US newspapers are deleting old crime stories, offering subjects a ‘clean slate’; The Guardian, January 4, 2025

Sam Levin, The Guardian; US newspapers are deleting old crime stories, offering subjects a ‘clean slate’

"Civil rights advocates across the US have long fought to free people from their criminal records, with campaigns to expunge old cases and keep people’s past arrests private when they apply for jobs and housing.

The efforts are critical, as more than 70 million Americans have prior convictions or arrests – roughly one in three adults. But the policies haven’t addressed one of the most damaging ways past run-ins with police can derail people’s lives: old media coverage.

Some newsrooms are working to fill that gap. 

A handful of local newspapers across the US have in recent years launched programs to review their archives and consider requests to remove names or delete old stories to protect the privacy of subjects involved in minor crimes.

“In the old days, you put a story in the newspaper and it quickly, if not immediately, receded into memory,” said Chris Quinn, editor of Cleveland.com and the Plain Dealer newspaper. “But because of our [search engine] power, anything we write now about somebody is always front and center.”

Quinn pioneered a “right-to-be-forgotten” experiment in 2018, motivated by the many inquiries he would receive from subjects describing the harms of past crime coverage and pleading for deletion. “People would say: ‘Your story is wrecking my life. I made a mistake, but … I’ve changed my life.’”

It was long considered taboo in media to retract or alter old stories, particularly when there are no concerns about accuracy. But Quinn said he felt an ethical obligation to rethink those norms. “I couldn’t take it any more … I just got tired of telling people no and standing on tradition instead of being thoughtful.”"

Washington Post cartoonist quits after paper rejects sketch of Bezos bowing to Trump; Associated Press (AP) via Washington Post, January 4, 2025

Todd Richmond | AP via Washington Post; Washington Post cartoonist quits after paper rejects sketch of Bezos bowing to Trump

[Kip Currier: Note that this story posted at 8:08 PM EST January 4, 2025 on the Washington Post website is written by an Associated Press (AP) reporter, not a Washington Post reporter. I have not yet located an article or OpEd piece written by a Washington Post staff person that addresses the Ann Telnaes editorial cartoon controversy, other than the Substack article by Ann Telnaes explaining her resignation.

• When and how will the Washington Post cover this story, and even more importantly, the implications for free presses, access to information, free expression, and democracy?
• Where are the Washington Post OpEd pieces about these issues by internal commentators like Eugene Robinson, Jennifer Rubin, Eric Wemple, etc.?
• Will there be no coverage by the newspaper itself that killed Ann Telnaes' draft cartoon?

The Washington Post's tagline "Democracy Dies in Darkness" is fast becoming an ironic commentary on its own ethical lapses in timely and fulsome reporting, transparency, accountability, and journalistic integrity.]

[Excerpt]

"A cartoonist has decided to quit her job at the Washington Post after an editor rejected her sketch of the newspaper’s owner and other media executives bowing before President-elect Donald Trump.

Ann Telnaes posted a message Friday on the online platform Substack saying that she drew a cartoon showing a group of media executives bowing before Trump while offering him bags of money, including Post owner and Amazon founder Jeff Bezos.

Telnaes wrote that the cartoon was intended to criticize “billionaire tech and media chief executives who have been doing their best to curry favor with incoming President-elect Trump.” Several executives, Bezos among them, have been spotted at Trump’s Florida club Mar-a-Lago. She accused them of having lucrative government contracts and working to eliminate regulations."

Washington Post cartoonist quits after cartoon satirizing Jeff Bezos is rejected; Politico, January 4, 2025

GISELLE RUHIYYIH EWING , Politico; Washington Post cartoonist quits after cartoon satirizing Jeff Bezos is rejected

"Telnaes’ resignation is the latest sign of pushback against the growing influence of billionaire CEOs trying to get into the incoming president’s good graces. Both the Post and the LA Times experienced surges of outrage from employees and readers alike when they separately announced that they would not endorse a presidential candidate — less than two weeks before the Nov. 5 election.

