UNM celebrates Open Access Week with film on copyright and creativity; UNM Newsroom, University of New Mexico, October 7, 2025

 UNM Newsroom, University of New Mexico; UNM celebrates Open Access Week with film on copyright and creativity

"As part of International Open Access Week, the greater Lobo community is invited to Opening the Canon: Copyright, Access and Creativity, an evening of film, conversation and discovery Oct. 22 and 23, at 7 p.m. both nights at the Guild Cinema in Albuquerque. This event is free and open to the public.

This event will explore how works move from private ownership into the public domain, and what that means for creators, educators and the public. On Wednesday, Oct. 22, Bryan Konefsky of Basement Films will guide a discussion on copyright, open access, creativity and the art of working within a canon. He will also introduce the three films. The event will conclude with an open Q&A session with Konefsky.

The three films are:

• Steamboat Willie: Mickey Mouse’s first sound cartoon, newly in the public domain.
• Steamboat Bill, Jr. starting Buster Keaton, the film that inspired Disney’s steamboat adventure.
• Citizen Mickey by Salise Hughes: A Basement Films gem reimagining the mouse we all know.

On Thursday, Oct. 23, the event will include only a showing of the three films, no discussion. 

Opening the Canon is created through the support of the New Mexico Open Educational Resources Consortium, University Libraries, New Mexico Library Association and Basement Films, which has been around for 35 years supporting underrepresented forms of media.

International Open Access Week is an opportunity for the academic and research community to learn about the benefits of Open Access, to share what they’ve learned, and to inspire wider participation in making open access publishing a new norm in scholarship and research. 

Open access literature is online, free of charge and free of most copyright and licensing restrictions. Open Access Week is held every October  and offers a chance to connect with the global momentum of openly sharing knowledge. This year, University Libraries, Health Sciences Library and Informatic Center, and the Law Library have teamed up to create events that shed light on Open Access all month long. Learn more about the events at the Open Access website."

OpenAI hastily retreats from gung-ho copyright policy after embarrassing Sora video output like AI Sam Altman surrounded by Pokémon saying 'I hope Nintendo doesn't sue us'; PC Gamer, October 5, 2025

 Stevie Bonifield, PC Gamer ; OpenAI hastily retreats from gung-ho copyright policy after embarrassing Sora video output like AI Sam Altman surrounded by Pokémon saying 'I hope Nintendo doesn't sue us'

"This video is just one of many examples, but you'll have a much harder time finding Sora-generated videos containing Marvel or Disney characters. As reported by Automaton, Sora appears to be refusing prompts containing references to American IP, but Japanese IP didn't seem to be getting the same treatment over the past week.

Japanese lawyer and House of Representatives member Akihisa Shiozaki called for action to protect creatives in a post on X (formerly Twitter), which has been translated by Automaton: "I’ve tried out [Sora 2] myself, but I felt that it poses a serious legal and political problem. We need to take immediate action if we want to protect leading Japanese creators and the domestic content industry, and help them further develop. (I wonder why Disney and Marvel characters can’t be displayed).""

Disney Sends Cease And Desist Letter To Character.ai For Copyright Infringement As Studios Move To Protect IP; Deadline, September 30, 2025

 Jill Goldsmith, Deadline; Disney Sends Cease And Desist Letter To Character.ai For Copyright Infringement As Studios Move To Protect IP

"Walt Disney sent a cease-and-desist letter to Character.AI, a “personalized superintelligence platform” that the media giant says is ripping off copyrighted characters without authorization.

The AI startup offers users the ability to create customizable, personalized AI companions that can be totally original but in some cases are inspired by existing characters, including, it seems, Disney icons from Spider-Man and Darth Vader to Moana and Elsa.

The letter is the latest legal salvo by Hollywood as studios begin to step up against AI. Disney has also sued AI company Midjourney for allegedly improper use and distribution of AI-generated characters from Disney films. Disney, Warner Bros. and Universal Pictures this month sued Chinese AI firm MiniMax for copyright infringement."

