UNM celebrates Open Access Week with film on copyright and creativity; UNM Newsroom, University of New Mexico, October 7, 2025

 UNM Newsroom, University of New Mexico; UNM celebrates Open Access Week with film on copyright and creativity

"As part of International Open Access Week, the greater Lobo community is invited to Opening the Canon: Copyright, Access and Creativity, an evening of film, conversation and discovery Oct. 22 and 23, at 7 p.m. both nights at the Guild Cinema in Albuquerque. This event is free and open to the public.

This event will explore how works move from private ownership into the public domain, and what that means for creators, educators and the public. On Wednesday, Oct. 22, Bryan Konefsky of Basement Films will guide a discussion on copyright, open access, creativity and the art of working within a canon. He will also introduce the three films. The event will conclude with an open Q&A session with Konefsky.

The three films are:

• Steamboat Willie: Mickey Mouse’s first sound cartoon, newly in the public domain.
• Steamboat Bill, Jr. starting Buster Keaton, the film that inspired Disney’s steamboat adventure.
• Citizen Mickey by Salise Hughes: A Basement Films gem reimagining the mouse we all know.

On Thursday, Oct. 23, the event will include only a showing of the three films, no discussion. 

Opening the Canon is created through the support of the New Mexico Open Educational Resources Consortium, University Libraries, New Mexico Library Association and Basement Films, which has been around for 35 years supporting underrepresented forms of media.

International Open Access Week is an opportunity for the academic and research community to learn about the benefits of Open Access, to share what they’ve learned, and to inspire wider participation in making open access publishing a new norm in scholarship and research. 

Open access literature is online, free of charge and free of most copyright and licensing restrictions. Open Access Week is held every October  and offers a chance to connect with the global momentum of openly sharing knowledge. This year, University Libraries, Health Sciences Library and Informatic Center, and the Law Library have teamed up to create events that shed light on Open Access all month long. Learn more about the events at the Open Access website."

It’s Still Ludicrously Easy to Generate Copyrighted Characters on ChatGPT; Futurism, October 18, 2025

 Frank Landymore, Futurism; It’s Still Ludicrously Easy to Generate Copyrighted Characters on ChatGPT

"Forget Sora for just a second, because it’s still ludicrously easy to generate copyrighted characters using ChatGPT.

These include characters that the AI initially refuses to generate due to existing copyright, underscoring how OpenAI is clearly aware of how bad this looks — but is either still struggling to rein in its tech, figures it can get away with playing fast and loose with copyright law, or both.

When asked to “generate a cartoon image of Snoopy,” for instance, GPT-5 says it “can’t create or recreate copyrighted characters” — but it does offer to generate a “beagle-styled cartoon dog inspired by Snoopy’s general aesthetic.” Wink wink.

We didn’t go down that route, because even slightly rephrasing the request allowed us to directly get a pic of the iconic Charles Schultz character. “Generate a cartoon image of Snoopy in his original style,” we asked — and with zero hesitation, ChatGPT produced the spitting image of the “Peanuts” dog, looking like he was lifted straight from a page of the comic-strip."

Trump's fake video featured 'Danger Zone.' Musician Kenny Loggins wants it scrubbed; NPR, October 20, 2025

Anastasia Tsioulcas , NPR; Trump's fake video featured 'Danger Zone.' Musician Kenny Loggins wants it scrubbed

"Singer-songwriter Kenny Loggins is asking President Trump to remove the audio of one of his performances from a contentious AI-generated video that Trump posted on his Truth Social account on Saturday evening.

In the fake video, a crown-wearing Trump is in a fighter jet emblazoned "KING TRUMP." Accompanied by Loggins singing "Danger Zone" — a hit single from the 1986 movie Top Gun — the plane dumps sludgy brown material over crowds of protesters carrying American flags and signs in what appears to be New York City's Times Square.

The video was published as an apparent reply to the widespread No Kings protests that took place across the U.S. on Saturday."

To protect his copyrights, storm chaser Reed Timmer goes to court often; The Oklahoman, October 19, 2025

 Dale Denwalt, The Oklahoman; To protect his copyrights, storm chaser Reed Timmer goes to court often

"A copyright controversy between celebrity storm chaser Reed Timmer and a YouTube streamer highlights a behind-the-scenes legal industry meant to protect original content online.

For fans, it has offered a peek inside the lucrative but complex world of federal copyright law and the legal tools used to make sure original creators get paid when their work is used by someone else. While the dispute was resolved quickly, Timmer often goes to court to protect his work.

