ALA Vows to Defend Core Values; American Libraries, November 6, 2024

American Libraries; ALA Vows to Defend Core Values

"On November 6, the American Library Association (ALA) issued a statement following the results of the 2024 US election. The full statement reads as follows:

In response to the results of the 2024 US election, ALA vowed to continue its defense of the core values of librarianship in the face of political threats.

“We know that many of our members are concerned that the election results portend attacks on libraries, library workers, and readers,” said ALA President Cindy Hohl. “Whatever happens, ALA will stand up for all Americans’ freedom to read—and we will need everyone who loves libraries to stand with us.”"

Internet Archive forced to remove 500,000 books after publishers’ court win; Ars Technica, June 21, 2024

 ASHLEY BELANGER, Ars Technica; Internet Archive forced to remove 500,000 books after publishers’ court win

"As a result of book publishers successfully suing the Internet Archive (IA) last year, the free online library that strives to keep growing online access to books recently shrank by about 500,000 titles.

IA reported in a blog post this month that publishers abruptly forcing these takedowns triggered a "devastating loss" for readers who depend on IA to access books that are otherwise impossible or difficult to access.

To restore access, IA is now appealing, hoping to reverse the prior court's decision by convincing the US Court of Appeals in the Second Circuit that IA's controlled digital lending of its physical books should be considered fair use under copyright law."

John Green urges communities to stand against censorship in libraries, schools; WFYI, October 2, 2023

 LEE V. GAINES, WFYI; John Green urges communities to stand against censorship in libraries, schools

"Indianapolis author John Green said it’s not the responsibility of a public library to make sure no one is offended by the material on its shelves...

Green’s YA novel “Looking for Alaska” was among the most challenged books of last year, according to the American Library Association. Limiting access to information is an age-old strategy to try to control what people think, Green said. But he also expressed confusion — to the amusement of many in the audience — about why his work has been painted as inappropriate for teenage readers...

Green said he trusts trained librarians to decide where books belong in the library, and that the purpose of a library is to allow for equitable access to information — not to appease anyone’s preferences. 

“This is an uncomfortable thing to talk about, but ultimately the library does not exist for everyone who uses the library to be comfortable with every book in the library,” he said...

Indiana’s new law 

Earlier this year, Indiana legislators approved a controversial new law that requires public and charter schools to establish a process to allow both parents and community members to challenge books in school libraries that they believe are inappropriate for children. It also requires schools to publicly post their library catalogs. And it bars public school employees from using a book’s educational value as a defense against charges they distributed harmful material to minors.

In an interview with WFYI after the event, Hunley emphasized that the law doesn’t ban books. But she says it’s had a chilling effect; educators are second-guessing what titles they choose to include in schools out of fear of being targeted by anyone who may disagree with the content of a book...

“And most often, those are books that are featuring the stories of people who are marginalized, right, people that are brown, like me, people in the LGBTQ community, right, people who think differently than those who seek to remove their books from the shelves,” Hunley said. 

Hunley, a former Indianapolis Public Schools principal, urged educators not to let a vocal minority dictate what information and material students can access."

Unpublished Letter Sent to New York Times Editor on 10/2/23 re “The Enemies of Literature Are Winning” by Matthew Walther (Oct. 1, 2023)

[Kip Currier: Unpublished Letter I sent to New York Times Editor on 10/2/23 re “The Enemies of Literature Are Winning” by Matthew Walther (Oct. 1, 2023).]

Nowhere in the author’s jeremiad does he address the two most important reasons for the continuing existence and relevance of Banned Books Week: providing readers with access to the broadest spectrum of information and including the voices of all, particularly BIPOC and LGBTQ+ persons who have historically been absent from library collections. In the words of the late Banned Books Week co-founder and longtime intellectual freedom champion Judith Krug, “We have to serve the information needs of everybody.” Not some, but everyone.

‘It’s not climate change, it’s everything change’: sci-fi authors take on the global crisis; The Observer via The Guardian, July 9, 2023

David Barnett, The Observer via The Guardian; ‘It’s not climate change, it’s everything change’: sci-fi authors take on the global crisis

"Science fiction has always sounded a warning about human behaviour and its possible consequences, she adds. “It deals with a futuristic imagining based on the scientific, moral and social principles of the ‘now’ – and the author taking them a step further, into the ‘then’.

