherent in the cartoon’s commentary. That’s a game changer…and dangerous for a free press...

Over the years I have watched my overseas colleagues risk their livelihoods and sometimes even their lives to expose injustices and hold their countries’ leaders accountable. As a member of the Advisory board for the Geneva based Freedom Cartoonists Foundation and a former board member of Cartoonists Rights, I believe that editorial cartoonists are vital for civic debate and have an essential role in journalism. 

There will be people who say, “Hey, you work for a company and that company has the right to expect employees to adhere to what’s good for the company”. That’s true except we’re talking about news organizations that have public obligations and who are obliged to nurture a free press in a democracy. Owners of such press organizations are responsible for safeguarding that free press— and trying to get in the good graces of an autocrat-in-waiting will only result in undermining that free press.

As an editorial cartoonist, my job is to hold powerful people and institutions accountable. For the first time, my editor prevented me from doing that critical job. So I have decided to leave the Post. I doubt my decision will cause much of a stir and that it will be dismissed because I’m just a cartoonist. But I will not stop holding truth to power through my cartooning, because as they say, “Democracy dies in darkness”.

Thank you for reading this."

Why an equity lens is critical in the design and deployment of AI; Brookings, December 9, 2024

Brookings; Why an equity lens is critical in the design and deployment of AI

"In 2023, the Center for Technology Innovation (CTI) at Brookings launched the AI Equity Lab, an interdisciplinary, cross-sector research and policy project aimed at finding solutions that lead to more inclusive artificial intelligence. Since its inception, the AI Equity Lab has engaged more than 60 distinguished experts who understand the intersection between AI and society to collaboratively assess and determine the opportunities and risks AI presents in critical areas, including education, health care, journalism, and criminal justice.   

On December 9, join the Center for Technology Innovation at Brookings for an event with CTI Director and AI Equity Lab co-chair Nicol Turner Lee, who will provide an update on the work of the Lab and moderate a panel of experts who will share more about their findings and discuss why the framing of equity in human-centered AI is critical to advancing more democratized and ethical models." 

David Frum Accuses MSNBC Of Giving Into Fear Of Trump After Mika Brzezinski Apologizes On-Air For His Comment; Mediate, December 4, 2024

Alex Griffing , Mediate; David Frum Accuses MSNBC Of Giving Into Fear Of Trump After Mika Brzezinski Apologizes On-Air For His Comment

[Kip Currier: Mika Brzezinski's on-air apology yesterday is what self-censorship looks and sounds like.

Since last month's election of Donald Trump, MSNBC's Morning Joe program has been periodically engaging in what Yale University authoritarianism expert Dr. Timothy Snyder calls "anticipatory obedience", due to fear of potential retribution from an incoming Trump administration.

When media personalities like Brzezinski kowtow to perceived risks of reporting and engaging in constitutionally-protected free speech, we the public are well-advised to be skeptical of their integrity and commitment to showing and telling the truth. Brzezinski's servile appeasement is more about saving her own skin than having skin in the game of speaking truth to power.

Look for free and independent presses and journalists who don't surrender to fear to curry favor.]

[Excerpt]

"Mika Brzezinski, the co-host of MSNBC’s Morning Joe, apologized on-air Wednesday for David Frum making a comment that “was a little too flippant” about Fox News earlier in the show. Frum then took to The Atlantic and accused MSNBC of capitulating to the fear felt in the media of President-elect Donald Trump’s promised retribution.

Frum’s article later elicited a response from MSNBC...

Frum’s article on the incident was titled, “The Sound of Fear on Air,” and ran with the subhead, “It is an ominous sign that Morning Joe felt it had to apologize for something I said.”

MSNBC comms exec Richard Hudock responded to Frum in a statement, saying, “Joe and Mika have consistently expressed their strong reservations and perspectives regarding Pete Hegseth’s nomination from the very beginning, and that stance remains unchanged. We would have responded in the same manner regardless of when these comments were made or what news organization was referenced.” Hudock also invited Frum back to discuss the topic on-air tomorrow.