A decade ago, it was mostly large, well-established companies and publishers who rooted out cases of copyright infringement, said Oklahoma City attorney Douglas Sorocco. But now there are more independent creators, citizen journalists and small businesses creating their own digital content...

"For the hurricane, I thought it would be A-OK to show very brief clips of what was happening with Milton so I could stay up to date," White said.

Timmer agreed, even if his digital rights management company didn't. In a response video posted the same day as White's, Timmer clarified he is "not suing Charlie" and asked that the copyright claim be removed."

Can You Trademark Peanut Butter and Jelly? Smucker’s Says Yes.; The New York Times, October 17, 2025

Yan Zhuang, The New York Times; Can You Trademark Peanut Butter and Jelly? Smucker’s Says Yes.

 "J.M. Smucker, the maker of Uncrustables, is suing Trader Joe’s, accusing the grocery store chain of infringing on its trademarks by selling a copycat version of its popular snack...

You generally can’t trademark foods. Sandwich recipes, or certain combinations of sandwich ingredients, are also “quite plainly not a copyrightable work,” an appeals judge ruled in 2015 in a case involving a Puerto Rico man who had attempted to trademark his chicken sandwich.

But you can trademark the specific shape or configuration of a food product. In this case, Smucker’s says, it has trademarked “a round pie-like shape with distinct peripheral undulated crimping” — a design it says Trader Joe’s has copied.

Smucker’s also accused Trader Joe’s of infringing on its trademark image of “a round crustless sandwich with a bite taken out showing filling on the inside,” which the grocery store chain uses on its packaging.

“Smucker does not take issue with others in the marketplace selling prepackaged, frozen, thaw-and-eat crustless sandwiches. But it cannot allow others to use Smucker’s valuable intellectual property to make such sales,” the company said in its filing."

AI’s Copyright War Could Be Its Undoing. Only the US Can End It.; Bloomberg, October 14, 2025

 Dave Lee, Bloomberg; AI’s Copyright War Could Be Its Undoing. Only the US Can End It.

 "Whether creatives like Ulvaeus are entitled to any payment from AI companies is one of the sector’s most pressing and consequential questions. It’s being asked not just by Ulvaeus and fellow musicians including Elton John, Dua Lipa and Paul McCartney, but also by authors, artists, filmmakers, journalists and any number of others whose work has been fed into the models that power generative AI — tools that are now valued in the hundreds of billions of dollars."

Hollywood-AI battle deepens, as OpenAI and studios clash over copyrights and consent; Los Angeles Times, October 11, 2025

 Wendy Lee and Samantha Masunaga, Los Angeles Times; Hollywood-AI battle deepens, as OpenAI and studios clash over copyrights and consent

• "OpenAI’s new Sora 2 tool allows users to put real people and characters into AI-generated videos, sparking immediate backlash from Hollywood studios and talent agencies.
• The dispute centers on who controls copyrighted images and likenesses, with Hollywood arguing OpenAI cannot use content without explicit permission or compensation.
• The clash between Silicon Valley’s “move fast and break things” ethos and Hollywood’s intellectual property protections could shape the future of AI in entertainment."

US Supreme Court asked to hear dispute over copyrights for AI creations; Reuters, October 10, 2025

 Blake Brittain, Reuters; US Supreme Court asked to hear dispute over copyrights for AI creations

 "A computer scientist on Friday asked the U.S. Supreme Court to reconsider a ruling that a work of art generated by artificial intelligence cannot be copyrighted under U.S. law.

Stephen Thaler told the justices that the U.S. Copyright Office's decision denying copyright protection for the art made by his AI system "created a chilling effect on anyone else considering using AI creatively" and "defies the constitutional goals from which Congress was empowered to create copyright.""

Tilly Norwood & AI Confusion Will Shape Looming Guild Negotiations, Copyright Experts Agree; Deadline, October 12, 2025

Dade Hayes , Deadline; Tilly Norwood & AI Confusion Will Shape Looming Guild Negotiations, Copyright Experts Agree

"Handel and Mishawn Nolan, managing partner of intellectual property law firm Nolan Heimann, shared their perspectives during a panel Friday afternoon at Infinity Festival in Los Angeles.

Digital scanning of human actors, for the purposes of using their likenesses in film and TV projects is another tricky area for the unions given how untested the legal questions are, the attorneys agreed.

“I actually have a client right now” whose body is being scanned, Nolan said. “What I received [from the company] was just a sort of standard certificate of engagement. It was all rights, just like you would normally use. And I said, ‘Well, what are you gonna do with the data? What is the scope of the use?’”