“Whether it’s the imaginings of George Orwell’s Nineteen Eighty-Four and a dystopian future cowed by mass surveillance and regimentation of its people or Margaret Atwood’s The Handmaid’s Tale, with its patriarchal and white supremacist control over women’s bodies – science fiction has shown readers what can happen should the worst actions of society follow an upward trajectory and become a dystopian style-future.”"

How Review-Bombing Can Tank a Book Before It’s Published; The New York Times, June 26, 2023

 Alexandra Alter and Elizabeth A. Harris, The New York Times; How Review-Bombing Can Tank a Book Before It’s Published

"Reviews can be weaponized, in some cases derailing a book’s publication long before its release."

Va. Republicans try to restrict minors’ access to two books after judge’s obscenity finding; Virginia Mercury, May 19, 2022

GRAHAM MOOMAW, Virginia Mercury; Va. Republicans try to restrict minors’ access to two books after judge’s obscenity finding

‘They’re basically treated like adult magazines now’

"Anderson said he’s only trying to restrict the books’ availability to minors, not to censor or ban them entirely."

“It’s just, they’re basically treated like adult magazines now,” Anderson said. “You can’t go watch an R-rated movie without your parents there. Same concept.”

The legal maneuver was already drawing backlash Thursday.

“Virginia Republicans want to ban books. Everywhere — they aren’t stopping at schools & libraries,” Del. Marcus Simon, D-Fairfax, said on Twitter. “They are authoritarian bullies who want to control what you see, hear, learn and read. Everything they baselessly accuse the left of doing, they do.”

A little-utilized state law allows “any citizen” to ask a court to weigh in on books alleged to be obscene.

After reviewing the two contested books, retired Petersburg-area Judge Pamela Baskervill issued two orders on May 18 finding probable cause the books could qualify as obscene, an initial step that allows the books’ authors and publishers to respond in defense of their work within 21 days of being notified of the court proceedings. Baskervill is handling the case because all other judges in Virginia Beach recused themselves, according to Anderson.

Once a probable cause finding is made, the law also allows the court to grant a temporary restraining order “against the sale or distribution of the book alleged to be obscene.”"

WHY IS PUBLISHING PLAGIARISM STILL POSSIBLE?; Book Riot, February 15, 2022

 Alice Nuttall, Book Riot; WHY IS PUBLISHING PLAGIARISM STILL POSSIBLE?

"Spotting plagiarism in books, though, still seems to be a matter for eagle-eyed readers or wronged authors. Why, in a world where there’s an app or a programme for everything, is publishing plagiarism still possible?"

Opinion: I witnessed brutal censorship in Iran. We should all take U.S. book bans as a warning.; The Washington Post; February 14, 2022

Azar Nafisi, The Washington Post; Opinion: I witnessed brutal censorship in Iran. We should all take U.S. book bans as a warning.

"Azar Nafisi is the author of “Reading Lolita in Tehran.” Her new book, “Read Dangerously: The Subversive Power of Literature in Troubled Times,” comes out in March.

First they burn books, then they kill people!”

That line often came to mind when I was living in the Islamic Republic of Iran, every time the regime closed a bookstore or a publishing house, every time it censored, banned, jailed or even killed authors. It never occurred to me that one day I would repeat the same sentiment in a democracy, in my new home, the United States of America...

It is alarming to think that American communities in 2022 are actively seeking to deprive people of the reading experiences for which my students in Iran paid such a heavy price. For I can tell you: Book bans are canaries in coal mines — indicators of the direction in which a society is moving.

In recent years, we have seen how truth is replaced by lies, and how dangerous a cultivated ignorance can be, especially when it is embraced by our political leaders and our loudest media commentators, those with the largest bullhorns. Book-banning is a form of silencing, and it is the next step along a continuum — one that I worry even in the United States presages a further slide toward totalitarianism."

Who Owns a Recipe? A Plagiarism Claim Has Cookbook Authors Asking.; The New York Times, November 29, 2021

Priya Krishna , The New York Times; Who Owns a Recipe? A Plagiarism Claim Has Cookbook Authors Asking.

U.S. copyright law protects all kinds of creative material, but recipe creators are mostly powerless in an age and a business that are all about sharing.

"U.S. copyright law seeks to protect “original works of authorship” by barring unauthorized copying of all kinds of creative material: sheet music, poetry, architectural works, paintings and even computer software.