Many at the time pointed the finger at Bezos and Soon-Shiong, the two papers’ billionaire owners, for interfering in the editorial decision.

Bezos, who once openly criticized Trump, has cozied up to the president-elect recently, even dining with him and close adviser Elon Musk, another billionaire CEO, at Mar-a-Lago last month.

Sen. Elizabeth Warren (D-Mass.), who has been a vocal critic of Musk and Trump’s relationship, shared Telnaes’ cartoon on X, writing: “Big Tech executives are bending the knee to Donald Trump and it’s no surprise why: Billionaires like Jeff Bezos like paying a lower tax rate than a public school teacher.”"

Washington Post Cartoonist Quits After Jeff Bezos Cartoon Is Killed; The New York Times, January 3, 2025

 Benjamin Mullin, The New York Times; Washington Post Cartoonist Quits After Jeff Bezos Cartoon Is Killed

"David Shipley, The Post’s opinions editor, said in a statement that he respected Ms. Telnaes and all she had given to The Post “but must disagree with her interpretation of events."

“Not every editorial judgment is a reflection of a malign force,” Mr. Shipley said in the statement. “My decision was guided by the fact that we had just published a column on the same topic as the cartoon and had already scheduled another column — this one a satire — for publication. The only bias was against repetition.”

Mr. Shipley added that he had spoken with Ms. Telnaes by phone on Friday and had asked her to reconsider resigning. During the call, Mr. Shipley said he wanted to speak with Ms. Telnaes on Monday, after they had taken the weekend to think things over. He later encouraged her to hold off on quitting to see if they could work out the situation in accordance with her principles.

Ms. Telnaes did not respond to requests for comment.

Matt Wuerker, a Pulitzer Prize-winning cartoonist for Politico, called the decision to kill Ms. Telnaes’s cartoon “spineless,” adding that the storied Post cartoonist Herbert Block, known as Herblock, and Ben Bradlee, a former editor of The Post, were “spinning, kicking and screaming in their graves.”"

Why I'm quitting the Washington Post; Open Windows, January 3, 2025

ANN TELNAES, Open Windows; Why I'm quitting the Washington Post

"I’ve worked for the Washington Post since 2008 as an editorial cartoonist. I have had editorial feedback and productive conversations—and some differences—about cartoons I have submitted for publication, but in all that time I’ve never had a cartoon killed because of who or what I chose to aim my pen at. Until now.

The cartoon that was killed criticizes the billionaire tech and media chief executives who have been doing their best to curry favor with incoming President-elect Trump. There have been multiple articles recently about these men with lucrative government contracts and an interest in eliminating regulations making their way to Mar-a-lago. The group in the cartoon included Mark Zuckerberg/Facebook & Meta founder and CEO, Sam Altman/AI CEO, Patrick Soon-Shiong/LA Times publisher, the Walt Disney Company/ABC News, and Jeff Bezos/Washington Post owner. 

While it isn’t uncommon for editorial page editors to object to visual metaphors within a cartoon if it strikes that editor as unclear or isn’t correctly conveying the message intended by the cartoonist, such editorial criticism was not the case regarding this cartoon. To be clear, there have been instances where sketches have been rejected or revisions requested, but never because of the point of view inherent in the cartoon’s commentary. That’s a game changer…and dangerous for a free press...

Over the years I have watched my overseas colleagues risk their livelihoods and sometimes even their lives to expose injustices and hold their countries’ leaders accountable. As a member of the Advisory board for the Geneva based Freedom Cartoonists Foundation and a former board member of Cartoonists Rights, I believe that editorial cartoonists are vital for civic debate and have an essential role in journalism. 

There will be people who say, “Hey, you work for a company and that company has the right to expect employees to adhere to what’s good for the company”. That’s true except we’re talking about news organizations that have public obligations and who are obliged to nurture a free press in a democracy. Owners of such press organizations are responsible for safeguarding that free press— and trying to get in the good graces of an autocrat-in-waiting will only result in undermining that free press.

