The Washington Post’s New Mission: Reach ‘All of America’; The New York Times, January 16, 2025

Benjamin Mullin, The New York Times ; The Washington Post’s New Mission: Reach ‘All of America’

[Kip Currier: “Two things only the people anxiously desire — bread and circuses.” 

-- Juvenal, Roman satirical poet (c. 100 AD).

To think that The Washington Post was the newspaper whose investigative reporters Bob Woodward and Carl Bernstein exposed the 1970's Watergate break-in and cover-up, resulting in the eventual resignation of Pres. Richard Nixon on August 8, 1974...

And to now see its stature intentionally diminished and its mission incrementally debased, week by week, at the hands of billionaire Jeff Bezos and hand-picked former newspaper administrators who worked for billionaire Rupert Murdoch-owned U.K. newspapers.]

[Excerpt]

"After Donald J. Trump entered the White House in 2017, The Washington Post adopted a slogan that underscored the newspaper’s traditional role as a government watchdog: “Democracy Dies in Darkness.”

This week, as Mr. Trump prepares to re-enter the White House, the newspaper debuted a mission statement that evokes a more expansive view of The Post’s journalism, without death or darkness: “Riveting Storytelling for All of America.”...

The slide deck that Ms. Watford presented describes artificial intelligence as a key enabler of The Post’s success, the people said. It describes The Post as “an A.I.-fueled platform for news” that delivers “vital news, ideas and insights for all Americans where, how and when they want it.” It also lays out three pillars of The Post’s overall plan: “great journalism,” “happy customers” and “make money.” The Post lost roughly $77 million in 2023.

But many aspects of The Post’s new mission have nothing to do with emerging technology. The slide deck includes a list of seven principles first articulated by Eugene Meyer, an influential Post owner, in 1935. Among them: “the newspaper shall tell all the truth” and “the newspaper’s duty is to its readers and to the public at large, and not to the private interests of its owners.”"

CSotD: Telnaes is only unemployed, not gone; The Daily Cartoonist, January 4, 2025

MIKE PETERSON, The Daily Cartoonist; CSotD: Telnaes is only unemployed, not gone

"We try to avoid duplication and stepping on each other’s toes around here, and by now you’ve likely seen DD Degg’s coverage of Ann Telnaes’ resignation from the Washington Post. And if you haven’t seen his coverage here, you’ve almost certainly seen some coverage because it is all over the Internet, with regret and praise coming from around the globe. As of seven this morning, her Substack announcement had 5,307 likes and had been shared 910 times...

Seeing these pieces on the importance of political cartooning and press freedom, it’s easy to recognize how inconsistent it would have been for her to accept the squelching of her voice by the Post’s current management.

Telnaes will no longer be on the pages of the Washington Post, but perhaps going out into the wider world will make her voice heard by a more diverse audience, particularly if the Post continues to cater to the new administration while hemorrhaging both talent and readership.

She’ll need support on her Substack, by which I mean subscriptions, not just applause, and if you haven’t been supporting small and local media outlets, this is an excellent place to start. 

The cartoon her editor refused to run, which was the final straw that induced her to walk away from a prestigious and well-paying job, offers the very reasonable suggestion that the billionaires who control major media are selling out to the administration, not just with obedience but in several cases with substantial financial contributions.

And here’s something else they’d just as soon not hear anyone say: It seems that major media may be working to gain influence with the wrong people, that they’re making friends with oligarchs but losing touch with their actual customers...

Samizdat is a term that defined underground writings — mimeographed or photocopied — that circulated in the Soviet Union as it began to totter and crash. In our country, in these times, we’re seeing the growth of Substacks and other small-scale publishing by people who, like Ann Telnaes, want to say what they think needs to be said, without being filtered and both-sidesed and required to be “fair and balanced” by management that is more interested in marketing than in journalism.

Supporting small publishers and individual writers matters. The big boys will get along with or without you, but the voices we need to hear need backing."

