Showing posts with label attribution. Show all posts
Showing posts with label attribution. Show all posts

Saturday, October 19, 2024

John Grisham poached material for new book, media outlets say; The Washington Post, October 18, 2024

,  The Washington Post; John Grisham poached material for new book, media outlets say 

"Both ProPublica and the Times said in statements to The Post that they want changes made to “Framed” to better credit Colloff.

“We are in conversation with the publisher to correct this very concerning oversight and ensure the original work receives appropriate credit,” ProPublica said in its statement.

The similarities between Colloff’s series and Grisham’s writing were first noted publicly by Maurice Chammah, a criminal justice reporter for the Marshall Project who reviewed “Framed” for the Times.

Chammah wrote “Grisham relies so heavily on Pamela Colloff’s 2018 reporting” that “simply mentioning her work in a note at the end does not feel adequate.”

Chammah said Grisham’s use of Colloff’s series is especially notable because reporting on apparent wrongful convictions can require years of painstaking investigation."

Monday, September 30, 2024

OpenAI Faces Early Appeal in First AI Copyright Suit From Coders; Bloomberg Law, September 30, 2024

Isaiah Poritz , Bloomberg Law; OpenAI Faces Early Appeal in First AI Copyright Suit From Coders

"OpenAI Inc. and Microsoft Corp.‘s GitHub will head to the country’s largest federal appeals court to resolve their first copyright lawsuit from open-source programmers who claim the companies’ AI coding tool Copilot violates a decades-old digital copyright law.

Judge Jon S. Tigar granted the programmers’ request for a mid-case turn to the US Court of Appeals for the Ninth Circuit, which must determine whether OpenAI’s copying of open-source code to train its AI model without proper attribution to the programmers could be a violation of the Digital Millennium Copyright Act...

The programmers argued that Copilot fails to include authorship and licensing terms when it outputs code. Unlike other lawsuits against AI companies, the programmers didn’t allege that OpenAI and GitHub engaged in copyright infringement, which is different from a DMCA violation."

Thursday, September 5, 2024

Intellectual property and data privacy: the hidden risks of AI; Nature, September 4, 2024

 Amanda Heidt , Nature; Intellectual property and data privacy: the hidden risks of AI

"Timothée Poisot, a computational ecologist at the University of Montreal in Canada, has made a successful career out of studying the world’s biodiversity. A guiding principle for his research is that it must be useful, Poisot says, as he hopes it will be later this year, when it joins other work being considered at the 16th Conference of the Parties (COP16) to the United Nations Convention on Biological Diversity in Cali, Colombia. “Every piece of science we produce that is looked at by policymakers and stakeholders is both exciting and a little terrifying, since there are real stakes to it,” he says.

But Poisot worries that artificial intelligence (AI) will interfere with the relationship between science and policy in the future. Chatbots such as Microsoft’s Bing, Google’s Gemini and ChatGPT, made by tech firm OpenAI in San Francisco, California, were trained using a corpus of data scraped from the Internet — which probably includes Poisot’s work. But because chatbots don’t often cite the original content in their outputs, authors are stripped of the ability to understand how their work is used and to check the credibility of the AI’s statements. It seems, Poisot says, that unvetted claims produced by chatbots are likely to make their way into consequential meetings such as COP16, where they risk drowning out solid science.

“There’s an expectation that the research and synthesis is being done transparently, but if we start outsourcing those processes to an AI, there’s no way to know who did what and where the information is coming from and who should be credited,” he says...

The technology underlying genAI, which was first developed at public institutions in the 1960s, has now been taken over by private companies, which usually have no incentive to prioritize transparency or open access. As a result, the inner mechanics of genAI chatbots are almost always a black box — a series of algorithms that aren’t fully understood, even by their creators — and attribution of sources is often scrubbed from the output. This makes it nearly impossible to know exactly what has gone into a model’s answer to a prompt. Organizations such as OpenAI have so far asked users to ensure that outputs used in other work do not violate laws, including intellectual-property and copyright regulations, or divulge sensitive information, such as a person’s location, gender, age, ethnicity or contact information. Studies have shown that genAI tools might do both1,2."

Saturday, August 3, 2024

AI is complicating plagiarism. How should scientists respond?; Nature, July 30, 2024

Diana Kwon , Nature; AI is complicating plagiarism. How should scientists respond?

