Stereo Williams, The Daily Beast; Stan Lee’s Radical Fight Against Racists: ‘The Only Way to Destroy Them Is to Expose Them’
[Kip Currier: Inspiring and powerful example of the ways every person can make a choice to stand against hatred of the "other" and bigotry, in all its forms.]
"Regardless of ongoing controversy surrounding the contributions of
Kirby and others, Lee should be remembered for being an agent of change
in his medium. A 1968 post from Lee’s mail column has been making the
rounds in the wake of his death. In it, Lee makes plain his stance on
racism.
“Let’s lay it right on the line. Bigotry and racism are
among the deadliest social ills plaguing the world today. But, unlike a
team of costumed super-villains, they can’t be halted with a punch in
the snoot, or a zap from a ray gun. The only way to destroy them is to
expose them—to reveal them for the insidious evils they really are. The
bigot is an unreasoning hater—one who hates blindly, fanatically,
indiscriminately. If his hang-up is black men, he hates ALL black men.
If a redhead once offended him, he hates ALL redheads. If some foreigner
beat him to a job, he’s down on ALL foreigners. He hates people he’s
never seen—people he’s never known—with equal intensity—with equal
venom.
“Now, we’re not trying to say it’s unreasonable for one
human being to bug another. But, although anyone has the right to
dislike another individual, it’s totally irrational, patently insane to
condemn an entire race—to despise an entire nation—to vilify an entire
religion. Sooner or later, we must learn to judge each other on our own
merits. Sooner or later, if man is ever to be worthy of his destiny, we
must fill our hearts with tolerance. For then, and only then, will we be
truly worthy of the concept that man was created in the image of God—a
God who calls us ALL—His children.”
Stan Lee’s creative voice
helped reshape the role of comics in American society and helped affect
how American society saw comics. In doing so, Lee helped challenge his
readers and his peers. His characters live now as part of the fabric of
our culture—in blockbuster movies, acclaimed TV shows, video games and a
host of other media. Generations of comic-book lovers saw themselves in
those characters, and that was what he’d wanted all along. As some
quarters of America tell themselves that politics have no place in pop
art, the proof in Stan Lee’s history reminds us that the message has
always been a part of the medium. Those who believe otherwise maybe have
to consider that they aren’t the “good guy” in the story. After all—you
can’t be a hero if you don’t stand for anything."
Issues and developments related to ethics, information, and technologies, examined in the ethics and intellectual property graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology" will be published in Summer 2025. Kip Currier, PhD, JD
Showing posts with label allegory. Show all posts
Showing posts with label allegory. Show all posts
Tuesday, November 13, 2018
Sunday, November 11, 2018
This is the scariest comics panel I’ve seen in ages; Polygon, November 9, 2018
Susana Polo, Polygon; This is the scariest comics panel I’ve seen in ages
“There will still be people who want this to be reality so much they will reject any proof,” Storm replies. “They want the worst. This supports their narrative. No amount of truth will sway them.”
"Tom Taylor’s X-Men Red is one of the best comics of 2018, and this week, in its penultimate issue, it delivered the most unsettling comic book moment I’ve read in a while...
[Spoilers for X-Men Red #10]
The Jean Grey video is a deepfake.
A
lot of the technology we see in comic books is science fiction, or so
cutting edge as to not be readily available, all to make our heroes seem
like they’re cut out to do what normal people can’t. But videos that
convincingly make a person look like they’ve done or said something they
never did aren’t tomorrow’s technology.
Deepfaked video, and audio, is a reality that online spaces are scrambling to confront even now. The potential uses of deepfakes are spooky enough. What’s spookier is the connection that X-Men Red #10 makes in this scene.
There is a commonly available real-world technology that
can do what comics books used to have to invent clones, evil twins and
shapeshifters for.
Trinary points out that the video of Jean is not a perfect fake, and can be disproven. But the damage is already done.
“There will still be people who want this to be reality so much they will reject any proof,” Storm replies. “They want the worst. This supports their narrative. No amount of truth will sway them.”
Saturday, November 12, 2016
REBELLIONS ARE BUILT ON HOPE: WHY ROGUE ONE MATTERS NOW MORE THAN EVER; Comic Book Resources, 11/11/16
Brett White, Comic Book Resources; REBELLIONS ARE BUILT ON HOPE: WHY ROGUE ONE MATTERS NOW MORE THAN EVER:
"We have hope. If they have hate, then we have hope. And we have “Rogue One,” which has suddenly become the most relevant movie of 2016 — and it hasn’t even hit theaters yet. Fiction is powerful. Fiction is inspirational and aspirational; it’s where artists take their hopes and dreams and make them real through story. We strive to be like fictional characters (General Organa, Luke Skywalker, Rey, Han Solo) because they’re the vessels through which creators express the values they want to see in the world. You want people to be braver, you give them a Leia to look up to. You want people to be able to find their own inner strength? Here’s Luke and Rey. Think being selfless is more important than being selfish? Learn from Han Solo. We need a very specific story right now, and we need “Rogue One” right now. When I look at the “Rogue One” trailers, I see what I want from America. I see a multicultural group standing strong together led by a rebellious and courageous woman. That’s what we are working towards, and what we will continue to work towards no matter what. That’s what America — a land created as a haven for the persecuted, to be able to realize their limitless dreams — was created to be. The Empire is oppressive; the Empire crushes the rights of others and excludes non-humans from their ranks. The Rebellion is inclusive. “Rogue One” stars an English woman, a Mexican man, an actor from Hong Kong and one from China, and a British Pakistani rapper/actor. People from so many backgrounds can see themselves in this cast, and they finally have a hero to call their very own."
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