Because of the intense pressure on productions to move quickly, Nolan said, “everyone would like to just turn around [a talent agreement] tomorrow.” But the complexities of copyright issues raised by AI, which is evolving at a breakneck clip, require a lot more thought, she argued. “The way that we’ve always done business can’t be done in the future. It can’t be done instantaneously,” she continued. “You have to take a moment and think about, what are you doing? What are you capturing? What are you going to use it for? How are you going to use it? How long are you going to have access to it? And what happens in the long term? Who holds onto it? Is it safe? Is it gonna be destroyed?”"

OpenAI’s Sora Is in Serious Trouble; Futurism, October 10, 2025

 Victor Tangermann, Futurism ; OpenAI’s Sora Is in Serious Trouble

"The cat was already out of the bag, though, sparking what’s likely to be immense legal drama for OpenAI. On Monday, the Motion Picture Association, a US trade association that represents major film studios, released a scorching statementurging OpenAI to “take immediate and decisive action” to stop the app from infringing on copyrighted media.

Meanwhile, OpenAI appears to have come down hard on what kind of text prompts can be turned into AI slop on Sora, implementing sweeping new guardrails presumably meant to appease furious rightsholders and protect their intellectual property.

As a result, power users experienced major whiplash that’s tarnishing the launch’s image even among fans. It’s a lose-lose moment for OpenAI’s flashy new app — either aggravate rightsholders by allowing mass copyright infringement, or turn it into yet another mind-numbing screensaver-generating experience like Meta’s widely mocked Vibes.

“It’s official, Sora 2 is completely boring and useless with these copyright restrictions. Some videos should be considered fair use,” one Reddit user lamented.

Others accused OpenAI of abusing copyright to hype up its new app...

How OpenAI’s eyebrow-raising ask-for-forgiveness-later approach to copyright will play out in the long term remains to be seen. For one, the company may already be in hot water, as major Hollywood studios have already started suing over less."

You Can’t Use Copyrighted Characters in OpenAI’s Sora Anymore and People Are Freaking Out; Gizmodo, October 8, 2025

 AJ DELLINGER, Gizmodo; You Can’t Use Copyrighted Characters in OpenAI’s Sora Anymore and People Are Freaking Out

 "OpenAI may be able to appease copyright holders by shifting its Sora policies, but it’s now pissed off its users. As 404 Media pointed out, social channels like Twitter and Reddit are now flooded with Sora users who are angry they can’t make 10-second clips featuring their favorite characters anymore. One user in the OpenAI subreddit said that being able to play with copyrighted material was “the only reason this app was so fun.” Another claimed, “Moral policing and leftist ideology are destroying America’s AI industry.” So, you know, it seems like they’re handling this well."

It’s Sam Altman: the man who stole the rights from copyright. If he’s the future, can we go backwards?; The Guardian, October 10, 2025

Marina Hyde , The Guardian; It’s Sam Altman: the man who stole the rights from copyright. If he’s the future, can we go backwards?

"I’ve seen it said that OpenAI’s motto should be “better to beg forgiveness than ask permission”, but that cosies it preposterously. Its actual motto seems to be “we’ll do what we want and you’ll let us, bitch”. Consider Altman’s recent political journey. “To anyone familiar with the history of Germany in the 1930s,” Sam warned in 2016, “it’s chilling to watch Trump in action.” He seems to have got over this in time to attend Donald Trump’s second inauguration, presumably because – if we have to extend his artless and predictable analogy – he’s now one of the industrialists welcome in the chancellery to carve up the spoils. “Thank you for being such a pro-business, pro-innovation president,” Sam simpered to Trump at a recent White House dinner for tech titans. “It’s a very refreshing change.” Inevitably, the Trump administration has refused to bring forward any AI regulation at all.

Meanwhile, please remember something Sam and his ironicidal maniacs said earlier this year, when it was suggested that the Chinese AI chatbot DeepSeek might have been trained on some of OpenAI’s work. “We are aware of and reviewing indications that DeepSeek may have inappropriately distilled our models, and will share information as we know more,” his firm’s anguished statement ran. “We take aggressive, proactive countermeasures to protect our technology.” Hilariously, it seemed that the last entity on earth with the power to fight AI theft was OpenAI."

OpenAI wasn’t expecting Sora’s copyright drama; The Verge, October 8, 2025

 Hayden Field , The Verge; OpenAI wasn’t expecting Sora’s copyright drama

"When OpenAI released its new AI-generated video app Sora last week, it launched with an opt-out policy for copyright holders — media companies would need to expressly indicate they didn’t want their AI-generated characters running rampant on the app. But after days of Nazi SpongeBob, criminal Pikachu, and Sora-philosophizing Rick and Morty, OpenAI CEO Sam Altman announced the company would reverse course and “let rightsholders decide how to proceed.”