"From accusations that led Harvard University’s president to resign in January, to revelations in February of plagiarized text in peer-review reports, the academic world has been roiled by cases of plagiarism this year.

But a bigger problem looms in scholarly writing. The rapid uptake of generative artificial intelligence (AI) tools — which create text in response to prompts — has raised questions about whether this constitutes plagiarism and under what circumstances it should be allowed. “There’s a whole spectrum of AI use, from completely human-written to completely AI-written — and in the middle, there’s this vast wasteland of confusion,” says Jonathan Bailey, a copyright and plagiarism consultant based in New Orleans, Louisiana.

Generative AI tools such as ChatGPT, which are based on algorithms known as large language models (LLMs), can save time, improve clarity and reduce language barriers. Many researchers now argue that they are permissible in some circumstances and that their use should be fully disclosed.

But such tools complicate an already fraught debate around the improper use of others’ work. LLMs are trained to generate text by digesting vast amounts of previously published writing. As a result, their use could result in something akin to plagiarism — if a researcher passes off the work of a machine as their own, for instance, or if a machine generates text that is very close to a person’s work without attributing the source. The tools can also be used to disguise deliberately plagiarized text, and any use of them is hard to spot. “Defining what we actually mean by academic dishonesty or plagiarism, and where the boundaries are, is going to be very, very difficult,” says Pete Cotton, an ecologist at the University of Plymouth, UK."

Monday, February 12, 2024

On Copyright, Creativity, and Compensation; Reason, February 12, 2024

 , Reason; On Copyright, Creativity, and Compensation

"Some of you may have seen the article by David Segal in the Sunday NY Times several weeks ago [available here] about a rather sordid copyright fracas in which I have been embroiled over the past few months...

What to make of all this? I am not oblivious to the irony of being confronted with this problem after having spent 30 years or so, as a lawyer and law professor, reflecting on and writing about the many mysteries of copyright policy and copyright law in the Internet Age.

Here are a few things that strike me as interesting (and possibly important) in this episode."

Tuesday, January 30, 2024

Lawyers weigh strength of copyright suit filed against BigLaw firm; Rhode Island Lawyers Weekly, January 29, 2024

 Pat Murphy , Rhode Island Lawyers Weekly; Lawyers weigh strength of copyright suit filed against BigLaw firm

"Jerry Cohen, a Boston attorney who teaches IP law at Roger Williams University School of Law, called the suit “not so much a copyright case as it is a matter of professional responsibility and respect.”"

Saturday, December 23, 2023

Opinion: Harvard’s Claudine Gay should resign; The Washington Post, December 23, 2023

 , The Washington Post; Opinion: Harvard’s Claudine Gay should resign

"Perhaps the most disturbing example is the least academic — Gay’s borrowing of words from another scholar, Jennifer L. Hochschild. In her acknowledgments for a 1996 book, Hochschild described a mentor who “showed me the importance of getting the data right and of following where they lead without fear or favor” and “drove me much harder than I sometimes wanted to be driven.”

Gay’s dissertation thanked her thesis adviser, who “reminded me of the importance of getting the data right and following where they lead without fear or favor,” and her family, “drove me harder than I sometimes wanted to be driven.”

Now, can I just say? Acknowledgments are the easiest, and most fun part, of writing a book, the place where you list your sources and allies and all the people who helped you get the manuscript over the finish line. Why not come up with your own thanks? What does it say about a person who chooses to appropriate another’s language for this most personal task."

Saturday, July 8, 2023

Sunday, April 3, 2022

She Took the White House Photos. Trump Moved to Take the Profit.; The New York Times, March 31, 2022

 Eric Lipton and  , The New York Times; She Took the White House Photos. Trump Moved to Take the Profit.

"There is no legal prohibition on Mr. Trump assembling and publishing photographs that a White House staff member took during his tenure; under federal law, those photographs are considered in the public domain and not subject to copyright. There is a public Flickr account, now managed by the National Archives, that has 14,995 photos from the Trump White House, a third of them listing Ms. Craighead as the photographer."

Tuesday, March 8, 2022

This Woman's Boss Kept Taking Her Work, So She Added A Hidden Signature To Her Presentation, And It's Deliciously Petty; Buzzfeed, March 7, 2022

Alexa Lisistza, Buzzfeed ; This Woman's Boss Kept Taking Her Work, So She Added A Hidden Signature To Her Presentation, And It's Deliciously Petty

"In hindsight, she said, "I think [managers passing off work as their own is] common because in this field of work, it’s like a lion cage. You need to fight your way up. Literally. No matter who gets hurt."...