Washington Post cartoonist quits after paper rejects sketch of Bezos bowing to Trump; Associated Press (AP) via Washington Post, January 4, 2025

Todd Richmond | AP via Washington Post; Washington Post cartoonist quits after paper rejects sketch of Bezos bowing to Trump

[Kip Currier: Note that this story posted at 8:08 PM EST January 4, 2025 on the Washington Post website is written by an Associated Press (AP) reporter, not a Washington Post reporter. I have not yet located an article or OpEd piece written by a Washington Post staff person that addresses the Ann Telnaes editorial cartoon controversy, other than the Substack article by Ann Telnaes explaining her resignation.

• When and how will the Washington Post cover this story, and even more importantly, the implications for free presses, access to information, free expression, and democracy?
• Where are the Washington Post OpEd pieces about these issues by internal commentators like Eugene Robinson, Jennifer Rubin, Eric Wemple, etc.?
• Will there be no coverage by the newspaper itself that killed Ann Telnaes' draft cartoon?

The Washington Post's tagline "Democracy Dies in Darkness" is fast becoming an ironic commentary on its own ethical lapses in timely and fulsome reporting, transparency, accountability, and journalistic integrity.]

[Excerpt]

"A cartoonist has decided to quit her job at the Washington Post after an editor rejected her sketch of the newspaper’s owner and other media executives bowing before President-elect Donald Trump.

Ann Telnaes posted a message Friday on the online platform Substack saying that she drew a cartoon showing a group of media executives bowing before Trump while offering him bags of money, including Post owner and Amazon founder Jeff Bezos.

Telnaes wrote that the cartoon was intended to criticize “billionaire tech and media chief executives who have been doing their best to curry favor with incoming President-elect Trump.” Several executives, Bezos among them, have been spotted at Trump’s Florida club Mar-a-Lago. She accused them of having lucrative government contracts and working to eliminate regulations."

Why I'm quitting the Washington Post; Open Windows, January 3, 2025

ANN TELNAES, Open Windows; Why I'm quitting the Washington Post

"I’ve worked for the Washington Post since 2008 as an editorial cartoonist. I have had editorial feedback and productive conversations—and some differences—about cartoons I have submitted for publication, but in all that time I’ve never had a cartoon killed because of who or what I chose to aim my pen at. Until now.

The cartoon that was killed criticizes the billionaire tech and media chief executives who have been doing their best to curry favor with incoming President-elect Trump. There have been multiple articles recently about these men with lucrative government contracts and an interest in eliminating regulations making their way to Mar-a-lago. The group in the cartoon included Mark Zuckerberg/Facebook & Meta founder and CEO, Sam Altman/AI CEO, Patrick Soon-Shiong/LA Times publisher, the Walt Disney Company/ABC News, and Jeff Bezos/Washington Post owner. 

While it isn’t uncommon for editorial page editors to object to visual metaphors within a cartoon if it strikes that editor as unclear or isn’t correctly conveying the message intended by the cartoonist, such editorial criticism was not the case regarding this cartoon. To be clear, there have been instances where sketches have been rejected or revisions requested, but never because of the point of view inherent in the cartoon’s commentary. That’s a game changer…and dangerous for a free press...

Over the years I have watched my overseas colleagues risk their livelihoods and sometimes even their lives to expose injustices and hold their countries’ leaders accountable. As a member of the Advisory board for the Geneva based Freedom Cartoonists Foundation and a former board member of Cartoonists Rights, I believe that editorial cartoonists are vital for civic debate and have an essential role in journalism. 

There will be people who say, “Hey, you work for a company and that company has the right to expect employees to adhere to what’s good for the company”. That’s true except we’re talking about news organizations that have public obligations and who are obliged to nurture a free press in a democracy. Owners of such press organizations are responsible for safeguarding that free press— and trying to get in the good graces of an autocrat-in-waiting will only result in undermining that free press.

As an editorial cartoonist, my job is to hold powerful people and institutions accountable. For the first time, my editor prevented me from doing that critical job. So I have decided to leave the Post. I doubt my decision will cause much of a stir and that it will be dismissed because I’m just a cartoonist. But I will not stop holding truth to power through my cartooning, because as they say, “Democracy dies in darkness”.

Thank you for reading this."