Morgan & Morgan takes Disney to court over rights to feature ‘Steamboat Willie’ in law firm ads; News6, September 17, 2025

Phil Landeros , News6; Morgan & Morgan takes Disney to court over rights to feature ‘Steamboat Willie’ in law firm ads

"Morgan & Morgan, Florida’s largest law firm, has filed a lawsuit asking a judge to declare the law firm’s planned use of the iconic film in an ad is protected against trademark claims from Disney. Steamboat Willie entered the public domain on Jan. 1, 2024, when Disney’s copyright protection expired.

The proposed ad depicts Mickey Mouse in a boat collision with a car, after which the driver seeks legal representation from Morgan & Morgan. According to the filing, before moving forward with the advertisement, the law firm sought assurance from Disney that the commercial wouldn’t trigger legal action. The filing said Disney would not comply."

John Oliver Wants Disney CEO to Tell Trump ‘Four Key Words’; The Daily Beast, September 22, 2025

Sean L. McCarthy , The Daily Beast; John Oliver Wants Disney CEO to Tell Trump ‘Four Key Words’

"John Oliver made a direct plea to Disney’s CEO to stand up to Donald Trump with “four key words” in the wake of ABC’s indefinite suspension of Jimmy Kimmel Live!

Oliver used his Last Week Tonight monologue on Sunday night to encourage viewers to cancel their Disney+ and Hulu subscriptions. He blasted the “laughably weak” reason for pulling Jimmy Kimmel Live! off the air on Wednesday, after Kimmel had enraged MAGAworld and FCC Chairman Brendan Carr with his monologue about their reaction to Charlie Kirk’s assassination last week.

“At some point, you’re going to have to draw a line,” Oliver said directly to Iger. “So I’d argue, why not draw it right here? And when they come to you with stupid, ridiculous demands, picking fights that you know you could win in court, instead of rolling over, why not stand up and use four key words they don’t tend to teach you in business school. Not ‘OK, you’re the boss,’ not ‘Whatever you say goes,’ but instead, the only phrase that can only genuinely make a weak bully go away, and that is ‘F--- you! Make me!’”"

‘Dangerous as hell’: Ted Cruz compares FCC chair’s threats against ABC to mob tactics; CNN, September 19, 2025

Michael Williams, CNN; ‘Dangerous as hell’: Ted Cruz compares FCC chair’s threats against ABC to mob tactics

"GOP Sen. Ted Cruz on Friday denounced Federal Communications Commission Chairman Brendan Carr’s threats to pull ABC’s broadcast license as “unbelievably dangerous” and compared some of his rhetoric to “mafioso” tactics.

In an episode of his podcast, “Verdict with Ted Cruz,” released on Friday, the Texas Republican said he was “thrilled” Jimmy Kimmel was pulled off the air by ABC over his comments about conservative influencer Charlie Kirk. But he said he strongly disagreed with the government policing speech, asserting it could come back to bite conservatives when Democrats retake power.

“I hate what Jimmy Kimmel said. I am thrilled that he was fired,” Cruz said. “But let me tell you: If the government gets in the business of saying, ‘We don’t like what you, the media, have said. We’re going to ban you from the airwaves if you don’t say what we like,’ that will end up bad for conservatives.”

Though Carr’s comments have drawn widespread condemnation on the left, Cruz’s remarks represent one of the strongest denunciations of the threats against broadcasters by an elected conservative. Cruz also chairs the Senate Committee on Commerce, Science, and Transportation, which has broad authority over the FCC."

Jon Stewart Goes Full State TV to Nail Trump on Kimmel; The Daily Beast, September 19, 2025

Matt Wilstein  , The Daily Beast; Jon Stewart Goes Full State TV to Nail Trump on Kimmel

"Jon Stewart showed the world what it would be like if Donald Trump got his wish to remake all media in his image Thursday night with a 23-minute satirical rebranding of The Daily Show as full-on state TV. 

In a last-minute return to the desk outside of his usual Monday night gig, Stewart introduced the “new government-approved Daily Show.” It was his unique way of commenting on ABC’s decision to pull Jimmy Kimmel from the air following direct threats from Trump’s FCC Chair Brendan Carr. 

“We have another fun, hilarious, administration-compliant show,” Stewart said, surrounded by Trumpian gold flourishes. Throughout a monologue dominated by MAGA talking points, the host repeatedly shushed the laughing crowd, telling them, “You’re gonna blow this for us!”...