Sometimes people forget that they work with people, for people," Cristina concluded. "It doesn’t always have to be a competition. We can work together to grow. We don’t need to steal from each other. We can learn from each other and be better — create a better [workspace]...where everyone is supported and appreciated. But sometimes, I feel like that’s just a dream.""

Friday, December 3, 2021

Who Owns a Recipe? A Plagiarism Claim Has Cookbook Authors Asking.; The New York Times, November 29, 2021

Priya Krishna , The New York Times; Who Owns a Recipe? A Plagiarism Claim Has Cookbook Authors Asking.

U.S. copyright law protects all kinds of creative material, but recipe creators are mostly powerless in an age and a business that are all about sharing.

"U.S. copyright law seeks to protect “original works of authorship” by barring unauthorized copying of all kinds of creative material: sheet music, poetry, architectural works, paintings and even computer software.

But recipes are much harder to protect. This is a reason they frequently reappear, often word for word, in one book or blog after another.

Cookbook writers who believe that their work has been plagiarized have few options beyond confronting the offender or airing their grievances online. “It is more of an ethical issue than it is a legal issue,” said Lynn Oberlander, a media lawyer in New York City...

“The whole history of American cookbook publishing is based on borrowing and sharing,” said Bonnie Slotnick, the owner of Bonnie Slotnick Cookbooks, an antique bookstore in the East Village of Manhattan...

Mr. Bailey said many cookbook authors are used to the free exchange of ideas on social media, and may not be conscious of the importance of giving credit. “It has become so tempting in this environment to just take rather than to create,” he said."

Friday, May 21, 2021

University of South Carolina President Resigns After Speech Blunders; The New York Times, May 13, 2021

; University of South Carolina President Resigns After Speech Blunders

Robert Caslen, a retired Army lieutenant general, was accused of failing to credit a lengthy passage in a commencement speech he delivered.

"In an apology emailed to the university community on Monday, General Caslen admitted to using a well-known quotation in his address to the graduates of the University of South Carolina from a 2014 commencement speech made by retired Adm. William H. McRaven at the University of Texas at Austin."

Friday, May 1, 2020

How to find copyright-free images (and avoiding a stock photo subscription); TNW, April 29, 2020

 , TNW; How to find copyright-free images (and avoiding a stock photo subscription)

"If you search for any term and head to the Images section in Google, you’ll instantly find thousands of images. There’s one issue, though: Some of them might be copyrighted and you might be putting yourself (or your employer) at risk. Fortunately, you can filter images by usage rights, which will help you avoid that...

Here are a couple of our favorite free stock photo sites:
If you’re looking for copyright-free PNG cutouts, you should check out PNGPlayIcon8, and PNGimg.
Even though a lot of these images are free to use without any attribution, you can support the creators by giving them credit, which in turn gives their work more exposure. You might not have the resources to purchase their images, but someone else might be interested in hiring them. Crediting them for their work helps with that.
You get to save some money by avoiding buying a Shutterstock subscription, they get free exposure. It’s a win-win."

Friday, March 1, 2019

Jill Abramson Plagiarized My Writing. So I Interviewed Her About It; Rolling Stone, February 13, 2019

Jake Malooley, Rolling Stone;

Jill Abramson Plagiarized My Writing. So I Interviewed Her About It


When journalist Jake Malooley talked to the former New York Times executive editor, she admitted only to minor mistakes — but her responses were revealing

[Kip Currier: In yesterday's Information Ethics class session, looking at Plagiarism, Attribution, and Research Integrity and Misconduct, we explored this illuminating 2/13/19 interview of Jill Abramson--veteran journalist and the former first-ever female Executive Editor of The New York Times from 2011 until her firing in 2014--by Rolling Stone reporter Jake Malooley.

I also played the first ten minutes of a 2/20/19 radio interview of Abramson by WNYC's Brian Lehrer, in which Abramson fields questions from Lehrer about her ongoing plagiarism controversy and research/writing process.

The Abramson plagiarism controversy is a rich ripped-from-the-headlines case study, emphasizing the importance and implications of plagiarism and research integrity and misconduct. Imagine being in Abramson's Harvard University class this term, where the 1976 Harvard FAS alumna is teaching an Introduction to Journalism course...

