‘We recognise it in this very primal way’: Stephen Fry, Brie Larson, Chris Ofili and more on why we can’t get enough of Greek mythology; The Guardian, November 24, 2024

 Introduction by Charlotte Higgins, The Guardian; ‘We recognise it in this very primal way’: Stephen Fry, Brie Larson, Chris Ofili and more on why we can’t get enough of Greek mythology

"Greek myth is not a stable thing. There is no such thing as a canonical, “original” version of a Greek myth. The stories that remain to us – the material of classical plays and poetry, and of visual culture from pottery to pediments – are already elaborations and accretions. In the ancient Greek and Roman world, stories were adapted and remade to serve the needs of the moment. The Greek tragedians often took the germ of an idea from the Homeric epics, and built an entire plot from it. Aeschylus’s Agamemnon, for instance, is in dialogue with Homer’s Odyssey: both are stories of a warrior’s return from war, but with entirely different outcomes. Euripides’s subversive play Helen proposes that the entire Trojan war was fought not in the cause of a real woman, but of an illusory, fake version sent by the gods, while the “real” Helen of Troy sat out the siege in Egypt.

Seen in this light, as novelist Pat Barker points out below, the modern appetite for working with (and maybe sometimes against) Greek myth is a part of a long continuum, rather than an innovation...

Stephen Fry on Ithaka by CP Cavafy (1911), a poem inspired by The Odyssey

Author of Mythos, Heroes and Troy, a trilogy of books retelling the myths of ancient Greece

The Odyssey is the beginning of human modernity. Suddenly, the greatest qualities a warrior could have were cunning, intelligence and curiosity, but also a sense of home – Odysseus is constantly striving to get back to his wife and son. There was something new in that. This idea of “nostos” – of returning home to the hearth after your wanderings – has been very powerful in the Greek imagination ever since.

Early last century, there was a wonderful Greek poet living in Alexandria named Constantine Cavafy. I found out about him by reading EM Forster, who met Cavafy in Alexandria and recommended him to WH Auden and others. One of Cavafy’s greatest poems is about Ithaca, the island which Odysseus spends 10 years trying to get back to. The poem is about this journey, this yearning to find the place that we think of as home, but Cavafy tells us that it’s not worth anything. You must strive for it, he says, but you’ll find it isn’t the place itself that’s the destination, it’s the striving, it’s what you learn on the way. It’s the gorgeous things you find and the people you meet and the experiences you have. So you must aim for Ithaca and simultaneously know it’s not worth getting to, because it will have nothing to give you. That’s how the poem ends, in Edmund Keeley’s terrific translation: “Ithaka gave you the marvellous journey./ Without her you wouldn’t have set out./ She has nothing left to give you now.”

I think it’s a very brilliant and moving poem, even in translation (I’m sure if you were fluent in modern Greek it would be even more astonishing). It’s an example of what the Greek myths can give us in terms of retellings. All the JRR Tolkien books are nostos stories, stories of returns home – The Hobbit is subtitled There and Back Again. It is the most mythic, primal, elemental story that we have. As told to Killian Fox"

Authors Guild to offer “Human Authored” label on books to compete with AI; Marketplace.org, October 7, 2024

 Matt Levin, Marketplace.org ; Authors Guild to offer “Human Authored” label on books to compete with AI

"The Authors Guild, the professional association representing published novelists and nonfiction writers, is set to offer to its 15,000 members a new certificate they can place directly on their book covers.

About the size of literary award stickers or celebrity book club endorsements adorning the cover art of the latest bestseller, the certificate is a simple, round logo with two boldfaced words inside: “Human Authored.”

As in, written by a human — and not artificial intelligence.

(Courtesy The Authors Guild)

“It isn’t just to prevent fraud and deception,” said Douglas Preston, a bestselling novelist and nonfiction writer and member of the Authors Guild Council. “It’s also a declaration of how important storytelling is to who we are as a species. And we’re not going to let machines elbow us aside and pretend to be telling us stories, when it’s just regurgitating literary vomitus.”

Class explores how media impacts perceptions of health issues; University of Pittsburgh, University Times, July 11, 2024

MARTY LEVINE, University of Pittsburgh, University Times; Class explores how media impacts perceptions of health issues

"Communicating a message through storytelling, and not the mere recitation of facts, is key to public health communication, and Hoffman collaborates often with the Norman Lear Center at the University of Southern California, whose “Hollywood, Health and Society” project has conducted research on everything from “Increases in calls to the CDC National STD and AIDS hotline following AIDS-related episodes in a soap opera” to “The Impact of Food and Nutrition Messages on The Daily Show with Jon Stewart.” It also provides consultants to shows from “Breaking Bad” to “Black-ish,” and a Lear Center rep spoke in Hoffman’s class.

Hoffman was recently lead author on a published overview of current research evidence on the media and health, which found that “health storylines on fictional television influence viewers.”...