As an editorial cartoonist, my job is to hold powerful people and institutions accountable. For the first time, my editor prevented me from doing that critical job. So I have decided to leave the Post. I doubt my decision will cause much of a stir and that it will be dismissed because I’m just a cartoonist. But I will not stop holding truth to power through my cartooning, because as they say, “Democracy dies in darkness”.

Thank you for reading this."

‘I became an optimist the night my wife died’: a science writer on loss and letting go of rationalism; The Guardian, January 4, 2025

Sumit Paul-Choudhury , The Guardian; ‘I became an optimist the night my wife died’: a science writer on loss and letting go of rationalism

"Everything that Shackleton achieved, he achieved with and because of those he had taken with him – 27 men chosen from more than 5,000 applicants. What did he look for? “The quality I look for most is optimism,” he said, “especially optimism in the face of reverses and apparent defeat. Optimism is true moral courage.”

Not many of us will have our mettle tested as Shackleton and his team did. But we all have our reckonings with life and death sooner or later, or other adversities that make us reappraise the world and question the future. It’s at such times that optimism can be hardest to secure, but also most valuable. Optimism, far from leading us to passively await our fates, can help us to actively explore our limitations – and transcend them."

A Pulitzer winner quits 'Washington Post' after a cartoon on Bezos is killed; NPR, January 4, 2025

David Folkenflik, NPR; A Pulitzer winner quits 'Washington Post' after a cartoon on Bezos is killed

[Kip Currier: Every day, U.S. oligarchs like Washington Post owner Jeff Bezos and Los Angeles Times owner Patrick Soon-Shiong feel more emboldened to cravenly censor criticism of themselves and impede freedom of expression and access to information.

Thank you, Ann Telnaes, for speaking truth to power with your satirical artistry and standing up for the importance of free and independent presses with your principled resignation decision. As the Pulitzer Prize-winning editorial cartoonist underscored in explaining her resignation, "Democracy can't function without a free press".

The evidence is now even more clear than one year or a decade ago: Consolidation of ownership of print journalism and broadcast media by a few billionaires and corporate conglomerates chills the ability to dissent and provide access to diverse perspectives.

The diagnosis and ramifications are also clear: Having a handful of oligarchs control America's newspapers is antithetical to well-informed citizenries and healthy democracies. (See here for a prescient 2017 article by veteran journalist and free speech/free press advocate Bill Moyers.)

Potential remedies? It's absolutely imperative that free speech-supporting Americans develop and nurture alternative ways to promote access to information and freedom of expression, as is increasingly being done on Substack accounts (see examples here, and here, and here) and via podcasts.

In the longer term, collaborative trusts (see here, for example) that can purchase newspapers and share ownership among more than one individual offer some potential ways to challenge oligarch newspaper monopolies.]

[Excerpt]

"A Pulitzer Prize-winning cartoonist for the Washington Post has resigned after its editorial page editor rejected a cartoon she created to mock media and tech titans abasing themselves before President-elect Donald Trump.

Among the corporate chiefs depicted by Ann Telnaes was Amazon founder and Post owner Jeff Bezos. The episode follows Bezos' decision in October to block publication of a planned endorsement of Vice President Harris over Trump in the waning days of last year's presidential elections.

The inspiration for Telnaes' latest proposed cartoon was the trek by top tech chief executives including Bezos to Trump's Florida estate, Mar-a-Lago, as well as the seven-figure contributions several promised to make toward his inauguration. She submitted a sketch before Christmas. It was never published."

Chief Justice John Roberts Thinks You're Stupid And He's Probably Right; Above The Law, January 2, 2025

JOE PATRICE, Above The Law; Chief Justice John Roberts Thinks You're Stupid And He's Probably Right

"As Chief Justice of the United States, John Roberts prepares a year-end report, ostensibly to communicate with the American people — or Congress — about the state of the federal judiciary and his vision for the branch’s future. His approach this year is to condescend to the public while ignoring every useful area of inquiry about the court system.

Because he thinks everyone is too stupid to care...

