Firings at CBS' '60 Minutes' reflect the fight for media control in the age of Trump; NPR, June 3, 2026

David Folkenflik, NPR; Firings at CBS' '60 Minutes' reflect the fight for media control in the age of Trump

"The battle royale over the network's most prestigious and profitable news program is part of a broader fight over the direction of CBS News.

And given CBS's acquisition by a billionaire family whose business interests have become intertwined with the political interests of President Trump, it reflects a larger war over control of the media in the current moment.

That father and son, Larry and David Ellison, bought CBS' parent company, Paramount, last summer. In January, they became co-owners of TikTok's U.S. operations. Now they're seeking approval from Trump's regulators to buy Warner Bros. Discovery, the parent company of CNN."

Read the letter firing Scott Pelley from ‘60 Minutes’ — and his response; The Washington Post, June 3, 2026

Scott Nover

 and 

Liam Scott

, The Washington Post; Read the letter firing Scott Pelley from ‘60 Minutes’ — and his response

"Pelley was fired Tuesday when Bilton sent him this letter, printed in full below...

Pelley responded in a late-night statement shared with The Washington Post, lambasting the network, its leadership and its ownership under David Ellison’s Paramount Skydance, whom he accused of trying to “curry favor with the Trump administration.

You can read it in full here:"

CBS News Fires Scott Pelley of ‘60 Minutes’; The New York Times, June 2, 2026

Benjamin Mullin and Michael M. Grynbaum, The New York Times ; CBS News Fires Scott Pelley of ‘60 Minutes’

"CBS News fired Scott Pelley on Tuesday, jettisoning one of the network’s best-known journalists in a clash over the future of “60 Minutes,” the country’s top-rated news program.

Mr. Pelley, 68, a “60 Minutes” correspondent and a former anchor of “CBS Evening News,” joined the network in 1989. At a staff meeting on Monday, he accused the network’s editor in chief, Bari Weiss, of “murdering ‘60 Minutes,’” citing the ouster last week of the program’s leadership team and two on-air correspondents.

“We have parted ways with Scott Pelley,” Nick Bilton, the tech journalist who was hired last week as the new “60 Minutes” executive producer, wrote in a memo to the show’s staff on Tuesday night.

CBS News declined to comment. In a formal letter to Mr. Pelley, which was obtained by The New York Times, Mr. Bilton wrote that the correspondent had been “terminated for cause effective immediately.”"

Scott Pelley Accuses CBS News Boss of ‘Murdering’ ‘60 Minutes’; The New York Times, June 1, 2026

 

Michael M. Grynbaum and Benjamin Mullin, The New York Times; Scott Pelley Accuses CBS News Boss of ‘Murdering’ ‘60 Minutes’

"CBS News faced a fresh wave of turmoil on Monday after Scott Pelley, the “60 Minutes” correspondent, laced into the show’s newly hired executive producer during a staff meeting and accused Bari Weiss, the network’s editor in chief, of “murdering” the longstanding Sunday news program.

In an extraordinary exchange, Mr. Pelley, his newscaster’s baritone sometimes shaking in anger, told Nick Bilton, the new executive producer, that he had “slender” qualifications for his new job and questioned the network’s commitment to the future of the program, according to a recording of the meeting obtained by The New York Times.

The 10 a.m. gathering, held at the program’s Midtown Manhattan headquarters, was intended as a formal introduction to Mr. Bilton, a tech journalist and filmmaker who was appointed last week as part of a major shake-up at “60 Minutes.” CBS fired Tanya Simon, the previous executive producer, and her deputy, along with Sharyn Alfonsi and Cecilia Vega, two of the show’s correspondents — an event that Mr. Pelley referred to as “Black Thursday.”

The meeting quickly turned tense — not a surprise after months of strain between veteran journalists at “60 Minutes” and Ms. Weiss, an opinion journalist who was a longtime critic of legacy media institutions before she became the head of one last year. She was appointed by David Ellison, a tech scion who took control of CBS’s parent company Paramount in a multibillion-dollar merger...

Ms. Weiss’s handling of “60 Minutes” has generated internal turmoil for months.

In December, she pulled a segment reported by Ms. Alfonsi, about the brutal treatment of migrants in a Salvadoran prison, saying that it needed more reporting. The segment was critical of the Trump administration, and Ms. Alfonsi said the decision was “political.” The piece ultimately aired with some additional comments from the Trump administration."

Trump Library Saga Takes Dark Turn: Where Did Millions in Funding Go?; The New Republic, April 20, 2026

Greg Sargent, The New Republic ; Trump Library Saga Takes Dark Turn: Where Did Millions in Funding Go?

Four huge media conglomerates forked over $63 million in “settlements” earmarked for Trump’s presidential library. Democrats are trying to track that money—and the latest developments don’t inspire confidence.

"Last year, four huge companies pledged tens of millions of dollars to help fund the creation of Donald Trump’s presidential library, a planned monstrosity in Miami that—in a perfect Trumpian twist—may also double as a hotel. The companies—ABC; Paramount; Meta; and X, formerly Twitter—entered into the agreements with Trump to settle legal cases he’d brought against them, which experts had dismissed as dubious.

Now there’s been an important new turn in this saga. The four companies have provided fresh information to Senate Democrats in written responses to their questions. For these Democrats, those responses—obtained by The New Republic—raise more questions than they answer. 

In these formal replies, all four companies confirmed that they did pledge that money to Trump’s library—itself a notable development. More importantly, however, the Democrats say the responses reveal that the money is still largely unaccounted for.

“Not one of these companies can say with any clarity where their multi-million-dollar donations to Donald Trump’s library slush fund are, or where they will go,” Senator Elizabeth Warren of Massachusetts, who’s taken the lead in tracking this money, tells me in a statement."

