The Heart of the Matter: Copyright, AI Training, and LLMs; SSRN, November 1, 2024

 Daniel J. Gervais, Vanderbilt University - Law School

Noam Shemtov, Queen Mary University of London, Centre for Commercial Law Studies

Haralambos Marmanis, Copyright Clearance Center

Catherine Zaller Rowland, Copyright Clearance Center 

SSRN; The Heart of the Matter: Copyright, AI Training, and LLMs

"Abstract

This article explores the intricate intersection of copyright law and large language models (LLMs), a cutting-edge artificial intelligence technology that has rapidly gained prominence. The authors provide a comprehensive analysis of the copyright implications arising from the training, fine-tuning, and use of LLMs, which often involve the ingestion of vast amounts of copyrighted material. The paper begins by elucidating the technical aspects of LLMs, including tokenization, word embeddings, and the various stages of LLM development. This technical foundation is crucial for understanding the subsequent legal analysis. The authors then delve into the copyright law aspects, examining potential infringement issues related to both inputs and outputs of LLMs. A comparative legal analysis is presented, focusing on the United States, European Union, United Kingdom, Japan, Singapore, and Switzerland. The article scrutinizes relevant copyright exceptions and limitations in these jurisdictions, including fair use in the US and text and data mining exceptions in the EU. The authors highlight the uncertainties and challenges in applying these legal concepts to LLMs, particularly in light of recent court decisions and legislative developments. The paper also addresses the potential impact of the EU's AI Act on copyright considerations, including its extraterritorial effects. Furthermore, it explores the concept of "making available" in the context of LLMs and its implications for copyright infringement. Recognizing the legal uncertainties and the need for a balanced approach that fosters both innovation and copyright protection, the authors propose licensing as a key solution. They advocate for a combination of direct and collective licensing models to provide a practical framework for the responsible use of copyrighted materials in AI systems.

This article offers valuable insights for legal scholars, policymakers, and industry professionals grappling with the copyright challenges posed by LLMs. It contributes to the ongoing dialogue on adapting copyright law to technological advancements while maintaining its fundamental purpose of incentivizing creativity and innovation."

US Trademark Office cancels Marvel, DC's 'Super Hero' marks; Reuters, September 26, 2024

Blake Brittain , Reuters; US Trademark Office cancels Marvel, DC's 'Super Hero' marks

"A U.S. Trademark Office tribunal has canceled a set of "Super Hero" trademarks jointly owned by comic giants Marvel and DC at the request of a London-based comic book artist, according to a Thursday order.

The USPTO's Trademark Trial and Appeal Board ruled for S.J. Richold's Superbabies Ltd after Disney's Marvel and Warner Bros' DC did not file an answer to Superbabies' request to invalidate the marks.

Spokespeople and attorneys for Marvel and DC did not immediately respond to requests for comment. Superbabies attorney Adam Adler of Reichman Jorgensen Lehman & Feldberg said in a statement that the ruling was "not just a win for our client but a victory for creativity and innovation."

"By establishing SUPER HEROES' place in the public domain, we safeguard it as a symbol of heroism available to all storytellers," Adler said."

Crossroads: Episode 2 - AI and Ethics; Crossroads from Washington National Cathedral, April 17, 2024

 Crossroads from Washington National Cathedral; Crossroads: Episode 2 - AI and Ethics

"Tune in for the Cathedral's first conversation on AI and ethics. Whether you are enthusiastically embracing it, reluctantly trying it out, or anxious about its consequences, AI has taken our world by storm and according to the experts, it is here to stay. Dr. Joseph Yun, CEO of Bluefoxlabs.ai and AI architect for the University of Pittsburgh, the Rev. Jo Nygard Owens, the Cathedral's Pastor for Digital Ministry, and Dr. Sonia Coman, the Cathedral's Director of Digital Engagement discuss the state of AI, its risks, and the hope it can bring to the world."

On Copyright, Creativity, and Compensation; Reason, February 12, 2024

 DAVID POST, Reason; On Copyright, Creativity, and Compensation

"Some of you may have seen the article by David Segal in the Sunday NY Times several weeks ago [available here] about a rather sordid copyright fracas in which I have been embroiled over the past few months...