More likely, this is a bid to undermine the public’s faith in legal analysis. The public doesn’t necessarily appreciate how much obfuscation exists in rulings by design let alone when a judge affirmatively tries to muddy the waters. When a court tries to say “oh, we didn’t really do what the analysts are saying, we decided it on standing!” the public relies on legal analysts to cut through this nonsense and explain what they’ve actually done...

America should demand more from a Chief Justice. But it won’t."

Net neutrality rules about corporate control over internet speeds blocked by federal appeals court; CBS News, January 3, 2025

CBS News; Net neutrality rules about corporate control over internet speeds blocked by federal appeals court 

"A federal appeals court on Thursday ruled that US regulators overstepped their authority by reinstating "net neutrality" rules governing internet service providers, dealing a blow to the Biden administration. 

In a published opinion, the appellate court in the state of Ohio said an order last year by the Federal Communications Commission "resurrected the FCC's heavy-handed regulatory regime." 

The battle over how much control US regulators should have over service providers has been going on for years. Under President Biden, the FCC expanded its oversight. 

"This order -- issued during the Biden administration -- undoes the order issued during the first Trump administration, which undid the order issued during the Obama administration, which undid orders issued during the Bush and Clinton administrations," the court said in its opinion. 

Net neutrality advocates argue that internet service is a vital utility in modern life and that companies providing it should be regulated to stop abuses such as giving speed advantages to those who pay more.

Net Neutrality rules prohibit internet service providers from blocking, slowing down, or charging extra for the internet content and applications their broadband customers choose, according to internet rights group Free Press. 

Internet service giants have fought against being regulated, arguing they should be left to run their businesses as they see fit. 

The court sided with internet service providers, saying the FCC lacks statutory authority "to impose its desired net-neutrality policies."

POPEYE, ‘THE SKELETON DANCE,’ AND ‘SINGIN’ IN THE RAIN’ ENTER THE PUBLIC DOMAIN; Rolling Stone, January 1, 2025

DANIEL KREPS, Rolling Stone ; POPEYE, ‘THE SKELETON DANCE,’ AND ‘SINGIN’ IN THE RAIN’ ENTER THE PUBLIC DOMAIN

"The first iteration of Popeye the Sailor, literary classics by Dashiell Hammett and William Faulkner, Alfred Hitchcock’s first sound film, and songs like “Singin’ in the Rain” and “Tiptoe Through the Tulips” are among the copyrighted works that will enter the public domain on Jan. 1.

 

As the calendar turns on New Year’s Day, thousands of copyrighted works across literature, film, and music from 1929 become open to fair use. This year’s slate also includes the French comic icon Tintin, Disney’s still-iconic The Skeleton Dance short (38 million views on YouTube!), Ernest Hemingway’s A Farewell to Arms, and the first English translation of All Quiet on the Western Front (the original German text became public domain last year).

Jennifer Jenkins, the director of Duke Law School’s Center for the Study of the Public Domain, documents each year’s Public Domain Day highlights on the center’s website.

 

“For copyrighted culture, the public domain arrives only after a long wait,” Jenkins wrote of the 2025 entrants. “Works from 1929 were first set to go into the public domain after a 56-year term in 1985, but a term extension pushed that date to 2005. They were then supposed to go into the public domain in 2005 after being copyrighted for 75 years. But before this could happen, Congress hit another 20-year pause button and extended their copyright term to 95 years. Now the wait is over.” (For sound recordings, the copyright term is 100 years.) 

Public Domain Day in 2024 was highlighted by the arrival of Mickey Mouse and Minnie Mouse, as the first iteration of those characters — as featured in the 1928 short Steamboat Willie — became free to use."

Column: A Faulkner classic and Popeye enter the public domain while copyright only gets more confusing; Los Angeles Times, December 31, 2024

 Michael Hiltzik , Los Angeles Times; Column: A Faulkner classic and Popeye enter the public domain while copyright only gets more confusing

"The annual flow of copyrighted works into the public domain underscores how the progressive lengthening of copyright protection is counter to the public interest—indeed, to the interests of creative artists. The initial U.S. copyright act, passed in 1790, provided for a term of 28 years including a 14-year renewal. In 1909, that was extended to 56 years including a 28-year renewal.