Pitt Public Health was the leader in developing the Salk vaccine for polio, she points out. Public health education and media literacy can be a sort of vaccination against misinformation, she says: “We often talk about it as inoculation. Misinformation is not going away. How can we make people less susceptible to it?”"

At 17, She Fell in Love With a 47-Year-Old. Now She Questions the Story.; The New York Times, June 10, 2024

 Alexandra Alter, The New York Times; At 17, She Fell in Love With a 47-Year-Old. Now She Questions the Story.

"Ciment decided to perform an autopsy on her memoir. The exercise yielded a new memoir, titled “Consent,” which Pantheon will release on Tuesday. With almost clinical detachment, Ciment investigates the flaws and factual lapses in her earlier work, and in doing so, questions the artifice inherent in memoir as a literary form.

“The whole idea of writing truth in a memoir is so preposterous,” Ciment said. “You have these scattered memories, and you’re trying to carve a story out of them.”"

Why Vladimir Putin has already lost this war; The Guardian, February 28, 2022

Yuval Noah Harari, The Guardian; Why Vladimir Putin has already lost this war

"Nations are ultimately built on stories. Each passing day adds more stories that Ukrainians will tell not only in the dark days ahead, but in the decades and generations to come. The president who refused to flee the capital, telling the US that he needs ammunition, not a ride; the soldiers from Snake Island who told a Russian warship to “go fuck yourself”; the civilians who tried to stop Russian tanks by sitting in their path. This is the stuff nations are built from. In the long run, these stories count for more than tanks."

The Positives—and Perils—of Storytelling; HBR IdeaCast, Episode 840, February 8, 2022

Curt Nickisch, HBR IdeaCast, Episode 840; The Positives—and Perils—of Storytelling

"JONATHAN GOTTSCHALL: Ever since I published The Storytelling Animal, I became part sort of on the edges of what I’ve called the storytelling industrial complex – keynoters and book writers and consultants who’ve traveled around the country and are giving lessons to businesses and other big organizations about how to tell more persuasive stories, more memorable stories, more contagious stories. And I’ve also been spreading the good news that stories are a good thing. They’re good in the sense that they do good in the world. And they’re good in the sense that they also happen to make good business. And I’ve become increasingly troubled by the overstatements or the things left out of the messaging.

So the first thing is that stories aren’t good. They just aren’t. Stories are just powerful. I think it’s better to think of the force of storytelling as a mercenary that sells itself just as eagerly to the bad guys.

The other thing about storytelling is as soon as you’re telling a story, you’re in an ethically fraught situation, because basically what you’re doing is you’re trying to use a form of messaging that’s not quite explicit. Storytelling is always sort of indirect. And that’s the power of storytelling, and so people don’t get as skeptical and they don’t get as suspicious.

In my years in the storytelling industrial complex and attending conferences and reading other people’s books, I’d noted quite frequently that the power of storytelling was often likened to a Trojan horse. And this is a pretty good analogy for how stories work. The idea is that you have this beautiful structure, this thing we all love. The Trojan horse is this beautiful work of art, but it’s smuggling in something else. It’s smuggling in a message." 

International media ethics teaching award for UH Mānoa professor; University of Hawai'i News, May 19, 2021

University of Hawai'i News; International media ethics teaching award for UH Mānoa professor

"A University of Hawaiʻi at Mānoa journalism professor with more than 30 years of teaching experience has been internationally recognized for outstanding classroom teaching in media ethics. Professor Ann Auman is the winner of the 2021 Teaching Excellence Award in the Media Ethics Division of the Association for Education in Journalism and Mass Communication. The award will be formally presented to Auman at the Media Ethics Division members’ meeting on July 28.

The award committee was impressed by Auman’s work, “incorporating Indigenous values and ethics in a cross-cultural media ethics course and classroom.” Auman’s ethics courses are Communications/Journalism 460: Media Ethics and Communications 691: Emergent Media Ethics Across Cultures: Truth-Seeking in the Global, Digital Age.

“I believe that journalism can be improved if we honor Indigenous values, culture and language in storytelling. Western-based ethics codes and practices need to be reformed, and more Indigenous people should tell their own stories,” Auman said. “Everyone should practice media ethics, not just journalists. In this disinformation age we are empowered if we learn how to distinguish the truth from falsehood and deception, and be ethical producers and consumers of news and information.”

Auman also teaches courses in news literacy and multimedia journalism. Her research is in cross-cultural media ethics with a focus on Indigenous media ethics. Auman’s recent published works include, “Traditional Knowledge for Ethical Reporting on Indigenous Communities: A Cultural Compass for Social Justice” in Ethical Space: The International Journal of Media Ethics; “The Hawaiian Way: How Kuleana can Improve Journalism” in the Handbook of Global Media Ethics; and “Ethics Without Borders in a Digital Age” in Journalism & Mass Communication Educator."