In the piece, he recapped what had happened and commented on the current environment MSNBC finds itself in as viewers continue to tune out following Trump’s win...

“I do not write to scold anyone; I write because fear is infectious. Let it spread, and it will paralyze us all. The only antidote is courage. And that’s infectious, too,” he concluded.
Watch the clips above via MSNBC."

The Sound of Fear on Air: It is an ominous sign that Morning Joe felt it had to apologize for something I said.; The Atlantic, December 4, 2024

David Frum, The Atlantic; The Sound of Fear on Air: It is an ominous sign that Morning Joe felt it had to apologize for something I said.

"This morning, I had an unsettling experience."

Faith and Perfidy at the Washington Post; Columbia Journalism Review, October 28, 2024

 ROGER ROSENBLATT, Columbia Journalism Review; Faith and Perfidy at the Washington Post

"Graham was a monumental figure in journalism, not principally because she was a woman, and not because she was rich, but because she was principled and understood that a newspaper represents a tacit agreement between journalists and readers that the common good requires thought, honesty, and fair play.

So scrupulous was Kay, as most everyone called her, that whenever she sat in on our board’s daily meetings, she never said a word, or gave a nod, or tossed a glance that would indicate her opinion. She knew that her opinion was likely to be taken as law, and she was not about to abuse her authority. No one could have been more “in” the Washington Post than Kay, yet she stayed out of the ed board’s business because she understood the moral requirements of power.

To say such a thing these days is so antique as to sound ludicrous. The moral requirements of power? Tell that to Elon Musk, who has returned from outer space to attempt to buy a presidential election. Tell that to Donald Trump himself, who speaks of using the military against his opponents. And tell that to Jeff Bezos, who owns the Washington Post now and who has ordered the current editorial board not to support one candidate or the other."

Poynter: When it comes to using AI in journalism, put audience and ethics first; Poynter Institute, September 12, 2024

 Poynter Institute; Poynter: When it comes to using AI in journalism, put audience and ethics first

"Download a PDF of the full report, “Poynter Summit on AI, Ethics & Journalism: Putting audience and ethics first.”

Rapidly advancing generative artificial intelligence technology and journalism have converged during the biggest election year in history. As more newsrooms experiment with AI, the need for ethical guidelines and audience feedback have surfaced as key challenges.

The Poynter Institute brought together more than 40 newsroom leaders, technologists, editors and journalists during its Summit on AI, Ethics & Journalism to tackle both topics. For two days in June 2024, representatives from the Associated Press, the Washington Post, Gannett, the Invisible Institute, Hearst, McClatchy, Axios and Adams along with OpenAI, the Online News Association, the American Press Institute, Northwestern University and others, debated the use of generative AI and its place within the evolving ethics of journalism

The goals: Update Poynter’s AI ethics guide for newsrooms with insight from journalists, editors, product managers and technologists actually using the tools. And outline principles for ethical AI product development that can be used by a publisher or newsroom to put readers first.

Data from focus groups convened through a Poynter and University of Minnesota partnership underscored discussion, while a hackathon tested attendees to devise AI tools based on audience trust and journalistic ethics.""

Ethics in an age of disinformation: Free webinar series from the National Press Club Journalism Institute; National Press Club Journalism Institute, April 4, 2024

Press Release, National Press Club Journalism Institute; Ethics in an age of disinformation: Free webinar series from the National Press Club Journalism Institute 

"The National Press Club Journalism Institute is pleased to announce a free, four-part webinar series focused on ethics in the age of disinformation. These discussions are geared toward equipping journalists and the public with tools to combat mis and disinformation efforts aimed at disrupting journalism and democracy.

All of these webinars are free and open to the public and are designed to provide tools and best practices to support ethical, trustworthy journalism."

About WBUR's Ethics Guide; WBUR, March 10, 2022

WBUR; About WBUR's Ethics Guide

"The committee approached the guidelines from the vantage point of WBUR journalists and journalism — while acknowledging the importance of the ethical guidelines and standards that need to be understood and embraced by everyone who works or is associated with WBUR.