In 1976, the term was changed to the creator’s life plus 50 years. In 1998, Congress passed the Copyright Term Extension Act, which is known as the Sonny Bono Act after its chief promoter on Capitol Hill. That law extended the basic term to life plus 70 years; works for hire (in which a third party owns the rights to a creative work), pseudonymous and anonymous works were protected for 95 years from first publication or 120 years from creation, whichever is shorter.

Along the way, Congress extended copyright protection from written works to movies, recordings, performances and ultimately to almost all works, both published and unpublished.

Once a work enters the public domain, Jenkins observes, “community theaters can screen the films. Youth orchestras can perform the music publicly, without paying licensing fees. Online repositories such as the Internet Archive, HathiTrust, Google Books and the New York Public Library can make works fully available online. This helps enable both access to and preservation of cultural materials that might otherwise be lost to history.”"

AI Developments at the U.S. Copyright Office in 2024; IP Watchdog, December 30, 2024

  BARRY WERBIN , IP Watchdog; AI Developments at the U.S. Copyright Office in 2024

"“The art challenges the technology, and the technology inspires the art.” Such is the conundrum facing the U.S Copyright Office in this era of rapidly expanding generative artificial intelligence technology. Human creativity has been the cornerstone of copyright protection for original works of authorship ever since the U.S. Constitution recognized copyright as a fundamental right to be protected for limited times. But the tenet that originality exists only when a human is primarily responsible for creating works of authorship is currently in flux and subject to extensive debate. Nowhere is this tension more visible than within the Copyright Office itself, which has been grappling with the core issue of what defines human creation when sophisticated technology like generative AI plays a significant role in creating works of authorship under the direction of a human creator."

Anthropic Agrees to Enforce Copyright Guardrails on New AI Tools; Bloomberg Law, December 30, 2024

Annelise Levy, Bloomberg Law; Anthropic Agrees to Enforce Copyright Guardrails on New AI Tools

"Anthropic PBC must apply guardrails to prevent its future AI tools from producing infringing copyrighted content, according to a Monday agreement reached with music publishers suing the company for infringing protected song lyrics. 

Eight music publishers—including Universal Music Corp. and Concord Music Group—and Anthropic filed a stipulation partly resolving the publishers’ preliminary injunction motion in the US District Court for the Northern District of California. The publishers’ request that Anthropic refrain from using unauthorized copies of lyrics to train future AI models remains pending."

Texas book ban law causes a school district to remove Bible from libraries; The Guardian, December 30, 2024

Emily Swanson , The Guardian; Texas book ban law causes a school district to remove Bible from libraries

"While the state adopted library standards inclusive of HB900 last December, the fifth circuit has since blocked the part of the law requiring vendors to rate materials. Most of the rest of the law remains intact.

HB900 is being challenged in the US district court for the western district of Texas by bookshops in Houston and Austin, the American Booksellers Association, the Association of American Publishers, the Authors Guild and the Comic Book Legal Defense Fund, which have collectively filed suit against Texas school board and library officials.

The complaint says the “overbroad language of the Book Ban could result in the banning or restricting of access to many classic works of literature, such as ‘Twelfth Night,’ ‘A Midsummer Night’s Dream’ … ‘The Canterbury Tales,’ ‘I Know Why the Caged Bird Sings,’ and even the Bible.”

The complaint argues that HB900 “harkens back to dark days in our nation’s history when the government served as licensors and dictated the public dissemination of information”."

On roads teeming with robotaxis, crossing the street can be harrowing; The Washington Post, December 30, 2024

 Geoffrey A. Fowler, The Washington Post; On roads teeming with robotaxis, crossing the street can be harrowing

"When I try to cross my street at a marked crosswalk, the Waymo robotaxis often wouldn’t yield to me. I would step out into the white-striped pavement, look at the Waymo, wait to see whether it’s going to stop — and the car would zip right past.

It cut me off again and again on the path I use to get to work and take my kids to the park. It happened even when I was stuck in a small median halfway across the road. So I began using my phone to film myself crossing. I documented more than a dozen Waymo cars failing to yield in the span of a week. (You can watch some of my recordings below.)

