Why ‘A Christmas Carol’ Endures; The New York Times, December 24, 2024

Roger Rosenblatt , The New York Times; Why ‘A Christmas Carol’ Endures

"In some ways, the story’s enduring appeal is easy to account for. “A Christmas Carol” is, first and foremost, a ghost story — a genre that never seems to go out of fashion. But what’s less easy to account for, and more interesting, is how this 19th-century tale has continued to speak to modern readers, offering moral lessons that have only grown more relevant over the decades.

At its core, it is a story about the forces that exist within all of us: greed and generosity, hatred and love, repentance and forgiveness. It doesn’t hurt that it concerns one of literature’s most compelling characters: Ebenezer Scrooge."

‘We recognise it in this very primal way’: Stephen Fry, Brie Larson, Chris Ofili and more on why we can’t get enough of Greek mythology; The Guardian, November 24, 2024

 Introduction by Charlotte Higgins, The Guardian; ‘We recognise it in this very primal way’: Stephen Fry, Brie Larson, Chris Ofili and more on why we can’t get enough of Greek mythology

"Greek myth is not a stable thing. There is no such thing as a canonical, “original” version of a Greek myth. The stories that remain to us – the material of classical plays and poetry, and of visual culture from pottery to pediments – are already elaborations and accretions. In the ancient Greek and Roman world, stories were adapted and remade to serve the needs of the moment. The Greek tragedians often took the germ of an idea from the Homeric epics, and built an entire plot from it. Aeschylus’s Agamemnon, for instance, is in dialogue with Homer’s Odyssey: both are stories of a warrior’s return from war, but with entirely different outcomes. Euripides’s subversive play Helen proposes that the entire Trojan war was fought not in the cause of a real woman, but of an illusory, fake version sent by the gods, while the “real” Helen of Troy sat out the siege in Egypt.

Seen in this light, as novelist Pat Barker points out below, the modern appetite for working with (and maybe sometimes against) Greek myth is a part of a long continuum, rather than an innovation...

Stephen Fry on Ithaka by CP Cavafy (1911), a poem inspired by The Odyssey

Author of Mythos, Heroes and Troy, a trilogy of books retelling the myths of ancient Greece

The Odyssey is the beginning of human modernity. Suddenly, the greatest qualities a warrior could have were cunning, intelligence and curiosity, but also a sense of home – Odysseus is constantly striving to get back to his wife and son. There was something new in that. This idea of “nostos” – of returning home to the hearth after your wanderings – has been very powerful in the Greek imagination ever since.

Early last century, there was a wonderful Greek poet living in Alexandria named Constantine Cavafy. I found out about him by reading EM Forster, who met Cavafy in Alexandria and recommended him to WH Auden and others. One of Cavafy’s greatest poems is about Ithaca, the island which Odysseus spends 10 years trying to get back to. The poem is about this journey, this yearning to find the place that we think of as home, but Cavafy tells us that it’s not worth anything. You must strive for it, he says, but you’ll find it isn’t the place itself that’s the destination, it’s the striving, it’s what you learn on the way. It’s the gorgeous things you find and the people you meet and the experiences you have. So you must aim for Ithaca and simultaneously know it’s not worth getting to, because it will have nothing to give you. That’s how the poem ends, in Edmund Keeley’s terrific translation: “Ithaka gave you the marvellous journey./ Without her you wouldn’t have set out./ She has nothing left to give you now.”

I think it’s a very brilliant and moving poem, even in translation (I’m sure if you were fluent in modern Greek it would be even more astonishing). It’s an example of what the Greek myths can give us in terms of retellings. All the JRR Tolkien books are nostos stories, stories of returns home – The Hobbit is subtitled There and Back Again. It is the most mythic, primal, elemental story that we have. As told to Killian Fox"

Donald Trump’s Confrontation With Muslim Soldier’s Parents Emerges as Unexpected Flash Point; New York Times, 7/31/16

Alexander Burns, Maggie Haberman, Ashley Parker, New York Times; Donald Trump’s Confrontation With Muslim Soldier’s Parents Emerges as Unexpected Flash Point:

"Addressing himself to “patriotic Americans that would probably vote for Donald Trump,” Mr. Khan pleaded, “I appeal to them not to vote for hatred, not to vote for fear-mongering. Vote for unity. Vote for the goodness of this country.”

And Ms. Khan, in an opinion article published in The Washington Post, rebuked Mr. Trump for suggesting earlier in the weekend that she had not been permitted to speak at the Democratic convention. Ms. Khan said she did not speak because she did not believe she could remain composed while talking about her son.

“All the world, all America, felt my pain. I am a Gold Star mother. Whoever saw me felt me in their heart,” Ms. Khan wrote. She continued: “Donald Trump has children whom he loves. Does he really need to wonder why I did not speak?”"