Despite the over-the-top MAGA-friendly act, Stewart still managed to use clips to catch Trump and his cohort in all sorts of blatant hypocrisy when it comes to the type of free speech they used to defend when it was targeted at the other side...

The Daily Show closed out its marathon opening segment with all seven co-hosts and correspondents reciting a pro-free speech message in terrified unison."

‘Censoring you in real time’: suspension of Jimmy Kimmel show sparks shock and fears for free speech; The Guardian, September 17, 2025

Jonathan Yerushalmy, The Guardian ; ‘Censoring you in real time’: suspension of Jimmy Kimmel show sparks shock and fears for free speech

"Politicians, media figures and free speech organisations expressed anger and alarm at the suspension of Jimmy Kimmel’s late night show, warning that critics of Donald Trump were being systematically silenced."

ABC yanks Jimmy Kimmel’s show ‘indefinitely’ after threat from Trump’s FCC chair; CNN, September 17, 2025

Brian Stelter, Elizabeth Wagmeister, Liam Reilly , CNN; ABC yanks Jimmy Kimmel’s show ‘indefinitely’ after threat from Trump’s FCC chair

"Disney’s ABC is taking Jimmy Kimmel’s late night talk show off the air indefinitely amid a controversy over his recent comments about Charlie Kirk’s suspected killer.

“Jimmy Kimmel Live will be pre-empted indefinitely,” an ABC spokesperson said, declining to share any further details.

A representative for Kimmel did not immediately respond to a request for comment.

The stunning decision came just a few hours after the Trump administration official responsible for licensing ABC’s local stations publicly pressured the company to punish Kimmel."

97 years ago today, Disney copyrighted the Mickey Mouse character; Trib Live, August 12, 2025

 PATRICK VARINE , Tri Live; 97 years ago today, Disney copyrighted the Mickey Mouse character

"On Aug. 12, 1928, an ambitious young man named Walt Disney filed a copyright application for Mickey Mouse, a new animated character he’d created alongside animator Ub Iwerks.

That turned out to be a successful business move for Disney, who would go on to build his character into an international entertainment empire."

YouTube Pirates Are Cashing In on Hollywood’s Summer Blockbusters; The New York Times, July 5, 2025

  Nico Grant and Tripp Mickle, The New York Times; YouTube Pirates Are Cashing In on Hollywood’s Summer Blockbusters

"But the company also had cause to be concerned. In the days after the Disney film’s opening, a pirated version of “Lilo & Stitch” proved to be a hit on YouTube, where more than 200,000 people viewed it, potentially costing Disney millions of dollars in additional sales, according to new research from Adalytics, a firm that analyzes advertising campaigns for brands.

The findings of the research shed new light on the copyright issues that once threatened to upend YouTube’s business. They also show how advertisers have unwittingly supported illicit content on YouTube, and they provide rare data about piracy on the platform."

How Disney’s AI lawsuit could shift the future of entertainment; The Washington Post, June 11, 2025

Tatum Hunter

 and 

Will Oremus

, The Washington Post ; How Disney’s AI lawsuit could shift the future of entertainment

"The battle over the future of AI-generated content escalated on Wednesday as two Hollywood titans sued a fast-growing AI start-up for copyright infringement.

Disney and Universal, whose entertainment empires include Pixar, Star Wars, Marvel and Despicable Me, sued Midjourney, claiming it wrongfully trained its image-generating AI models on the studios’ intellectual property.

They are the first major Hollywood studios to file copyright infringement lawsuits, marking a pivotal moment in the ongoing fight by artists, newspapers and content makers to stop AI firms from using their work as training data — or at least make them pay for it."

Disney, Universal File First Major Studio Lawsuit Against AI Company, Sue Midjourney for Copyright Infringement: ‘This Is Theft’; Variety, June 11, 2025

  Todd Spangler, Variety; Disney, Universal File First Major Studio Lawsuit Against AI Company, Sue Midjourney for Copyright Infringement: ‘This Is Theft’

"Disney and NBCU filed a federal lawsuit Tuesday against Midjourney, a generative AI start-up, alleging copyright infringement. The companies alleged that Midjourney’s own website “displays hundreds, if not thousands, of images generated by its Image Service at the request of its subscribers that infringe Plaintiffs’ Copyrighted Works.”