Democrats ask what happened to millions earmarked for Trump’s library; The Washington Post, March 11, 2026

Dan Diamond

 and 

Aaron Schaffer

 , The Washington Post; Democrats ask what happened to millions earmarked for Trump’s library

ABC, Meta, Paramount and X reportedly agreed to pay at least $63 million in settlements with the president. The original fund was dissolved last year.

"Congressional Democrats are opening a probe into millions of dollars private companies pledged to President Donald Trump’s planned presidential library, asking what happened to the money after the original fund was dissolved last year.

Sens. Elizabeth Warren (Massachusetts) and Richard Blumenthal (Connecticut) and Rep. Melanie Stansbury (New Mexico) wrote Monday to the leaders of ABC, Meta, Paramount and X, requesting information about the terms of their agreements and the status of the funds they pledged to hand over to the president’s representatives. The letters were shared with The Washington Post."

MPA Calls On TikTok Owner ByteDance To Curb New AI Model That Created Tom Cruise Vs. Brad Pitt Deepfake; Deadline, February 12, 2026

 Ted Johnson , Deadline; MPA Calls On TikTok Owner ByteDance To Curb New AI Model That Created Tom Cruise Vs. Brad Pitt Deepfake

"As reported by Deadline’s Jake Kanter, Seedance 2.0 users are prompting the Chinese AI tool to create videos that appear to be repurposing, with startling accuracy, copyrighted material from studios, including Disney, Warner Bros Discovery and Paramount. In addition to the Cruise vs. Pitt fight, the model has produced remixes of Avengers: Endgame and a Friends scene in which Rachel and Joey are played by otters."

Amazon Prime slammed for streaming ‘It’s a Wonderful Life’ with key scene cut out: ‘Sacrilege’'; New York Post, December 25, 2025

Ariel Zilber, New York Post; Amazon Prime slammed for streaming ‘It’s a Wonderful Life’ with key scene cut out: ‘Sacrilege’

"The existence of the abridged version is rooted not in a creative choice by Amazon, but in the film’s famously tangled copyright history, according to the University of Connecticut.

In 1974, the distributor failed to renew the movie’s copyright, sending “It’s a Wonderful Life” into the public domain.

For nearly two decades, television stations freely aired the film — especially during the holidays — without paying royalties.

But the legal landscape shifted in the 1990s.

While the film itself had fallen into the public domain, the rights to two underlying elements had been properly maintained: the original short story “The Greatest Gift,” by Philip Van Doren Stern, and the musical score by Dimitri Timokin, a UConn legal blog noted.

Republic Pictures, later acquired by Paramount, used those copyrights to effectively reclaim control over the movie’s distribution, arguing that any exhibition of the film required licensing the copyrighted story and music.

The “Pottersville” sequence is the portion most directly adapted from Stern’s story.

Legal experts say the abridged version appears to be a workaround — by removing that specific sequence, distributors may have believed they could avoid infringing on the short story’s copyright while still offering a version of the film."

Scott Pelley hits out at his own network as ‘60 Minutes’ producer quits because of corporate oversight; Independent, April 28, 2025

 Justin Baragona, Independent; Scott Pelley hits out at his own network as ‘60 Minutes’ producer quits because of corporate oversight

"Scott Pelley ended Sunday night’s broadcast of 60 Minutes by issuing an on-air rebuke of his corporate bosses following the stunning departure of the show’s executive producer Bill Owens, who quit last week because he felt he no longer had editorial independence.

“It was hard on him and hard on us,” the longtime correspondent said of Owens’ resignation. “But he did it for us and you.”

Pelley’s startling admonishment of CBS News’ parent company Paramount comes as the vaunted news magazine faces continued pressure from President Donald Trump, who is suing CBS for $20 billionover his claims that 60 Minutes engaged in “unlawful and illegal behavior” with its interview of former vice president Kamala Harris."

To Boldly Go Where No Fan Production Has Gone Before; Slate, 7/13/16

Marissa Martinelli, Slate; To Boldly Go Where No Fan Production Has Gone Before:

"The issues at the heart of the Axanar case are complex—in addition to copyright infringement, CBS and Paramount are accusing the Axanar team of profiting from the production by paying themselves salaries, among other things. Abrams, who directed 2009’s Star Trek and 2013’s Star Trek Into Darkness, promised during a fan event back in May that the lawsuit would be going away at the behest of Justin Lin, the Beyond director who has sided, surprisingly, with Axanar over Paramount. But despite Abrams’ promise, the lawsuit rages on, and in the meantime, other Trekkie filmmakers have had to adapt. Federation Rising, the planned sequel to Horizon, pulled the plug before fundraising had even started, and Star Trek: Renegades, the follow-up to Of Gods and Men that raised more than $132,000 on Indiegogo, has dropped all elements of Star Trek from the production and is now just called Renegades. (Amusingly, this transition seems to have involved only slight tweaks, with the Federation becoming the Confederation, Russ’ character Tuvok becoming Kovok, and so on.) Other projects are stuck in limbo, waiting to hear from CBS whether they can boldly go forth with production—or whether this really does spell the end of the golden age of Star Trek fan films.

Axanar may very well have crossed a line, and CBS and Paramount are, of course, entitled to protect their properties. But in the process, they have suffocated, intentionally or otherwise, a robust and long-standing fan-fiction tradition, one that has produced remarkable labors of love like Star Trek Continues, which meticulously recreated the look and feel of the 1960s show, and an hourlong stop-motion film made by a German fan in tribute to Enterprise—a project almost eight years in the making. It’s a tradition that gave us web series like Star Trek: Hidden Frontier, which was exploring same-sex relationships in Star Trek well before the canon was ready to give us a mainstream, openly gay character."