A Pulitzer winner quits 'Washington Post' after a cartoon on Bezos is killed; NPR, January 4, 2025

David Folkenflik, NPR; A Pulitzer winner quits 'Washington Post' after a cartoon on Bezos is killed

[Kip Currier: Every day, U.S. oligarchs like Washington Post owner Jeff Bezos and Los Angeles Times owner Patrick Soon-Shiong feel more emboldened to cravenly censor criticism of themselves and impede freedom of expression and access to information.

Thank you, Ann Telnaes, for speaking truth to power with your satirical artistry and standing up for the importance of free and independent presses with your principled resignation decision. As the Pulitzer Prize-winning editorial cartoonist underscored in explaining her resignation, "Democracy can't function without a free press".

The evidence is now even more clear than one year or a decade ago: Consolidation of ownership of print journalism and broadcast media by a few billionaires and corporate conglomerates chills the ability to dissent and provide access to diverse perspectives.

The diagnosis and ramifications are also clear: Having a handful of oligarchs control America's newspapers is antithetical to well-informed citizenries and healthy democracies. (See here for a prescient 2017 article by veteran journalist and free speech/free press advocate Bill Moyers.)

Potential remedies? It's absolutely imperative that free speech-supporting Americans develop and nurture alternative ways to promote access to information and freedom of expression, as is increasingly being done on Substack accounts (see examples here, and here, and here) and via podcasts.

In the longer term, collaborative trusts (see here, for example) that can purchase newspapers and share ownership among more than one individual offer some potential ways to challenge oligarch newspaper monopolies.]

[Excerpt]

"A Pulitzer Prize-winning cartoonist for the Washington Post has resigned after its editorial page editor rejected a cartoon she created to mock media and tech titans abasing themselves before President-elect Donald Trump.

Among the corporate chiefs depicted by Ann Telnaes was Amazon founder and Post owner Jeff Bezos. The episode follows Bezos' decision in October to block publication of a planned endorsement of Vice President Harris over Trump in the waning days of last year's presidential elections.

The inspiration for Telnaes' latest proposed cartoon was the trek by top tech chief executives including Bezos to Trump's Florida estate, Mar-a-Lago, as well as the seven-figure contributions several promised to make toward his inauguration. She submitted a sketch before Christmas. It was never published."

Over 200,000 subscribers flee 'Washington Post' after Bezos blocks Harris endorsement; NPR, October 28, 2024

David Folkenflik , NPR; Over 200,000 subscribers flee 'Washington Post' after Bezos blocks Harris endorsement

"The Washington Post has been rocked by a tidal wave of cancellations from digital subscribers and a series of resignations from columnists, as the paper grapples with the fallout of owner Jeff Bezos’s decision to block an endorsement of Vice President Kamala Harris for president.

More than 200,000 people had canceled their digital subscriptions by midday Monday, according to two people at the paper with knowledge of internal matters. Not all cancellations take effect immediately. Still, the figure represents about 8% of the paper’s paid circulation of 2.5 million subscribers, which includes print as well. The number of cancellations continued to grow Monday afternoon."

Ex-WaPo Editor: This Is a Straight Bezos-Trump ‘Quid Pro Quo’; The Washington Post, October 27, 2024

 Lily Mae Lazarus , The Daily Beast; Ex-WaPo Editor: This Is a Straight Bezos-Trump ‘Quid Pro Quo’

"The Washington Post’s outgoing editor-at-large and longtime columnist has made explosive claims that its owner Jeff Bezos struck a deal with Donald Trump in order to kill the newspaper’s endorsement of Kamala Harris.

Robert Kagan, who resigned from his position on Friday after more than two decades at the publication, told the Daily Beast that Trump’s meeting with executives of Bezos’ Blue Origin space company the same day that the Amazonfounder killed a plan to support Harris was proof of the backroom deal."

The Guardrails Are Already Crumpling; The Bulwark, October 25, 2024

JONATHAN V. LAST , The Bulwark; The Guardrails Are Already Crumpling

"ON FRIDAY AFTERNOON, the Washington Post announced that it would not be making an endorsement in the presidential race. After that, a number of things happened very quickly.

First, the paper’s former executive editor Marty Baron called the decision “cowardice.”

Second, at least one senior Post opinion writer resigned.