In response to a question about why OpenAI changed its policy, Altman said that it came from speaking with stakeholders and suggested he hadn’t expected the outcry.

“I think the theory of what it was going to feel like to people, and then actually seeing the thing, people had different responses,” Altman said. “It felt more different to images than people expected.”

OpenAI hastily retreats from gung-ho copyright policy after embarrassing Sora video output like AI Sam Altman surrounded by Pokémon saying 'I hope Nintendo doesn't sue us'; PC Gamer, October 5, 2025

 Stevie Bonifield, PC Gamer ; OpenAI hastily retreats from gung-ho copyright policy after embarrassing Sora video output like AI Sam Altman surrounded by Pokémon saying 'I hope Nintendo doesn't sue us'

"This video is just one of many examples, but you'll have a much harder time finding Sora-generated videos containing Marvel or Disney characters. As reported by Automaton, Sora appears to be refusing prompts containing references to American IP, but Japanese IP didn't seem to be getting the same treatment over the past week.

Japanese lawyer and House of Representatives member Akihisa Shiozaki called for action to protect creatives in a post on X (formerly Twitter), which has been translated by Automaton: "I’ve tried out [Sora 2] myself, but I felt that it poses a serious legal and political problem. We need to take immediate action if we want to protect leading Japanese creators and the domestic content industry, and help them further develop. (I wonder why Disney and Marvel characters can’t be displayed).""

Sam Altman says Sora will add ‘granular,’ opt-in copyright controls; TechCrunch, October 4, 2025

 Anthony Ha , TechCrunch; Sam Altman says Sora will add ‘granular,’ opt-in copyright controls

"OpenAI may be reversing course on how it approaches copyright and intellectual property in its new video app Sora.

Prior to Sora’s launch this week, The Wall Street Journal reported that OpenAI had been telling Hollywood studios and agencies that they needed to explicitly opt out if they didn’t want their IP to be included in Sora-generated videos.

Despite being invite-only, the app quickly climbed to the top of the App Store charts. Sora’s most distinctive feature may be its “cameos,” where users can upload their biometric data to see their digital likeness featured in AI-generated videos.

At the same time, users also seem to delight in flouting copyright laws by creating videos with popular, studio-owned characters. In some cases, those characters might even criticize the company’s approach to copyright, for example in videos where Pikachu and SpongeBob interact with deepfakes of OpenAI CEO Sam Altman.

In a blog post published Friday, Altman said the company is already planning two changes to Sora, first by giving copyright holders “more granular control over generation of characters, similar to the opt-in model for likeness but with additional controls.”"

Harvard Professors May Be Eligible for Payments in $1.5 Billion AI Copyright Settlement; The Harvard Crimson, October 1, 2025

 Victoria D. Rengel, The Harvard Crimson;  Harvard Professors May Be Eligible for Payments in $1.5 Billion AI Copyright Settlement

"Following mediation, the plaintiffs and defendants filed a motion for the preliminary approval of a settlement on Sept. 5, which included an agreement from Anthropic that it will destroy its pirated databases and pay $1.5 billion in damages to a group of authors and publishers.

On Sept. 25, a California federal judge granted preliminary approval for a settlement, the largest in the history of copyright cases in the U.S.

Each member of the class will receive a payment of approximately $3,000 per pirated work.

Authors whose works are in the databases are not notified separately, but instead must submit their contact information to receive a formal notice of the class action — meaning a number of authors, including many Harvard professors, may be unaware that their works were pirated by Anthropic.

Lynch said Anthropic’s nonconsensual use of her work undermines the purpose behind why she, and other scholars, write and publish their work.

“All of us at Harvard publish, but we thought when we were publishing that we are doing that — to communicate to other human beings,” she said. “Not to be fed into this mill.”"

Disney Sends Cease And Desist Letter To Character.ai For Copyright Infringement As Studios Move To Protect IP; Deadline, September 30, 2025

 Jill Goldsmith, Deadline; Disney Sends Cease And Desist Letter To Character.ai For Copyright Infringement As Studios Move To Protect IP

"Walt Disney sent a cease-and-desist letter to Character.AI, a “personalized superintelligence platform” that the media giant says is ripping off copyrighted characters without authorization.

The AI startup offers users the ability to create customizable, personalized AI companions that can be totally original but in some cases are inspired by existing characters, including, it seems, Disney icons from Spider-Man and Darth Vader to Moana and Elsa.

