Spider-Verse Is The First Movie To Properly Understand The Meaning Of Spider-Man; ScreenRant, January 1, 2019

Max Farrow, ScreenRant; Spider-Verse Is The First Movie To Properly Understand The Meaning Of Spider-Man

"With his love for graffiti and music, Miles is not the same every-man that Peter is. Indeed, as an American teenager of color, he reflects the modern and diverse world that we live in. However, he also serves as a literal embodiment of how fans from every corner can see themselves within Spider-Man. Into the Spider-Verse depicts Miles being inspired and shaped by Spider-Man’s legend to become a hero in his own right. And this is key to the movie’s inclusive message...

Before Into the Spider-Verse's hilarious post credit scene, the film ends with another quote from Stan Lee:

“That person who helps others simply because it should or must be done, and because it is the right thing to do, is indeed without a doubt, a real superhero.”

Superheroes can serve as comic or violent fantasies, but at their heart they are stories about people learning to be better themselves. Peter Parker and his comic books act as a springboard for Miles Morales to achieve greatness, as he recognizes how to use his abilities responsibly. But the lesson that we can all change for the better is not one that Peter or Miles must learn on their own – we too can be inspired by Miles' story in Spider-Verse. Indeed, it’s an empowering and universal message that anyone can live by. As Miles says in his voice-over at the end of Spider-Man: Into the Spider-Verse, anyone can wear the Spider-Man mask. Therefore, everyone has the potential to do good in this world, just like the every-man superhero, Spider-Man."

Stan Lee Unleashed the Heroic Power of the Outcast; Wired, December 13, 2018

Adam Rogers, Wired; Stan Lee Unleashed the Heroic Power of the Outcast

"From the fantasy-pulp midden, Lee had excavated a gem of a truth: These tales about men and women in garish tights hitting each other were also about more. Super­heroes had incredible abilities, yes, but they were also often the victims of prejudice themselves, or trapped in moral webs stronger than anything Spider-­Man ever thwipped. So the comics appealed to people who felt the same, even before Lee and the other Marvel creators published the first African American heroes, the first popular Asian American heroes, and strong, leading-character women in numbers large enough to populate a dozen summer crossovers...

His death encouraged people to tell stories of Lee’s kindness and enthusiasm. But for every story that circulated after Lee’s death about how wonderful and caring he was, comics professionals tell other tales in which Lee is … not.

Every bit as complicated as the characters he helped bring into the world, Lee taught generations of nerds the concepts of responsibility, morality, and love. He waged a sometimes ham-fisted battle against prejudice, misunderstanding, and evil. This is what makes some of nerd-dom’s recent tack toward intolerance so painful; other­ishness is engineered into comics’ radioactive, mutated DNA. Even if Lee wasn’t a super human, he was super­human, empowering colleagues to leap creative obstacles and to give readers a sense of their own secret strengths."

The darker side of Stan Lee’s legacy; Vox, November 14, 2018

Alex Abad-Santos, Vox; The darker side of Stan Lee’s legacy

"As fans, we should celebrate Lee’s work and the wondrous comic book worlds he helped create. At the same time, it doesn’t take away from Lee’s legacy to also acknowledge the comic book writers, artists, editors, colorists, and everyone who worked with him to produce those characters and universes — the people who don’t, and perhaps never will, enjoy the same level of recognition."

Stan Lee Is Dead at 95; Superhero of Marvel Comics; The New York Times, November 12, 2018

Jonathan Kandell and Andy Webster, The New York Times; Stan Lee Is Dead at 95; Superhero of Marvel Comics

"Mr. Lee was often faulted for not adequately acknowledging the contributions of his illustrators, especially Mr. Kirby. Spider-Man became Marvel’s best-known property, but Mr. Ditko, its co-creator, quit Marvel in bitterness in 1966. Mr. Kirby, who visually designed countless characters, left in 1969. Though he reunited with Mr. Lee for a Silver Surfer graphic novel in 1978, their heyday had ended.

 

Many comic fans believe that Mr. Kirby was wrongly deprived of royalties and original artwork in his lifetime, and for years the Kirby estate sought to acquire rights to characters that Mr. Kirby and Mr. Lee had created together. Mr. Kirby’s heirs were long rebuffed in court on the grounds that he had done “work for hire” — in other words, that he had essentially sold his art without expecting royalties.