But recipes are much harder to protect. This is a reason they frequently reappear, often word for word, in one book or blog after another.

Cookbook writers who believe that their work has been plagiarized have few options beyond confronting the offender or airing their grievances online. “It is more of an ethical issue than it is a legal issue,” said Lynn Oberlander, a media lawyer in New York City...

“The whole history of American cookbook publishing is based on borrowing and sharing,” said Bonnie Slotnick, the owner of Bonnie Slotnick Cookbooks, an antique bookstore in the East Village of Manhattan...

Mr. Bailey said many cookbook authors are used to the free exchange of ideas on social media, and may not be conscious of the importance of giving credit. “It has become so tempting in this environment to just take rather than to create,” he said."

‘Maus’ Author Art Spiegelman: ‘We Are on the Brink of Fascism’; The Daily Beast, November 28, 2021

Sarah Moroz, The Daily Beast; ‘Maus’ Author Art Spiegelman: ‘We Are on the Brink of Fascism’

"“Comics are an art of communication,” Spiegelman said, standing firmly in contrast to so-called “high art.” In the past, “communicating too easily was considered commercial,” he noted, but countered simply: “I think art is anything that gives shape to your thoughts or feelings.”...

“Cartoonists are gone,” Spiegelman said. “Humor has become more and more dangerous… Pictures are dangerous.” Editors fear “different interpretations,” he lamented: “Newspapers want to keep every reader they have—so it’s better to talk to the stupid ones.” He concluded: “Every time someone says something satirical, they get cancelled.”"

Death threats against the author of ‘American Dirt’ threaten us all; The Washington Post, January 30, 2020

Ron Charles , The Washington Post; Death threats against the author of ‘American Dirt’ threaten us all

"The co-owner of Politics and Prose, Lissa Muscatine, articulated that goal when she introduced Cummins last week. She noted that “American Dirt” raises questions such as: “Who is entitled to tell whose story? What is the purpose of literary fiction? Does a white-dominated publishing world perpetuate cultural bias in its choices of authors and books to promote?” Before turning over the microphone to Cummins, she reminded us, “Here at P and P, our only requirement is that we all remain respectful and generous as we listen to and hear from one another, even when we disagree.”

How grotesquely that modest requirement of liberal society has been soiled this week."

Giant Publisher Macmillan Goes To War Against Libraries; TechDirt, November 15, 2019

Mike Masnick, TechDirt; Giant Publisher Macmillan Goes To War Against Libraries

"In September, librarians around the US launched a campaign -- ebooksforall.org urging Macmillan to rethink this awful plan:

This embargo limits libraries’ ability to provide access to information for all. It particularly harms library patrons with disabilities or learning issues. One of the great things about eBooks is that they can become large-print books with only a few clicks, and most eBook readers offer fonts and line spacing that make reading easier for people who have dyslexia or other visual challenges. Because portable devices are light and easy to hold, eBooks are easier to use for some people who have physical disabilities.
Macmillan is the only major publisher restricting public libraries’ ability to purchase and lend digital content to their communities. Before the embargo took effect, we collected 160,000 signatures from readers who urged Macmillan not to go through with their plan. And we delivered these signatures in person to CEO John Sargent. Sadly, he did not listen."

Steal This Book? There’s a Price; The New York Times, September 15, 2019

Richard Conniff, The New York Times; Steal This Book? There’s a Price

I have about 400 offers to buy illegal copies of my own work. Something is very wrong. 

"Maybe, though, it’s too narrow to focus on the way our society has discounted its authors. No doubt musicians, and local retailers, and hometown newspapers, and schoolteachers, and factory workers all feel discounted in much the same way. We have surrendered our lives to technocrat billionaires who once upon a time set out to do no harm and have instead ended up destroying the world as we knew it. Convenience and the lowest possible price, or no price at all, have become our defining values. We have severed ourselves from our communities and from the mutual give-and-take that was once our ordinary daily life. Now we sit alone in our rooms, restlessly scrolling for something free to read."

'I can get any novel I want in 30 seconds': can book piracy be stopped?; The Guardian, March 6, 2019

Katy Guest, The Guardian;

'I can get any novel I want in 30 seconds': can book piracy be stopped?