The committee used the NPR Ethics Handbook as a structural model and source text, adopted with a WBUR voice. They also addressed ethics issues from a 2021 perspective, recognizing that much has changed in the public media and journalism field since the NPR Handbook was first written a decade ago."

WBUR Ethics Guide PDF: https://d279m997dpfwgl.cloudfront.net/wp/2022/03/WBUR-Ethics-Guidelines.pdf  

International media ethics teaching award for UH Mānoa professor; University of Hawai'i News, May 19, 2021

University of Hawai'i News; International media ethics teaching award for UH Mānoa professor

"A University of Hawaiʻi at Mānoa journalism professor with more than 30 years of teaching experience has been internationally recognized for outstanding classroom teaching in media ethics. Professor Ann Auman is the winner of the 2021 Teaching Excellence Award in the Media Ethics Division of the Association for Education in Journalism and Mass Communication. The award will be formally presented to Auman at the Media Ethics Division members’ meeting on July 28.

The award committee was impressed by Auman’s work, “incorporating Indigenous values and ethics in a cross-cultural media ethics course and classroom.” Auman’s ethics courses are Communications/Journalism 460: Media Ethics and Communications 691: Emergent Media Ethics Across Cultures: Truth-Seeking in the Global, Digital Age.

“I believe that journalism can be improved if we honor Indigenous values, culture and language in storytelling. Western-based ethics codes and practices need to be reformed, and more Indigenous people should tell their own stories,” Auman said. “Everyone should practice media ethics, not just journalists. In this disinformation age we are empowered if we learn how to distinguish the truth from falsehood and deception, and be ethical producers and consumers of news and information.”

Auman also teaches courses in news literacy and multimedia journalism. Her research is in cross-cultural media ethics with a focus on Indigenous media ethics. Auman’s recent published works include, “Traditional Knowledge for Ethical Reporting on Indigenous Communities: A Cultural Compass for Social Justice” in Ethical Space: The International Journal of Media Ethics; “The Hawaiian Way: How Kuleana can Improve Journalism” in the Handbook of Global Media Ethics; and “Ethics Without Borders in a Digital Age” in Journalism & Mass Communication Educator."

IT’S ABOUT ETHICS IN COMIC BOOK JOURNALISM: THE POLITICS OF X-MEN: RED; Comic Watch, April 18, 2020

Bethany W Pope, Comic Watch; IT’S ABOUT ETHICS IN COMIC BOOK JOURNALISM: THE POLITICS OF X-MEN: RED

"It’s extremely rare for a run of a mainstream comic to result in a story with as much philosophical complexity and clarity of vision as Tom Taylor’s (shamefully abbreviated) X-Men: Red. Because the author set out to tell ‘the best X-Men story’ he could, and because he managed (somehow) to gain something close to free-reign from editorial (as well as having the good luck of being paired with some truly remarkable artists; most notably Mahmud Asrar) the end result was not only the best continuous X-Man story of the decade, but something which will (in time) surpass Whedon’s revolutionary run on Astonishing in terms of fan-regard. In this article, I am going to pick (a little) at the weave of the story in an effort to isolate and reveal a few of the integral threads which form the weft of the narrative.

The central thesis of these eleven issues is that the act of compassion is a more powerful tool than the most brutally cinematic superpower. Empathy is the thing which slaughters fear. Looking at your enemy and seeing a person, woven through with hopes and loves, fears, the usual mixture of frailties, transforms disparate (possibly violent) mobs into a functional community by revealing that there is no ‘us versus them’. There’s only ‘us’. The X-Men are the perfect superhero group to make this point, because their entire existence is predicated on the phrase ‘protecting a world which fears and hates them’. The X-Men have always represented the struggle that othered groups (racial minorities, religious minorities, women, members of the LGBTQIA community) have faced when trying to live in function in a world that is slanted, dramatically, in favor of straight, white (American) men. Such a group is a necessary force in the current, fractured, geo-political climate."