 

In September 2014, Marvel and the Kirby estate reached a settlement. Mr. Lee and Mr. Kirby now both receive credit on numerous screen productions based on their work."

How Stan Lee Fought To Keep Spider-Man An 'Everyman'; Comic Book Resources, November 13, 2018

Brian Cronin, Comic Book Resources; How Stan Lee Fought To Keep Spider-Man An 'Everyman'

"In 1965, Esquire magazine polled college students and found that Spider-Man was just as popular to them as other generational talents like Bob Dylan. One pollee brilliantly explained Spider-Man's appeal, "beset by woes, money problems, and the question of existence. In short, he is one of us."

The problem was, though, that Steve Ditko was beginning to think that that was not a good thing...

However, a more philosophical dispute between Ditko and Stan Lee came over how Spider-Man should be depicted now that he had graduated high school and entered college. Ditko, a follower of Ayn Rand and Obkectivism [sic], was okay with the idea of a young teen not being a "true" hero (that is, having some gray areas), but now that Spider-Man was in college, Ditko wanted Spidey to become more of an objectively heroic character. Stan Lee and Martin Goodman, though, wanted to keep Spider-Man as an "everyman." That was the exact opposite of what Ditko wanted for the character."

Stan Lee Spoke Out Against Bigotry, Again And Again; Comic Book Resources, November 13, 2018

Hannah Collins, Comic Book Resources; Stan Lee Spoke Out Against Bigotry, Again And Again

""None of us live our lives in a vacuum," Lee wrote in 1970, "none of us is untouched by the everyday events about us -- events which shape our stories just as they shape our lives." Here, Lee directly addressed readers who had been disgruntled by his "moralizing," a bell continues to be rung to this day. "They [Marvel comics readers] take great pains to point out that comics are supposed to be escapist reading and nothing more. But somehow, I can't see it that way. It seems to me that a story without a message, however subliminal, is like a man without a soul."

It's alarming and disappointing that so much of what Lee railed against over 50 years ago still feels so prescient in 2018. He also made mention in the same column of his talks at college campuses where "there's as much discussion of war and peace, civil rights, and the so-called youth rebellion as there is of our Marvel mags per se," and Lee continued to connect with people, face-to-face, as recently as last year. A 94-year-old Lee recorded a video message for Marvel's YouTube channel in response to the violent white nationalist rally in Charlottesville, Virginia in August 2017, reaffirming that Marvel's stories "have room for everyone, regardless of their race, gender, religion or color of their skin. The only things we don't have room for are hatred, intolerance or bigotry.""

Stan Lee’s Radical Fight Against Racists: ‘The Only Way to Destroy Them Is to Expose Them’; The Daily Beast, November 13, 2018

Stereo Williams, The Daily Beast; Stan Lee’s Radical Fight Against Racists: ‘The Only Way to Destroy Them Is to Expose Them’

[Kip Currier: Inspiring and powerful example of the ways every person can make a choice to stand against hatred of the "other" and bigotry, in all its forms.]

"Regardless of ongoing controversy surrounding the contributions of Kirby and others, Lee should be remembered for being an agent of change in his medium. A 1968 post from Lee’s mail column has been making the rounds in the wake of his death. In it, Lee makes plain his stance on racism.

“Let’s lay it right on the line. Bigotry and racism are among the deadliest social ills plaguing the world today. But, unlike a team of costumed super-villains, they can’t be halted with a punch in the snoot, or a zap from a ray gun. The only way to destroy them is to expose them—to reveal them for the insidious evils they really are. The bigot is an unreasoning hater—one who hates blindly, fanatically, indiscriminately. If his hang-up is black men, he hates ALL black men. If a redhead once offended him, he hates ALL redheads. If some foreigner beat him to a job, he’s down on ALL foreigners. He hates people he’s never seen—people he’s never known—with equal intensity—with equal venom.

“Now, we’re not trying to say it’s unreasonable for one human being to bug another. But, although anyone has the right to dislike another individual, it’s totally irrational, patently insane to condemn an entire race—to despise an entire nation—to vilify an entire religion. Sooner or later, we must learn to judge each other on our own merits. Sooner or later, if man is ever to be worthy of his destiny, we must fill our hearts with tolerance. For then, and only then, will we be truly worthy of the concept that man was created in the image of God—a God who calls us ALL—His children.”