It is a cautionary tale about how AI, intended to make us more safe, also needs to learn how to coexist with us. The experience has taught my family that the safest place around an autonomous vehicle is inside it, not walking around it...

What’s more, how does an AI designed to follow the law learn how to break it?...

 showed my videos to outside experts, too. Phil Koopman, a Carnegie Mellon University professor who conducts research on autonomous-vehicle safety, said Waymo had no excuse not to stop."

In Memoriam: President Jimmy Carter; Washington National Cathedral, December 29, 2024

Washington National Cathedral; In Memoriam: President Jimmy Carter

"Washington National Cathedral and the Episcopal Diocese of Washington join the nation in giving thanks for the life of President Jimmy Carter, whose deep and abiding faith in Jesus Christ was the foundation of a public life shaped by compassion, humility and care for the least among us.

Our prayers are with President Carter’s children Jack, Chip, Jeff and Amy, and the extended Carter family.

President Carter exemplified a life of public service rooted in personal faith. Whether teaching Sunday School, or building houses for the poor, or working through the Carter Center to eradicate diseases in Africa, President Carter exemplified what it means to translate faith into action. 

President Carter’s faith was quiet and humble, fueled by a much-needed sense of generosity. His devotion to God was evidenced by his pursuit of peace and his promotion of human rights, especially for the world’s poor. Indeed, on the global road to Jericho, he was often the Samaritan who stopped to help as others passed by.

Undeterred by age, infirmity or political defeat, President Carter rose again and again to offer an outstretched hand. He embodied St. Paul’s admonition to be “afflicted in every way but not crushed, perplexed but not driven to despair, persecuted but not forsaken, struck down but not destroyed, always carrying around in the body the death of Jesus, so that the life of Jesus may also be made visible in our bodies.” (2 Corinthians 4:8-10)

We will leave it to others to judge his political legacy, but his graciousness in victory and defeat, his personal decency, and his dogged commitment to public service demonstrated that one need not hold public office to leave an enduring imprint on the fabric of America. Of all the second acts in our political life, President Carter’s post-White House years were among the most inspiring. 

Together with all the saints in glory, we give thanks for the life and legacy of President Jimmy Carter. From his selflessness and humanitarian spirit, we draw inspiration. And from his example of fidelity and generous faith, we find hope that we might yet learn to embody his example of good and faithful service. 

“Into your hands, O merciful Savior, we commend your servant James. Acknowledge, we humbly beseech you, a sheep of your own fold, a lamb of your own flock, a sinner of your own redeeming. Receive him into the arms of your mercy, into the blessed rest of everlasting peace, and into the glorious company of the saints in light. Amen.” 

The Right Rev. Mariann Edgar Budde
Bishop of the Episcopal Diocese of Washington

The Very Rev. Randolph Marshall Hollerith
Dean of Washington National Cathedral"

Happy Public Domain Day! Popeye, ‘Rhapsody in Blue,’ ‘The Sound and the Fury’ and Thousands of Other Captivating Creations Are Finally Free for Everyone to Use; Smithsonian Magazine, December 30, 2024

Ellen Wexler, Smithsonian Magazine ; Happy Public Domain Day! Popeye, ‘Rhapsody in Blue,’ ‘The Sound and the Fury’ and Thousands of Other Captivating Creations Are Finally Free for Everyone to Use

"On January 1, 2025, Popeye—along with thousands of other copyrighted creations—will enter the public domain in the United States.

Every year, Jennifer Jenkins, director of Duke University School of Law’s Center for the Study of the Public Domain, publishes an exhaustive analysis of some of the most important works entering the public domain. This year, the list includes copyrighted titles from 1929 and sound recordings from 1924.

Works enter the public domain when their copyrights expire, typically 95 years after publication. At that point, they become free for anyone to adapt or build upon without permission—with a few caveats. Copyrights to audio recordings, meanwhile, expire 100 years after they were first put to wax...

