Daniel Radcliffe and the Art of the Fact-Check; The New Yorker, October 15, 2018 Issue

Michael Schulman, The New Yorker; Daniel Radcliffe and the Art of the Fact-Check

 [Kip Currier: I saw Daniel Radcliffe on MSNBC's Morning Joe program today, talking about the debut of a new Broadway play, "The Lifespan of a Fact", in which he stars, along with Bobby Cannavale and Cherry Jones. The play's exploration of "truth" is timely and intriguing.

A bit later, I heard reporter Robert Costa on MSNBC's Stephanie Ruhle discussing "disappeared" and presumably murdered Saudi journalist Jamal Koshaggi's final piece for The Washington Post, which was submitted before he was last seen and was published yesterday, with a note from his editor: "Jamal Khashoggi: What the Arab world needs most is free expression". Koshaggi's observations are prescient, poignant, and thought-provoking. Costa made the excellent point that truth goes hand-in-hand with the ability to have the freedom to seek and report truth.]

"Fact: the actor Daniel Radcliffe is currently starring in the Broadway show “The Lifespan of a Fact,” as a magazine fact checker with an aviation inspector’s zeal for accuracy. The play is drawn from a real-life skirmish: in 2005, Jim Fingal, an intern at The Believer, was tasked with fact-checking an essay by John D’Agata (played by Bobby Cannavale), about a teen suicide in Las Vegas. D’Agata had more of a watercolorist’s approach to the truth. When Fingal tried to correct his claim that Las Vegas had thirty-four licensed strip clubs—a source indicated that it was thirty-one—D’Agata said that he liked the “rhythm” of thirty-four. Their epistolary tussle was expanded into a book in 2012.

Not long ago, Radcliffe arrived at the offices of this magazine, wearing a maroon cap and a green jacket and clutching a latte. He had come to try his own hand at fact-checking, with the help of The New Yorker’s fact-checking department."