Stan Lee’s creative voice helped reshape the role of comics in American society and helped affect how American society saw comics. In doing so, Lee helped challenge his readers and his peers. His characters live now as part of the fabric of our culture—in blockbuster movies, acclaimed TV shows, video games and a host of other media. Generations of comic-book lovers saw themselves in those characters, and that was what he’d wanted all along. As some quarters of America tell themselves that politics have no place in pop art, the proof in Stan Lee’s history reminds us that the message has always been a part of the medium. Those who believe otherwise maybe have to consider that they aren’t the “good guy” in the story. After all—you can’t be a hero if you don’t stand for anything."

How Stan Lee Helped Bring Humanity to Superheroes; Comic Book Resources, November 13, 2018

Brian Cronin, Comic Book Resources; How Stan Lee Helped Bring Humanity to Superheroes

"Spider-Man's introduction in Amazing Fantasy #15 achieved two notable goals. One, it took the idea of Reed Richards' cosmic ray screw-up leading to the creation of the Fantastic Four to a whole other level, as now Peter Parker's selfishness almost directly led to the death of his beloved Uncle Ben, giving Spider-Man a painful reminder why he has to be a superhero and two, it took a teen hero and had him not as a sidekick or a younger version of an older hero, but as THE hero."

Marvel Icon Stan Lee Leaves a Legacy as Complex as His Superheroes; The Daily Beast, November 12, 2018

Spencer Ackerman, The Daily Beast; Marvel Icon Stan Lee Leaves a Legacy as Complex as His Superheroes

"Stan Lee supercharged Marvel Comics into one of the most important cultural forces on the planet. But how much credit does he really deserve?"

Marvel Comics' Stan Lee Passes Away at 95; November 12, 2018

Kip Currier; Marvel Comics' Stan Lee Dies at 95

Marvel Comics' legend Stan Lee passed away today at the age of 95 in Los Angeles. In the 1960's, Lee collaborated with the late iconic artist Jack Kirby (and later, others as well) in co-creating many of Marvel's most famous superhero characters--the Fantastic Four, the Hulk, the Avengers, the X-Men, the Black Panther, and many more. Lee and Kirby's creations now rank among the most lucrative Intellectual Property in the "616 universe".

It's interesting to note the headlines that have been appearing today--some citing Lee as "creator", while others use "co-creator":

Stan Lee, creator of legendary Marvel comic book superheroes, dies at 95; NBC News

Comic Book Genius Stan Lee, Spider-Man Creator, Dies at 95; NBC San Diego 7

Stan Lee: Spider-Man, X-Men and Avengers creator dies aged 9; The Guardian

Marvel Comics co-creator Stan Lee dead at 95; ABC 13

Stan Lee, Marvel Comics writer, co-creator of the Avengers, X-Men and Spider-Man, dies aged 95; ABC (Australian Broadcasting Corporation)

Marvel Comics Co-Creator Stan Lee Dead at 95; TMZ

Marvel Comics co-creator Stan Lee dead at 95; WGN 9

The Gifted: X-Men TV Series is “About Bigotry” in 2017; Den Of Geek, July 25, 2017

David Crow, Den Of Geek; The Gifted: X-Men TV Series is “About Bigotry” in 2017

"Of all the many, many creations in Stan Lee and Jack Kirby’s extensive oeuvre, few have ever proven as potent for allegory and transmutative topicality as the mutants themselves. In other words, no superhero creation has been as fertile for political commentary as the X-Men. This is something that The Gifted, a new Fox network series set in the X-Men universe, is going to expand on in new and challenging ways for 2017. And it’s something the cast is very proud about.

“Yeah, I’m going to say straight-up you guys, our show’s about bigotry,” actress Emma Dumont tells me during an interview for The Gifted after the series’ San Diego Comic-Con panel. “I’m sorry, but we see it in the first scene when Blink’s running for her life and a cop could easily kill her dead with zero consequences, because of prejudice, because of prejudging her for something people are uncomfortable with, that they don’t understand, because people are born with this thing, and that is literally where we live.”"