What to make of all this? I am not oblivious to the irony of being confronted with this problem after having spent 30 years or so, as a lawyer and law professor, reflecting on and writing about the many mysteries of copyright policy and copyright law in the Internet Age.

Here are a few things that strike me as interesting (and possibly important) in this episode."

It’s Copyright Week 2020: Stand Up for Copyright Laws That Actually Serve Us All; Electronic Frontier Foundation (EFF), January 20, 2020

Katharine Trendacosta, Electronic Frontier Foundation (EFF); It’s Copyright Week 2020: Stand Up for Copyright Laws That Actually Serve Us All

"We're taking part in Copyright Week, a series of actions and discussions supporting key principles that should guide copyright policy. Every day this week, various groups are taking on different elements of copyright law and policy, addressing what's at stake and what we need to do to make sure that copyright promotes creativity and innovation...

We continue to fight for a version of copyright that does what it is supposed to. And so, every year, EFF and a number of diverse organizations participate in Copyright Week. Each year, we pick five copyright issues to highlight and advocate a set of principles of copyright law. This year’s issues are:

• Monday: Fair Use and Creativity
  Copyright policy should encourage creativity, not hamper it. Fair use makes it possible for us to comment, criticize, and rework our common culture.
• Tuesday: Copyright and Competition
  Copyright should not be used to control knowledge, creativity, or the ability to tinker with or repair your own devices. Copyright should encourage more people to share, make, or repair things, rather than concentrate that power in only a few players.
• Wednesday: Remedies
  Copyright claims should not raise the specter of huge, unpredictable judgments that discourage important uses of creative work. Copyright should have balanced remedies that also provide a real path for deterring bad-faith claims.
• Thursday: The Public Domain
  The public domain is our cultural commons and a crucial resource for innovation and access to knowledge. Copyright should strive to promote, and not diminish, a robust, accessible public domain.
• Friday: Copyright and Democracy
  Copyright must be set through a participatory, democratic, and transparent process. It should not be decided through back-room deals, secret international agreements, unaccountable bureaucracies, or unilateral attempts to apply national laws extraterritorially.

Every day this week, we’ll be sharing links to blog posts and actions on these topics at https://www.eff.org/copyrightweek and at #CopyrightWeek on Twitter.

As we said last year, and the year before that, if you too stand behind these principles, please join us by supporting them, sharing them, and telling your lawmakers you want to see copyright law reflect them."

EU approves tougher EU copyright rules in blow to Google, Facebook; Reuters, April 15, 2019

Foo Yun Chee, Reuters; EU approves tougher EU copyright rules in blow to Google, Facebook

"Under the new rules, Google and other online platforms will have to sign licensing agreements with musicians, performers, authors, news publishers and journalists to use their work.

The European Parliament gave a green light last month to a proposal that has pitted Europe’s creative industry against tech companies, internet activists and consumer groups."

Let Children Get Bored Again; The New York Times, February 2, 2019

Pamela Paul, The New York Times;

Let Children Get Bored Again

Boredom teaches us that life isn’t a parade of amusements. More important, it spawns creativity and self-sufficiency.

"Kids won’t listen to long lectures, goes the argument, so it’s on us to serve up learning in easier-to-swallow portions.

But surely teaching children to endure boredom rather than ratcheting up the entertainment will prepare them for a more realistic future, one that doesn’t raise false expectations of what work or life itself actually entails. One day, even in a job they otherwise love, our kids may have to spend an entire day answering Friday’s leftover email. They may have to check spreadsheets. Or assist robots at a vast internet-ready warehouse.

This sounds boring, you might conclude. It sounds like work, and it sounds like life. Perhaps we should get used to it again, and use it to our benefit. Perhaps in an incessant, up-the-ante world, we could do with a little less excitement."

Marvel Icon Stan Lee Leaves a Legacy as Complex as His Superheroes; The Daily Beast, November 12, 2018

Spencer Ackerman, The Daily Beast; Marvel Icon Stan Lee Leaves a Legacy as Complex as His Superheroes

"Stan Lee supercharged Marvel Comics into one of the most important cultural forces on the planet. But how much credit does he really deserve?"

