IT’S ABOUT ETHICS IN COMIC BOOK JOURNALISM: THE POLITICS OF X-MEN: RED; Comic Watch, April 18, 2020

Bethany W Pope, Comic Watch; IT’S ABOUT ETHICS IN COMIC BOOK JOURNALISM: THE POLITICS OF X-MEN: RED

"It’s extremely rare for a run of a mainstream comic to result in a story with as much philosophical complexity and clarity of vision as Tom Taylor’s (shamefully abbreviated) X-Men: Red. Because the author set out to tell ‘the best X-Men story’ he could, and because he managed (somehow) to gain something close to free-reign from editorial (as well as having the good luck of being paired with some truly remarkable artists; most notably Mahmud Asrar) the end result was not only the best continuous X-Man story of the decade, but something which will (in time) surpass Whedon’s revolutionary run on Astonishing in terms of fan-regard. In this article, I am going to pick (a little) at the weave of the story in an effort to isolate and reveal a few of the integral threads which form the weft of the narrative.

The central thesis of these eleven issues is that the act of compassion is a more powerful tool than the most brutally cinematic superpower. Empathy is the thing which slaughters fear. Looking at your enemy and seeing a person, woven through with hopes and loves, fears, the usual mixture of frailties, transforms disparate (possibly violent) mobs into a functional community by revealing that there is no ‘us versus them’. There’s only ‘us’. The X-Men are the perfect superhero group to make this point, because their entire existence is predicated on the phrase ‘protecting a world which fears and hates them’. The X-Men have always represented the struggle that othered groups (racial minorities, religious minorities, women, members of the LGBTQIA community) have faced when trying to live in function in a world that is slanted, dramatically, in favor of straight, white (American) men. Such a group is a necessary force in the current, fractured, geo-political climate."