A copy of the lawsuit is at this link...

Disney and NBCU’s lawsuit includes images alleged to be examples of instances of Midjourney’s infringement. Those include an image of Marvel’s Deadpool and Wolverine (pictured above), Iron Man, Spider-Man, the Hulk and more; Star Wars’ Darth Vader, Yoda, R2-D2, C-3PO and Chewbacca; Disney’s Princess Elsa and Olaf from “Frozen”; characters from “The Simpsons”; Pixar’s Buzz Lightyear from “Toy Story” and Lightning McQueen from “Cars”; DreamWorks’ “How to Train Your Dragon”; and Universal‘s “Shrek” and the yellow Minions from the “Despicable Me” film franchise."

‘Andor’ Is Not the Resistance You’re Looking For; The New York Times, April 22, 2025

 Gita Jackson, The New York Times ; ‘Andor’ Is Not the Resistance You’re Looking For

"“Star Wars” has always been political. When the main thrust of the narrative is about rebels rising up against empire, that’s simply hard to avoid. “Andor,” a Disney+ streaming series that premiered in 2022, wears its politics openly: The show is about the brutal sacrifices people make, or are forced to make, in resistance to authoritarianism. As the new season begins streaming on Tuesday, it seems especially prescient...

In the struggle against authoritarianism in real life, many of us are like that, moved to action even before we know what we truly believe. If nothing else, “Andor” visualizes a simple truth that I try to remember when the news is grim: There are more of us than there are of them."

US Trademark Office cancels Marvel, DC's 'Super Hero' marks; Reuters, September 26, 2024

Blake Brittain , Reuters; US Trademark Office cancels Marvel, DC's 'Super Hero' marks

"A U.S. Trademark Office tribunal has canceled a set of "Super Hero" trademarks jointly owned by comic giants Marvel and DC at the request of a London-based comic book artist, according to a Thursday order.

The USPTO's Trademark Trial and Appeal Board ruled for S.J. Richold's Superbabies Ltd after Disney's Marvel and Warner Bros' DC did not file an answer to Superbabies' request to invalidate the marks.

Spokespeople and attorneys for Marvel and DC did not immediately respond to requests for comment. Superbabies attorney Adam Adler of Reichman Jorgensen Lehman & Feldberg said in a statement that the ruling was "not just a win for our client but a victory for creativity and innovation."

"By establishing SUPER HEROES' place in the public domain, we safeguard it as a symbol of heroism available to all storytellers," Adler said."

From 'E.T.' to 'Blade Runner,' how the summer of 1982 changed cinema forever; NPR, Fresh Air, July 31, 2024

Tonya Mosley , NPR, Fresh Air; From 'E.T.' to 'Blade Runner,' how the summer of 1982 changed cinema forever

"MOSLEY: Well, a couple of years later, then, there's "Tron"...

NASHAWATY: Yeah.

MOSLEY: ...Which is about a computer hacker who is abducted into the digital world. What did Disney learn from "The Black Hole" that then maybe helped them with the success of "Tron?"

NASHAWATY: Yeah. I mean, I think it learned that it has to gamble in order to stay alive, and, yes, "Black Hole" had been sort of an unsuccessful gamble, or at least a push, but they knew that this is the way they had to go in order to stay relevant and to stay in business."

"Stories Are Just Something That Can Be Eaten by an AI": Marvel Lashes Out at AI Content with a Mind-Blowing X-Men Twist; ScreenRant, January 9, 2024

TRISTAN BENNS, ScreenRant; "Stories Are Just Something That Can Be Eaten by an AI": Marvel Lashes Out at AI Content with a Mind-Blowing X-Men Twist

"Realizing the folly of her actions, Righteous laments her weakness against Enigma as a creature of stories, saying that “Stories are just something that can be eaten by an A.I. to make it more powerful. The only good story is a story that has been entirely and totally consumed and exploited.”.

While this isn’t the mutants’ first battle against artificial intelligence, this pointed statement has some sobering real-world applications. Since the Krakoan Age began, it’s been clear mutantkind's greatest battle would be against the concept of artificial intelligence as the final evolution of “life” in the Marvel Universe. With entities like Nimrod and the Omega Sentinel steering the forces of Orchis and other enemies of the X-Men against the mutant nation, this conflict has been painted as the ultimate fight for survival for mutants. However, with Enigma’s ultimate triumph over even the power of storytelling, it is clear that the X-Men aren’t just facing a comic’s interpretation of artificial intelligence – they’re battling the death of imagination.