Speaking of Harvard, The Harvard Crimson has an interesting 2/15/19 article on the continuing Abramson controversy, as well as prior instances of alleged plagiarism by a trio of prestigious Harvard professors in the early 2000's, who, following investigations, "faced no public disciplinary action": Current Policy, Past Investigations Offer Window Into Harvard’s Next Steps In Abramson Plagiarism Case]


"In the days that followed, Abramson gave interviews to Vox and CNN. She unconvincingly sidestepped definitions of plagiarism upheld by the Times and Harvard, contending she is guilty of little more than sloppiness. She also claimed Vice is “waging an oppo campaign” against her book. Amid all the equivocation and attempts to duck the plagiarist label, Abramson still had not sufficiently explained how my writing and that of several other journalists ended up running nearly word-for-word in her book. I didn’t feel personally aggrieved, as some colleagues believed I rightfully should. But I did think I was owed straight answers. So late last week, I requested an interview with Abramson through Simon & Schuster, the publisher of Merchants of Truth.


On Monday afternoon, Abramson phoned me from Harvard’s campus, where she would be teaching an introduction to journalism seminar. According to the syllabus for Abramson’s Spring 2019 workshop “Journalism in the Age of Trump,” a copy of which a student, Hannah Gais, tweeted, Merchants of Truth is assigned as required reading...
This interview has been condensed for length.
Correction: This article previously stated that Abramson was on her way to her Spring 2019 workshop, “Journalism in the Age of Trump.” It has been corrected to clarify that she was on her way to an introduction to journalism class."


Friday, November 16, 2018

The darker side of Stan Lee’s legacy; Vox, November 14, 2018

Alex Abad-Santos, Vox; The darker side of Stan Lee’s legacy

"As fans, we should celebrate Lee’s work and the wondrous comic book worlds he helped create. At the same time, it doesn’t take away from Lee’s legacy to also acknowledge the comic book writers, artists, editors, colorists, and everyone who worked with him to produce those characters and universes — the people who don’t, and perhaps never will, enjoy the same level of recognition."

Tuesday, November 13, 2018

Marvel Icon Stan Lee Leaves a Legacy as Complex as His Superheroes; The Daily Beast, November 12, 2018

Spencer Ackerman, The Daily Beast; Marvel Icon Stan Lee Leaves a Legacy as Complex as His Superheroes

"Stan Lee supercharged Marvel Comics into one of the most important cultural forces on the planet. But how much credit does he really deserve?"

Marvel Comics' Stan Lee Passes Away at 95; November 12, 2018

Kip Currier; Marvel Comics' Stan Lee Dies at 95

Marvel Comics' legend Stan Lee passed away today at the age of 95 in Los Angeles. In the 1960's, Lee collaborated with the late iconic artist Jack Kirby (and later, others as well) in co-creating many of Marvel's most famous superhero characters--the Fantastic Four, the Hulk, the Avengers, the X-Men, the Black Panther, and many more. Lee and Kirby's creations now rank among the most lucrative Intellectual Property in the "616 universe".

It's interesting to note the headlines that have been appearing today--some citing Lee as "creator", while others use "co-creator":




















Wednesday, August 22, 2018

Copyright vs. Conscience: Lawyering Up Isn’t Always the Right Move; PetaPixel, August 21, 2018

Blair Bunting, PetaPixel; Copyright vs. Conscience: Lawyering Up Isn’t Always the Right Move

"You read stories about photographers going after copyright abuse all the time, and it’s nearly always justified. In this case, I hope you can agree with me that seeking monetary compensation through legal recourse was not the right move. Sometimes you have to step back and remember that this may be a business, but it’s a business that relies on people. Once in a while, you have to remember that everyone featured in a photograph is a human, and as such all deserve compassion.

Rest in peace, Old Man."

Sunday, July 22, 2018

Farting unicorn row: artist reaches settlement with Elon Musk; The Guardian, July 21, 2018

Damien Gayle, The Guardian; Farting unicorn row: artist reaches settlement with Elon Musk

"A Colorado artist says he has reached a settlement with Elon Musk after challenging the Tesla tycoon’s use of a farting unicorn motif that he had drawn as an ironic tribute to electric cars.

Musk used the cartoon image on Twitter, without attribution, to promote his Tesla electric car range, and ignored Tom Edwards’ attempts to come to a licensing arrangement, telling the artist’s daughter it would be “kinda lame” to sue."