Third, it was leaked that the editor of the editorial page had already drafted the paper’s endorsement of Kamala Harris when publisher Will Lewis—who is a new hire, hailing from the Rupert Murdoch journalism tree—quashed it and then released a CYA statement about how the paper was “returning to its roots” of not endorsing candidates. The Post itself reported that the decision was made by the paper’s owner, Amazon founder Jeff Bezos.

Everything about this story feels like a tempest in a teapot, a boiling story about legacy media fretting over itself in the mirror.

It’s not.

It’s a situation analogous to what we saw in Russia in the early 2000s: We are witnessing the surrender of the American business community to Donald Trump.

But this isn’t a journalism story. It’s a business story.

Following Trump’s 2016 victory, the Post leaned hard into its role as a guardian of democracy. This meant criticizing, and reporting aggressively on, Trump, who responded by threatening Bezos’s various business interests.

And that’s what this story is about: It’s about the most consequential American entrepreneur of his generation signaling his submission to Trump—and the message that sends to every other corporation and business leader in the country. In the world.

Killing this editorial says, If Jeff Bezos has to be nice to Trump, then so do you. Keep your nose clean, bub."...

These guys can hear the music. They’ve seen the sides being chosen: Elon Musk and Peter Theil assembling with Trump’s gangster government in waiting. They see Mark Zuckerberg praising Trump as a “badass.” And now they see Bezos getting in line, too.

What’s remarkable is that Trump didn’t have to arrest Bezos to secure his compliance. Trump didn’t even have to win the election. Just the fact that he has an even-money chance to become president was threat enough.

Or maybe that’s not remarkable. One of Timothy Snyder’s rules for resisting authoritarians is that “most of the power of authoritarianism is freely given.” People surrender preemptively much more often than you might expect.

Two weeks ago, Ian Bassin and Maximillian Potter wrote what might be the most prophetic essay of the year. They warned about “anticipatory obedience” in the media.

Seventeen days later, Bezos made his demonstration.

In case you needed reminding: The “guardrails” aren’t guardrails. They’re people.

And they’re already collapsing. Before a single state has been called."

Democracy Dies in Darkness Ann Telnaes cartoon on The Post not endorsing a presidential candidate.; The Washington Post, October 24, 2024

 Ann Telnaes, The Washington Post; Democracy Dies in Darkness Ann Telnaes cartoon on The Post not endorsing a presidential candidate.

After uproar over ethics, new 'Washington Post' editor won't take the job; NPR, June 21, 2024

David Folkenflik , NPR; After uproar over ethics, new 'Washington Post' editor won't take the job

"The ethical records of both men have come under withering scrutiny in recent days.

Lewis worked with Winnett at the Sunday Times in Britain in the early 2000s. After Lewis was named the youngest editor in the Daily Telegraph's history, he hired Winnett there. The two men, both Brits, worked hand-in-glove and won accolades in the U.K. for their scoops.

Yet NPR, the New York Times and the Post have reported on a parade of episodes involving both men in conduct that would be barred under professional ethics codes at major American news outlets, including the Post.

The incidents include paying a six-figure sum to secure a major scoop; planting a junior reporter in a government job to obtain secret and even classified documents; and relying on a private investigator who used subterfuge to secure people's confidential records and documents. The investigator was later arrested."

Meet the Bottomless Pinocchio, a new rating for a false claim repeated over and over again; The Washington Post, December 10, 2018

Glenn Kessler, The Washington Post; Meet the Bottomless Pinocchio, a new rating for a false claim repeated over and over again

"Trump’s willingness to constantly repeat false claims has posed a unique challenge to fact-checkers. Most politicians quickly drop a Four-Pinocchio claim, either out of a duty to be accurate or concern that spreading false information could be politically damaging.

Not Trump. The president keeps going long after the facts are clear, in what appears to be a deliberate effort to replace the truth with his own, far more favorable, version of it. He is not merely making gaffes or misstating things, he is purposely injecting false information into the national conversation.

To accurately reflect this phenomenon, The Washington Post Fact Checker is introducing a new category — the Bottomless Pinocchio. That dubious distinction will be awarded to politicians who repeat a false claim so many times that they are, in effect, engaging in campaigns of disinformation."