Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Thursday, September 18, 2025

AI could never replace my authors. But, without regulation, it will ruin publishing as we know it; The Guardian, September 18, 2025

, The Guardian ; AI could never replace my authors. But, without regulation, it will ruin publishing as we know it


[Kip Currier: This is a thought-provoking piece by literary agent Jonny Geller. He suggests an "artists’ rights charter for AI that protects two basic principles: permission and attribution". His charter idea conveys some aspects of the copyright area called "moral rights".

Moral rights provide copyright creators with a right of paternity (i.e. attribution) and a right of integrity. The latter can enable creators to exercise some levels of control over how their copyrighted works can be adapted. The moral right of integrity, for example, was an argument in cases involving whether black and white films (legally) could be or (ethically) should be colorized. (See Colors in Conflicts: Moral Rights and the Foreign Exploitation of Colorized U.S. Motion PicturesMoral rights are not widespread in U.S. copyright law because of tensions between the moral right of integrity and the right of free expression/free speech under the U.S. Constitution (whose September 17, 1787 birthday was yesterday). The Visual Artists Rights Act (1990) is a narrow example of moral rights under U.S. copyright law.

To Geller's proposed Artists' Rights Charter for AI I'd suggest adding the word and concept of "Responsibilities". Compelling arguments can be made for providing authors with some rights regarding use of their copyrighted works as AI training data. And, commensurately, persuasive arguments can be made that authors have certain responsibilities if they use AI at any stage of their creative processes. Authors can and ethically should be transparent about how they have used AI, if applicable, in the creation stages of their writing.

Of course, how to operationalize that as an ethical standard is another matter entirely. But just because it may be challenging to initially develop some ethical language as guidance for authors and strive to instill it as a broad standard doesn't mean it shouldn't be attempted or done.]


[Excerpt]

"The single biggest threat to the livelihood of authors and, by extension, to our culture, is not short attention spans. It is AI...

As a literary agent and CEO of one of the largest agencies in Europe, I think this is something everyone should care about – not because we fear progress, but because we want to protect it. If you take away the one thing that makes us truly human – our ability to think like humans, create stories and imagine new worlds – we will live in a diminished world.

AI that doesn’t replace the artist, or that will work with them transparently, is not all bad. An actor who is needed for reshoots on a movie may authorise use of the footage they have to complete a picture. This will save on costs, the environmental impact and time. A writer may wish to speed up their research and enhance their work by training their own models to ask the questions that a researcher would. The translation models available may enhance the range of offering of foreign books, adding to our culture.

All of this is worth discussing. But it has to be a discussion and be transparent to the end user. Up to now, work has simply been stolen and there are insufficient guardrails on the distributors, studios, publishers. As a literary agent, I have a more prosaic reason to get involved – I don’t think it is fair for someone’s work to be taken without their permission to create an inferior competitor.

What can we do? We could start with some basic principles for all to sign up to. An artists’ rights charter for AI that protects two basic principles: permission and attribution."

Sunday, February 27, 2022

WHY IS PUBLISHING PLAGIARISM STILL POSSIBLE?; Book Riot, February 15, 2022

 , Book Riot; WHY IS PUBLISHING PLAGIARISM STILL POSSIBLE?

"Spotting plagiarism in books, though, still seems to be a matter for eagle-eyed readers or wronged authors. Why, in a world where there’s an app or a programme for everything, is publishing plagiarism still possible?"

Monday, January 24, 2022

Bloomsbury Acquisition of ABC-CLIO To Strengthen Tech, Market Reach; Library Journal, January 12, 2022

Maggie Knapp , Library Journal; Bloomsbury Acquisition of ABC-CLIO To Strengthen Tech, Market Reach

"Bloomsbury Publishing purchased ABC-CLIO in December 2021 for $22.9 million, bringing ABC-CLIO’s four imprints and 32 databases into U.K.-based Bloomsbury’s academic and professional division.

Becky Snyder, co-owner of ABC-CLIO, has 35 years with the company, which was founded in 1955. She noted that from her company’s perspective Bloomsbury was an optimal fit, as leadership looked at options to carry on the ABC-CLIO legacy. The imprints Praeger, Greenwood, and ABC-CLIO Solutions, as well as the company’s databases, often focus on historical and current events topics, presenting overviews, chronologies, primary sources, and analysis primarily for use in high school and up. Libraries Unlimited publishes educational and professional content for library and information service professionals.

One of the most compelling areas of opportunity Bloomsbury offered, Snyder said, was its strength and investment in current and future technology, which will allow ABC-CLIO products to continue the company’s commitment to scholarship while navigating accessibility standards, privacy protection, and emerging platforms and distribution formats." 

Saturday, September 15, 2018

Forbidden love: the original Dorian Gray revealed, direct from Oscar Wilde’s pen; The Guardian, September 8, 2018

Donna Ferguson, The Guardian; Forbidden love: the original Dorian Gray revealed, direct from Oscar Wilde’s pen

"It is the first time the original manuscript in Wilde’s own writing has been published and demonstrates how he self-censored some of the most romantic paragraphs. He tones down the more overt references to the homoerotic nature of Basil Hallward’s relationship with Dorian, crossing out his confession that “the world becomes young to me when I hold his hand”.

Yet the manuscript also includes passages – later removed from the novel we know today – that show how Wilde wanted to shock his Victorian readers by openly writing about homosexual feelings. For example, this declaration of love by Basil for Dorian on page 147: “It is quite true that I have worshipped you with far more romance than a man should ever give to a friend. Somehow I have never loved a woman… I quite admit that I adored you madly, extravagantly, absurdly.”"

Thursday, September 6, 2018

I Am Part of the Resistance Inside the Trump Administration; The New York Times, September 5, 2018

Anonymous, The New York Times;

I Am Part of the Resistance Inside the Trump Administration

 

[Kip Currier: The New York Times' controversial decision to publish on September 5, 2018 an anonymous Op-Ed essay penned by a "senior official" within the Trump administration, triggers a rash of thought-stirring, thorny ethical questions:

Chief among them: What were the considerations in deciding whether to permit the senior official to publish the Op-Ed essay anonymously? (--And did The Times and "Anonymous" discuss revealing the individual's identity at some point in the future?)]


Who were the stakeholders that were and were not considered by The Times' editorial staff in making this decision?


What roles are The Times' editorial staff assuming in publishing this piece by Anonymous?


Has The Times communicated sufficient transparency about its editorial decision-making?]

"The Times today is taking the rare step of publishing an anonymous Op-Ed essay. We have done so at the request of the author, a senior official in the Trump administration whose identity is known to us and whose job would be jeopardized by its disclosure. We believe publishing this essay anonymously is the only way to deliver an important perspective to our readers. We invite you to submit a question about the essay or our vetting process here...."

[Excerpt]

"The root of the problem is the president’s amorality. Anyone who works with him knows he is not moored to any discernible first principles that guide his decision making."