Showing posts with label fair play. Show all posts
Showing posts with label fair play. Show all posts

Monday, October 28, 2024

Faith and Perfidy at the Washington Post; Columbia Journalism Review, October 28, 2024

 ROGER ROSENBLATT, Columbia Journalism Review; Faith and Perfidy at the Washington Post

"Graham was a monumental figure in journalism, not principally because she was a woman, and not because she was rich, but because she was principled and understood that a newspaper represents a tacit agreement between journalists and readers that the common good requires thought, honesty, and fair play.

So scrupulous was Kay, as most everyone called her, that whenever she sat in on our board’s daily meetings, she never said a word, or gave a nod, or tossed a glance that would indicate her opinion. She knew that her opinion was likely to be taken as law, and she was not about to abuse her authority. No one could have been more “in” the Washington Post than Kay, yet she stayed out of the ed board’s business because she understood the moral requirements of power.

To say such a thing these days is so antique as to sound ludicrous. The moral requirements of power? Tell that to Elon Musk, who has returned from outer space to attempt to buy a presidential election. Tell that to Donald Trump himself, who speaks of using the military against his opponents. And tell that to Jeff Bezos, who owns the Washington Post now and who has ordered the current editorial board not to support one candidate or the other."

Sunday, May 21, 2017

Sir Harold Evans’ New Book Is a Master Class in How to Write; Daily Beast, May 20, 2017

Malcolm Jones, Daily Beast; Sir Harold Evans’ New Book Is a Master Class in How to Write

"Like George Orwell, Evans understands in his bones that words are not just pretty things, that in the wrong hands they can mislead, betray, and even cause great harm. Beginning on page one and running right through to the end of the book is an iron spine of fair play and honesty. “This book on clear writing is as concerned with how words confuse and mislead, with or without malice aforethought, as it is with literary expression,” he writes in the introduction, and then circles back on the last page of the book to drive home the point once more: “The fog that envelops English is not just a question of good taste, style, and esthetics. It is a moral issue.”"