The letter is the latest legal salvo by Hollywood as studios begin to step up against AI. Disney has also sued AI company Midjourney for allegedly improper use and distribution of AI-generated characters from Disney films. Disney, Warner Bros. and Universal Pictures this month sued Chinese AI firm MiniMax for copyright infringement."

OpenAI's new Sora video generator to require copyright holders to opt out, WSJ reports; Reuters, September 29, 2025

 Reuters; OpenAI's new Sora video generator to require copyright holders to opt out, WSJ reports

"OpenAI is planning to release a new version of its Sora generator that creates videos featuring copyrighted material, unless rights holders opt out of having their work appear, the Wall Street Journal reported on Monday, citing people familiar with the matter.

The artificial intelligence startup began notifying talent agencies and studios over the past week about the opt-out process and the product, which it plans to release in the coming days, the report said.

The new process would mean movie studios and other intellectual property owners would have to explicitly ask OpenAI not to include their copyrighted material in videos Sora creates, according to the report."

I Sued Anthropic, and the Unthinkable Happened; The New York Times, September 29, 2025

 Andrea Bartz , The New York Times; I Sued Anthropic, and the Unthinkable Happened

"In August 2024, I became one of three named plaintiffs leading a class-action lawsuit against the A.I. company Anthropic for pirating my books and hundreds of thousands of other books to train its A.I. The fight felt daunting, almost preposterous: me — a queer, female thriller writer — versus a company now worth $183 billion?

Thanks to the relentless work of everyone on my legal team, the unthinkable happened: Anthropic agreed to pay authors and publishers $1.5 billion in the largest copyright settlement in history. A federal judge preliminarily approved the agreement last week.

This settlement sends a clear message to the Big Tech companies splashing generative A.I. over every app and page and program: You are not above the law. And it should signal to consumers everywhere that A.I. isn’t an unstoppable tsunami about to overwhelm us. Now is the time for ordinary Americans to recognize our agency and act to put in place the guardrails we want.

The settlement isn’t perfect. It’s absurd that it took an army of lawyers to demonstrate what any 10-year-old knows is true: Thou shalt not steal. At around $3,000 per work, shared by the author and publisher, the damages are far from life-changing (and, some argue, a slap on the wrist for a company flush with cash). I also disagree with the judge’s ruling that, had Anthropic acquired the books legally, training its chatbot on them would have been “fair use.” I write my novels to engage human minds — not to empower an algorithm to mimic my voice and spit out commodity knockoffs to compete directly against my originals in the marketplace, nor to make that algorithm’s creators unfathomably wealthy and powerful.

But as my fellow plaintiff Kirk Wallace Johnson put it, this is “the beginning of a fight on behalf of humans that don’t believe we have to sacrifice everything on the altar of A.I.” Anthropic will destroy its trove of illegally downloaded books; its competitors should take heed to get out of the business of piracy as well. Dozens of A.I. copyright lawsuits have been filed against OpenAI, Microsoft and other companies, led in part by Sylvia Day, Jonathan Franzen, David Baldacci, John Grisham, Stacy Schiff and George R. R. Martin. (The New York Times has also brought a suit against OpenAI and Microsoft.)

Though a settlement isn’t legal precedent, Bartz v. Anthropic may serve as a test case for other A.I. lawsuits, the first domino to fall in an industry whose “move fast, break things” modus operandi led to large-scale theft. Among the plaintiffs of other cases are voice actors, visual artists, record labels, YouTubers, media companies and stock-photo libraries, diverse stakeholders who’ve watched Big Tech encroach on their territory with little regard for copyright law...

Now the book publishing industry has sent a message to all A.I. companies: Our intellectual property isn’t yours for the taking, and you cannot act with impunity. This settlement is an opening gambit in a critical battle that will be waged for years to come."

Morgan & Morgan takes Disney to court over rights to feature ‘Steamboat Willie’ in law firm ads; News6, September 17, 2025

Phil Landeros , News6; Morgan & Morgan takes Disney to court over rights to feature ‘Steamboat Willie’ in law firm ads

"Morgan & Morgan, Florida’s largest law firm, has filed a lawsuit asking a judge to declare the law firm’s planned use of the iconic film in an ad is protected against trademark claims from Disney. Steamboat Willie entered the public domain on Jan. 1, 2024, when Disney’s copyright protection expired.

The proposed ad depicts Mickey Mouse in a boat collision with a car, after which the driver seeks legal representation from Morgan & Morgan. According to the filing, before moving forward with the advertisement, the law firm sought assurance from Disney that the commercial wouldn’t trigger legal action. The filing said Disney would not comply."