"The UK government’s Intellectual Property Office estimates that 17% of ebooks are consumed illegally. Generally, pirates tend to be from better-off socioeconomic groups, and aged between 30 and 60. Many use social media to ask for tips when their regular piracy website is shut down; when I contacted some, those who responded always justified it by claiming they were too poor to buy books – then tell me they read them on their e-readers, smartphones or computer screens - or that their areas lacked libraries, or they found it hard to locate books in the countries where they lived. Some felt embarrassed. Others blamed greedy authors for trying to stop them.

When we asked Guardian readers to tell us about their experiences with piracy, we had more than 130 responses from readers aged between 20 and 70. Most regularly downloaded books illegally and while some felt guilty – more than one said they only pirated “big names” and when “the author isn’t on the breadline, think Lee Child” – the majority saw nothing wrong in the practice. “Reading an author’s work is a greater compliment than ignoring it,” said one, while others claimed it was part of a greater ethos of equality, that “culture should be free to all”."

Elena Ferrante: A writer’s talent is like a fishing net, catching daily experiences that can educate; The Guardian, January 5, 2019

Elena Ferrante, The Guardian; Elena Ferrante: A writer’s talent is like a fishing net, catching daily experiences that can educate

"There’s a very old function of literature that over time has lost currency, probably because of its dangerous proximity to the political and ethical spheres. I mean the idea that one of the purposes of a text is to instruct...

An individual talent acts like a fishing net that captures daily experiences, holds them together imaginatively, and connects them to fundamental questions about the human condition."

In Yemen, Lavish Meals forFew, Starvation for Many and a Dilemma for Reporters; The New York Times, November 29, 2018

Declan Walsh, The New York Times; 

In Yemen, Lavish Meals for  Few, Starvation for Many and a Dilemma for Reporters

"For a reporter, that brings a dilemma. Journalists travel with bundles of hard currency, usually dollars, to pay for hotels, transport and translation. A small fraction of that cash might go a long way for a starving family. Should I pause, put down my notebook and offer to help?

It’s a question some readers asked after we published a recent article on Yemen’s looming famine."

From Orwell to ‘Little Mermaid,’ Kuwait Steps Up Book Banning; The New York Times, October 1, 2018

Rod Nordland, The New York Times;
From Orwell to ‘Little Mermaid,’ Kuwait Steps Up Book Banning

"At a bookstore in Kuwait City, the proprietor showed off a secret cupboard full of contraband books behind the cash register and a basement storeroom with even more. “It’s a cliché that book banning helps book sales,” she said. “As a bookseller, I can tell you I would much rather have the books out on display.”

The bookseller did have a banned copy of “Zorba the Greek” on display, discretely, since it could result in a minimum fine of about $1,650 if Ministry of Information inspectors saw it. She said she was not too worried. “You can always spot them when they come in,” she said. “You can tell they’re not readers.”"

Post-Gazette Is Going Digital, At Least On Some Days, With An Ad Campaign That Is Raising Eyebrows; KDKA 2 CBS Pittsburgh, August 22, 2018

Jon Delano, KDKA 2 CBS Pittsburgh; Post-Gazette Is Going Digital, At Least On Some Days, With An Ad Campaign That Is Raising Eyebrows

"The PG has billboards up around town and television ads on-air, featuring those who say they will never go digital.

One TV advertisement: “PGe and PG NewsSlide, who the bleep needs them. Last time I went on line they tried to track my cookies. They’ll never get my cookie recipe.” 

Another TV advertisement: “Now they’re telling me PG is going digital. They can stick their digital. I’m not doing that.” 

“It’s a little insensitive to the readers who really are connected to print, who really depend on print,” said [Andrew] Conte [director of Point Park University’s Center for Media Innovation].

Not true, says [Allan] Block [chairman of Block Communications that owns the PG]."

As technology develops, so must journalists’ codes of ethics; Guardian, January 21, 2018

Paul Chadwick, Guardian; 

As technology develops, so must journalists’ codes of ethics

"AI collaboration poses ethical issues for, among others, courts that use it in sentencing, for operators of weapons systems, and for medical specialists. The potential benefits of AI, together with the widespread recognition that the accountability of AI decision-making matters greatly, give me confidence that the challenge of making AI accountable to humans will be met. Until it is, each collaboration requires attention. In journalism, the long-unchanging codes of ethics need to be revisited to make specific provision for this transitional era. A clause something like: “When using artificial intelligence to augment your journalism, consider its compatibility with the values of this code. Software that ‘thinks’ is increasingly useful, but it does not necessarily gather or process information ethically.”"