As Jenkins points out, many of the celebrated classics entering the public domain this year were themselves built atop other public domain works. Disney featured more than a dozen copyright-free songs in its 1929 Mickey cartoons. William Faulkner’s The Sound and the Fury, which enters public domain on January 1, gets its name from Shakespeare’s Macbeth: “[Life] is a tale / Told by an idiot, full of sound and fury, / Signifying nothing.” Faulkner, Jenkins writes, is an “author of a timeless work that took from the public domain and now gives back to it.”"

Copyright on the Calendar: Top Cases of 2024 and What to Watch in 2025; IP Watchdog, December 20, 2024

 YAN SUN & JEFFREY HAJDIN & JOHANNA SCHMITT , IP Watchdog; Copyright on the Calendar: Top Cases of 2024 and What to Watch in 2025

"Copyright law provided an arena for some of the most interesting legal battles in 2024. We review some highlights from 2024 below, as well as some cases to watch in 2025."

We Stood Up for Access to the Law and Congress Listened: 2024 in Review; Electronic Frontier Foundation (EFF), December 25, 2024

 KATHARINE TRENDACOSTA , Electronic Frontier Foundation (EFF); We Stood Up for Access to the Law and Congress Listened: 2024 in Review

"Because you wrote in, because experts sent letters explaining the problems, enough members of Congress recognized that Pro Codes is not uncontroversial. It is not a small deal to allow industry giants to own parts of the law."

AI's assault on our intellectual property must be stopped; Financial Times, December 21, 2024

 Kate Mosse, Financial Times; AI's assault on our intellectual property must be stopped

"Imagine my dismay, therefore, to discover that those 15 years of dreaming, researching, planning, writing, rewriting, editing, visiting libraries and archives, translating Occitan texts, hunting down original 13th-century documents, becoming an expert in Catharsis, apparently counts for nothing. Labyrinth is just one of several of my novels that have been scraped by Meta's large language model. This has been done without my consent, without remuneration, without even notification. This is theft...

AI companies present creators as being against change. We are  not. Every artist I know is already engaging with AI in one way or another. But a distinction needs to be made between AI that can be used in brilliant ways -- for example, medical diagnosis -- and the foundations of AI models, where companies are essentially stealing creatives' work for their own profit. We should not forget that the AI companies rely on creators to build their models. Without strong copyright law that ensures creators can earn a living, AI companies will lack the high-quality material that is essential for their future growth."

Overcoming AI’s Nagging Trust And Ethics Issues; Forbes, December 28, 2024

Joe McKendrick, Forbes ; Overcoming AI’s Nagging Trust And Ethics Issues

"Trust and ethics in AI is what is making business leaders nervous. For example, at least 72% of executives responding to a recent surveyfrom the IBM Institute for Business Value say they “are willing to forgo generative AI benefits due to ethical concerns.” In addition, more than half (56%) indicate they are delaying major investments in generative AI until there is clarity on AI standards and regulations...

"Today, guardrails are a growing area of practice for the AI community given the stochastic nature of these models,” said Ross. “Guardrails can be employed for virtually any area of decisioning, from examining bias to preventing the leakage of sensitive data."...

The situation is not likely to change soon, Jeremy Rambarran, professor at Touro University Graduate School, pointed out. “Although the output that's being generated may be unique, depending on how the output is being presented, there's always a chance that part of the results may not be entirely accurate. This will eventually change down the road as algorithms are enhanced and could eventually be updated in an automated manner.”...

How can AI be best directed to be ethical and trustworthy? Compliance requirements, of course, will be a major driver of AI trust in the future, said Rambarran. “We need to ensure that AI-driven processes comply with ethical guidelines, legal regulations, and industry standards. Humans should be aware of the ethical implications of AI decisions and be ready to intervene when ethical concerns arise.”

A truck driver's quiet kindness on the highway leads to gratitude and recognition; CBC, December 27, 2024

CBC; A truck driver's quiet kindness on the highway leads to gratitude and recognition

"When trucker Daljit Sohi spotted a woman drop her purse in a B.C. parking lot, he immediately stepped in to help.