Kona Stories Book Store to Celebrate Banned Book Week; Big Island Now, September 21, 2019

Big Island Now; Kona Stories Book Store to Celebrate Banned Book Week

"At its heart, Banned Books Week is a celebration of the freedom to access ideas, a fundamental right that belongs to everyone and over which no one person or small group of people should hold sway.

Banned Books Week is a celebration of books, comics, plays, art, journalism and much more. 

At Kona Stories Book Store, books have been wrapped in paper bags to disguise the title. Books are decorated with red “I read banned books” stickers and a brief description of why they are on the list.

Customers are encouraged to buy the books without knowing the titles."

Jill Abramson Plagiarized My Writing. So I Interviewed Her About It; Rolling Stone, February 13, 2019

Jake Malooley, Rolling Stone;

Jill Abramson Plagiarized My Writing. So I Interviewed Her About It

When journalist Jake Malooley talked to the former New York Times executive editor, she admitted only to minor mistakes — but her responses were revealing

[Kip Currier: In yesterday's Information Ethics class session, looking at Plagiarism, Attribution, and Research Integrity and Misconduct, we explored this illuminating 2/13/19 interview of Jill Abramson--veteran journalist and the former first-ever female Executive Editor of The New York Times from 2011 until her firing in 2014--by Rolling Stone reporter Jake Malooley.

I also played the first ten minutes of a 2/20/19 radio interview of Abramson by WNYC's Brian Lehrer, in which Abramson fields questions from Lehrer about her ongoing plagiarism controversy and research/writing process.

The Abramson plagiarism controversy is a rich ripped-from-the-headlines case study, emphasizing the importance and implications of plagiarism and research integrity and misconduct. Imagine being in Abramson's Harvard University class this term, where the 1976 Harvard FAS alumna is teaching an Introduction to Journalism course...

Speaking of Harvard, The Harvard Crimson has an interesting 2/15/19 article on the continuing Abramson controversy, as well as prior instances of alleged plagiarism by a trio of prestigious Harvard professors in the early 2000's, who, following investigations, "faced no public disciplinary action": Current Policy, Past Investigations Offer Window Into Harvard’s Next Steps In Abramson Plagiarism Case]

"In the days that followed, Abramson gave interviews to Vox and CNN. She unconvincingly sidestepped definitions of plagiarism upheld by the Times and Harvard, contending she is guilty of little more than sloppiness. She also claimed Vice is “waging an oppo campaign” against her book. Amid all the equivocation and attempts to duck the plagiarist label, Abramson still had not sufficiently explained how my writing and that of several other journalists ended up running nearly word-for-word in her book. I didn’t feel personally aggrieved, as some colleagues believed I rightfully should. But I did think I was owed straight answers. So late last week, I requested an interview with Abramson through Simon & Schuster, the publisher of Merchants of Truth.

On Monday afternoon, Abramson phoned me from Harvard’s campus, where she would be teaching an introduction to journalism seminar. According to the syllabus for Abramson’s Spring 2019 workshop “Journalism in the Age of Trump,” a copy of which a student, Hannah Gais, tweeted, Merchants of Truth is assigned as required reading...

This interview has been condensed for length.

Correction: This article previously stated that Abramson was on her way to her Spring 2019 workshop, “Journalism in the Age of Trump.” It has been corrected to clarify that she was on her way to an introduction to journalism class."

This Time It’s Russia’s Emails Getting Leaked; The Daily Beast, January 24, 2019

Kevin Poulsen, The Daily Beast; This Time It’s Russia’s Emails Getting Leaked

"Russian oligarchs and Kremlin apparatchiks may find the tables turned on them later this week when a new leak site unleashes a compilation of hundreds of thousands of hacked emails and gigabytes of leaked documents. Think of it as WikiLeaks, but without Julian Assange’s aversion for posting Russian secrets.

The site, Distributed Denial of Secrets, was founded last month by transparency activists. Co-founder Emma Best said the Russian leaks, slated for release on Friday, will bring into one place dozens of different archives of hacked material that at best has been difficult to locate, and in some cases appears to have disappeared entirely from the web...