In this way, the X-Men’s ultimate battle parallels a very real-world problem that both fans and creators must confront: the act of true creation versus the effects of generative artificial intelligence."

Disney loses famous Mickey Mouse copyright in 2024, along with many others; CBS News, December 30, 2023

 CBS News ; Disney loses famous Mickey Mouse copyright in 2024, along with many others

"Copyright protections on many well-known books, films and musical compositions are set to expire in 2024. Disney's Mickey Mouse is getting a lot of attention as one famous iteration of the classic mouse is set to enter the public domain. CBS News' Jo Ling Kent has the story."

Column: Mickey Mouse and ‘Lady Chatterley’s Lover’ enter the public domain on Jan. 1, a reminder of our crazy copyright laws; Los Angeles Times, December 26, 2023

MICHAEL HILTZIK, Los Angeles Times ; Column: Mickey Mouse and ‘Lady Chatterley’s Lover’ enter the public domain on Jan. 1, a reminder of our crazy copyright laws

"Once a work enters the public domain, Jenkins says, “community theaters can screen the films. Youth orchestras can perform the music publicly, without paying licensing fees. Online repositories such as the Internet Archive, HathiTrust, Google Books, and the New York Public Library can make works fully available online. This helps enable access to cultural materials that might otherwise be lost to history. ... Anyone can rescue them from obscurity and make them available, where we can all discover, enjoy, and breathe new life into them.”

In some cases, extended copyright seems to work against the public interest. Consider the stringent control exercised by the estate of the Rev. Martin Luther King Jr. — mostly his children — over his speeches and writings such as the “I Have a Dream” speech he delivered in Washington, D.C., on Aug. 28, 1963...

The irony of the term extension is that Disney, which pushed so hard to keep its own creations out of the public domain, is perhaps our most assiduous exploiter of, yes, the public domain.

The core material of some of its most successful and profitable movies comes from Hans Christian Andersen, Shakespeare, Lewis Carroll and Charles Perrault — often freely reimagined and rewritten by Disney artists and writers. 

Disney’s “Fantasia” mined musical history for compositions by Bach and Beethoven, but if the copyright terms Disney pushed for in 1998 were in place when the film was made in 1940, the compositions used in the film by Stravinsky, Ponchielli, Dukas, Tchaikovsky and Mussorgsky would still be under copyright protection. If Disney had to pay licensing fees to those creators, the film probably could not have been made."

Mickey Mouse, Long a Symbol in Copyright Wars, to Enter Public Domain: ‘It’s Finally Happening’; Variety, December 22, 2023

Gene Maddaus, Variety; Mickey Mouse, Long a Symbol in Copyright Wars, to Enter Public Domain: ‘It’s Finally Happening’

"Every Jan. 1, Jenkins celebrates Public Domain Day, publishing a long list of works that are now free for artists to remix and reimagine. This year’s list includes Tigger, who, like Mickey Mouse, made his first appearance in 1928. Other 1928 works include “Lady Chatterley’s Lover,” “All Quiet on the Western Front” and Buster Keaton’s “The Cameraman.” 

The celebrations are relatively recent. After Congress extended copyright terms in 1998, 20 years went by when nothing entered the public domain. Works began to lose copyright protection again in 2019, and since then, it’s been open season on “The Great Gatsby,” “Rhapsody in Blue” and Winnie the Pooh...

Lessig fought the extension all the way to the Supreme Court. He argued that Congress might keep granting extensions, thwarting the constitutional mandate that copyrights be “for limited times.” He lost, 7-2, but the debate helped advance the movement for Creative Commons and an appreciation for the benefits of “remix culture.”

“That movement awoke people to the essential need for balance in this,” Lessig said. “At the beginning of this fight, it was a simple battle between the pirates and the property owners. And by the end of that period, people recognized that there’s a much wider range of interests that were involved here, like education and access to knowledge.”...

He continues to support reforms that would free up a vast body of cultural output that remains inaccessible because it lacks commercial value and its ownership cannot be determined."