What followed was a three-hour drive to return her belongings, a gesture that would later earn him a generous gift and nomination for a prestigious trucking award...

Sohi, who has been with the company since 2021, hadn't told anyone at work about what happened, not even his family. 

Harpreet Sabharwal, HR Manager at Triple Eight Transport, praised Sohi's humility.

"The gentleman is quite humble to not boast about himself but we were quite surprised in a positive way.""

Journal that published faulty black plastic study removed from science index; Ars Technica, December 19, 2024

BETH MOLE , Ars Technica; Journal that published faulty black plastic study removed from science index

"The publisher of a high-profile, now-corrected study on black plastics has been removed from a critical index of academic journals after failing to meet quality criteria, according to a report by Retraction Watch.

On December 16, Clarivate—a scholarly publication analytics company—removed the journal Chemosphere from its platform, the Web of Science, which is a key index for academic journals. The indexing platform tracks citations and calculates journal "impact factors," a proxy for relevance in its field. It's a critical metric not only for the journals but for the academic authors of the journal's articles, who use the score in their pursuit of promotions and research funding."

While the Court Fights Over AI and Copyright Continue, Congress and States Focus On Digital Replicas: 2024 in Review; Electronic Frontier Foundation (EFF), December 27, 2024

 CORYNNE MCSHERRY, Electronic Frontier Foundation (EFF) ; While the Court Fights Over AI and Copyright Continue, Congress and States Focus On Digital Replicas: 2024 in Review

"These state laws are a done deal, so we’ll just have to see how they play out. At the federal level, however, we still have a chance to steer policymakers in the right direction.  

We get it–everyone should be able to prevent unfair and deceptive commercial exploitation of their personas. But expanded property rights are not the way to do it. If Congress really wants to protect performers and ordinary people from deceptive or exploitative uses of their images and voice, it should take a precise, careful and practical approach that avoids potential collateral damage to free expression, competition, and innovation."

The Job Interview Question Everyone Will Be Asking In 2025; Forbes, December 26, 2024

 Chris Westfall, Forbes; 

The Job Interview Question Everyone Will Be Asking In 2025

"Inside job interview questions, a new number one topic has emerged. Beyond the usual inquiries around your background and experience, the theme that’s top of mind is artificial intelligence (AI). The number one question every candidate should anticipate in 2025 is this one: How familiar are you with AI, and how are you using it? Here’s how to prepare, and respond, to the new number one job interview question.

As with any job interview question, the best answer usually involves a story. Because the minute you say, “I’m very familiar with AI,” the interviewer would like you to prove it. You can say you’re a genius, super empathetic, trustworthy, or the world’s fastest coder - the tricky part is providing credible evidence. Saying you are familiar with something is not the same as demonstrating it. That’s where soft skills like communication come into play."

New Course Creates Ethical Leaders for an AI-Driven Future; George Mason University, December 10, 2024

Buzz McClain, George Mason University; New Course Creates Ethical Leaders for an AI-Driven Future

"While the debates continue over artificial intelligence’s possible impacts on privacy, economics, education, and job displacement, perhaps the largest question regards the ethics of AI. Bias, accountability, transparency, and governance of the powerful technology are aspects that have yet to be fully answered.

A new cross-disciplinary course at George Mason University is designed to prepare students to tackle the ethical, societal, and governance challenges presented by AI. The course, AI: Ethics, Policy, and Society, will draw expertise from the Schar School of Policy and Government, the College of Engineering and Computing(CEC), and the College of Humanities and Social Sciences (CHSS).

The master’s degree-level course begins in spring 2025 and will be taught by Jesse Kirkpatrick, a research associate professor in the CEC, the Department of Philosophy, and codirector of the Mason Autonomy and Robotics Center. 

The course is important now, said Kirkpatrick, because “artificial intelligence is transforming industries, reshaping societal norms, and challenging long-standing ethical frameworks. This course provides critical insights into the ethical, societal, and policy implications of AI at a time when these technologies are increasingly deployed in areas like healthcare, criminal justice, and national defense.”"