Forbidden love: the original Dorian Gray revealed, direct from Oscar Wilde’s pen; The Guardian, September 8, 2018

Donna Ferguson, The Guardian; Forbidden love: the original Dorian Gray revealed, direct from Oscar Wilde’s pen

"It is the first time the original manuscript in Wilde’s own writing has been published and demonstrates how he self-censored some of the most romantic paragraphs. He tones down the more overt references to the homoerotic nature of Basil Hallward’s relationship with Dorian, crossing out his confession that “the world becomes young to me when I hold his hand”.

Yet the manuscript also includes passages – later removed from the novel we know today – that show how Wilde wanted to shock his Victorian readers by openly writing about homosexual feelings. For example, this declaration of love by Basil for Dorian on page 147: “It is quite true that I have worshipped you with far more romance than a man should ever give to a friend. Somehow I have never loved a woman… I quite admit that I adored you madly, extravagantly, absurdly.”"

Please, students, take that ‘impractical’ humanities course. We will all benefit.; The Washington Post, September 14, 2018

Ronald J. Daniels, The Washington Post; Please, students, take that ‘impractical’ humanities course. We will all benefit.

"Ronald J. Daniels is the president of Johns Hopkins University. This op-ed is adapted from a letter to Hopkins students...

I would have also mentioned to the student who shunned the philosophy course that he was misinformed about the job market. It is true that many employers are looking for graduates with specialized technical skills, but they also look for other capabilities. As the world is transformed by artificial intelligence, machine learning and automation, the uniquely human qualities of creativity, imagination, discernment and moral reasoning will be the ultimate coin of the realm. All these skills, as well as the ability to communicate clearly and persuasively, are honed in humanities courses."

World copyright day: NCC seizes N600m pirated books; The Guardian, April 30, 2017

Sam Oluwalana, The Guardian; 

World copyright day: NCC seizes N600m pirated books

"The Lagos State operatives of the Nigerian Copyright Council (NCC) recently impounded pirated books valued at about N600m. National President of the Nigerian Publishers Association (NPA), Mr. Adedayo Gbadega, disclosed this at a conference organised by the association in Ibadan, Oyo State, to commemorate the World Books, and Copyright Day.

With theme, “Collaborative Efforts At Curbing The Menace Of Book Privacy [sic] In Nigeria,” the event served as platform for major stakeholders in the industry to air their views on copyright and piracy in the country.

According to Gbadega, books and other intellectual materials have suffered a lot from the hands of pirates and this has caused a lot of conflict between publishers and actors, who see their books all over the place, but have nothing in term of financial rewards to show for it."

To Boldly Go Where No Fan Production Has Gone Before; Slate, 7/13/16

Marissa Martinelli, Slate; To Boldly Go Where No Fan Production Has Gone Before:

"The issues at the heart of the Axanar case are complex—in addition to copyright infringement, CBS and Paramount are accusing the Axanar team of profiting from the production by paying themselves salaries, among other things. Abrams, who directed 2009’s Star Trek and 2013’s Star Trek Into Darkness, promised during a fan event back in May that the lawsuit would be going away at the behest of Justin Lin, the Beyond director who has sided, surprisingly, with Axanar over Paramount. But despite Abrams’ promise, the lawsuit rages on, and in the meantime, other Trekkie filmmakers have had to adapt. Federation Rising, the planned sequel to Horizon, pulled the plug before fundraising had even started, and Star Trek: Renegades, the follow-up to Of Gods and Men that raised more than $132,000 on Indiegogo, has dropped all elements of Star Trek from the production and is now just called Renegades. (Amusingly, this transition seems to have involved only slight tweaks, with the Federation becoming the Confederation, Russ’ character Tuvok becoming Kovok, and so on.) Other projects are stuck in limbo, waiting to hear from CBS whether they can boldly go forth with production—or whether this really does spell the end of the golden age of Star Trek fan films.

Axanar may very well have crossed a line, and CBS and Paramount are, of course, entitled to protect their properties. But in the process, they have suffocated, intentionally or otherwise, a robust and long-standing fan-fiction tradition, one that has produced remarkable labors of love like Star Trek Continues, which meticulously recreated the look and feel of the 1960s show, and an hourlong stop-motion film made by a German fan in tribute to Enterprise—a project almost eight years in the making. It’s a tradition that gave us web series like Star Trek: Hidden Frontier, which was exploring same-sex relationships in Star Trek well before the canon was ready to give us a mainstream, openly gay character."