Distributed Denial of Secrets, or DDoS, is a volunteer effort that launched last month. Its objective is to provide researchers and journalists with a central repository where they can find the terabytes of hacked and leaked documents that are appearing on the internet with growing regularity. The site is a kind of academic library or a museum for leak scholars, housing such diverse artifacts as the files North Korea stole from Sony in 2014, and a leak from the Special State Protection Service of Azerbaijan."

Threat to journalists at highest level in 10 years, report says ; The Guardian, December 4, 2018

Jim Waterson, The Guardian; Threat to journalists at highest level in 10 years, report says

"Journalism is more dangerous – and more under threat – than at any point in the last decade, according to a report, which found that 78 journalists were killed last year while doing their job.

The rise of authoritarian governments and the threat of internet censorship has redoubled pressures on reporters globally, according to the human rights organisation Article 19, which found that a further 326 journalists were imprisoned for their work during 2017, a substantial increase on the previous year.

More than half of those behind bars were held in Turkey, China, and Egypt, often on charges of opposing the state.

“The price of protecting the right to freedom of expression and information has become extremely high: death, detention, and fear loom large for communicators and activists across the globe, and the space for meaningful discussion and communication is under siege,” said Thomas Hughes, the executive director of Article 19. “More than ever we need informed citizens, strong institutions, and the rule of law.”"

Daniel Radcliffe and the Art of the Fact-Check; The New Yorker, October 15, 2018 Issue

Michael Schulman, The New Yorker; Daniel Radcliffe and the Art of the Fact-Check

 [Kip Currier: I saw Daniel Radcliffe on MSNBC's Morning Joe program today, talking about the debut of a new Broadway play, "The Lifespan of a Fact", in which he stars, along with Bobby Cannavale and Cherry Jones. The play's exploration of "truth" is timely and intriguing.

A bit later, I heard reporter Robert Costa on MSNBC's Stephanie Ruhle discussing "disappeared" and presumably murdered Saudi journalist Jamal Koshaggi's final piece for The Washington Post, which was submitted before he was last seen and was published yesterday, with a note from his editor: "Jamal Khashoggi: What the Arab world needs most is free expression". Koshaggi's observations are prescient, poignant, and thought-provoking. Costa made the excellent point that truth goes hand-in-hand with the ability to have the freedom to seek and report truth.]

"Fact: the actor Daniel Radcliffe is currently starring in the Broadway show “The Lifespan of a Fact,” as a magazine fact checker with an aviation inspector’s zeal for accuracy. The play is drawn from a real-life skirmish: in 2005, Jim Fingal, an intern at The Believer, was tasked with fact-checking an essay by John D’Agata (played by Bobby Cannavale), about a teen suicide in Las Vegas. D’Agata had more of a watercolorist’s approach to the truth. When Fingal tried to correct his claim that Las Vegas had thirty-four licensed strip clubs—a source indicated that it was thirty-one—D’Agata said that he liked the “rhythm” of thirty-four. Their epistolary tussle was expanded into a book in 2012.

Not long ago, Radcliffe arrived at the offices of this magazine, wearing a maroon cap and a green jacket and clutching a latte. He had come to try his own hand at fact-checking, with the help of The New Yorker’s fact-checking department."

Bendis’ Take on Superman’s Truth, Justice & The American Way; Comic Book Resources, March 3, 2018

Anthony Couto, Comic Book Resources; Bendis’ Take on Superman’s Truth, Justice & The American Way

"Talking all things Superman at his spotlight panel for Emerald City Comic Con, Eisner Award-winning writer Brian Michael Bendis offered a renewed approach to a classic Superman motto: Truth, Justice and the American Way.

Bendis said he’s found new relevance in Superman’s “truth, justice and the American way” adage, which helped inspire him to take on the Man of Steel. “Truth is under siege in our society today,” Bendis continued. “Justice — we see it every day on video, justice is not being handed out to everybody. The American dream, that is also under siege. These things, that seemed cliche just five years ago, are now damn well worth fighting for.”"