THE EQUALIZER; The Washington Post, October 8, 2024

Sarah Vowell , The Washington Post; THE EQUALIZER

"NARA Chief Innovation Officer Pamela Wright, a graduate of the University of Montana, grew up on a ranch outside Conrad. “My job,” she explained, “is to find the most efficient and effective ways to share the records of the National Archives with the public online. NARA has been in the business of providing in-person access to the permanent federal records of the U.S. government for decades, and we are pretty good at it.” She added, “We are still expanding and improving our digital offerings” — so far, about 300 million of NARA’s more than 13 billion records have been scanned and posted to the internet — “but now my family in Montana can easily access census records, military records and many other pertinent records from home.”

It makes a weird kind of sense that the government worker who understands the value of providing online advice and information to far-flung Americans, and who is driven to connect the citizens of the hinterlands to their own stories as told in our collective federal records, is a woman whose hometown is a 32-hour drive from a reference desk in D.C."

Using AI, cartoonist Amy Kurzweil connects with deceased grandfather in 'Artificial'; NPR, October 19, 2023

Chloe Veltman, NPR ; Using AI, cartoonist Amy Kurzweil connects with deceased grandfather in 'Artificial'

"Amy Kurzweil said the chatbot project and the book that came out of it underscored her somewhat positive feelings about AI.

"I feel like you need to imagine the robot you want to see in the world," she said. "We're not going to stop progress. But we can think about applications of AI that facilitate human connection.""

Meet the 1,300 librarians racing to back up Ukraine’s digital archives; The Washington Post, April 8, 2022

Pranshu Verma, The Washington Post; Meet the 1,300 librarians racing to back up Ukraine’s digital archives

"Buildings, bridges, and monuments aren’t the only cultural landmarks vulnerable to war. With the violence well into its second month, the country’s digital history — its poems, archives, and pictures — are at risk of being erased as cyberattacks and bombs erode the nation’s servers.

Over the past month, a motley group of more than 1,300 librarians, historians, teachers and young children have banded together to save Ukraine’s Internet archives, using technology to back up everything from census data to children’s poems and Ukrainian basket weaving techniques.

The efforts, dubbed Saving Ukrainian Cultural Heritage Online, have resulted in over 2,500 of the country’s museums, libraries, and archives being preserved on servers they’ve rented, eliminating the risk they’ll be lost forever. Now, an all-volunteer effort has become a lifeline for cultural officials in Ukraine, who are working with the group to digitize their collections in the event their facilities get destroyed in the war.""

Internet Archive to Publishers: Drop ‘Needless’ Copyright Lawsuit and Work with Us; Publishers Weekly, July 23, 2020

Andrew Albanese, Publishers Weekly; Internet Archive to Publishers: Drop ‘Needless’ Copyright Lawsuit and Work with Us

"During a 30-minute Zoom press conference on July 22, Internet Archive founder Brewster Kahle urged the four major publishers suing over the organization’s book scanning efforts to consider settling the dispute in the boardroom rather than the courtroom.

“Librarians, publishers, authors, all of us should be working together during this pandemic to help teachers, parents, and especially students,” Kahle implored. “I call on the executives of Hachette, HarperCollins, Wiley, and Penguin Random House to come together with us to help solve the challenging problems of access to knowledge during this pandemic, and to please drop this needless lawsuit.”

Kahle’s remarks came as part of a panel, which featured a range of speakers explaining and defending the practice of Controlled Digital Lending (CDL), the legal theory under which the Internet Archive has scanned and is making available for borrowing a library of some 1.4 million mostly 20th century books."

Reforming Digital Lending Libraries and the End of the Internet Archive; Jurist, July 20, 2020

Binit Agrawal, Jurist; Reforming Digital Lending Libraries and the End of the Internet Archive

"The lack of certainty relating to the legality of CDL as fair use is hampering its growth by creating a chilling effect. Libraries are under the fear of costly litigations. IA itself is under the risk of bankruptcy, as the publishers are not inclined to take back their suit, even after IA stopped ELP. This is the very problem section 108 intended to resolve. Hence, it is pertinent that the section is amended to meet the needs of the digital age and provide certainty in this regard. Some countries have already moved in this direction. While Canada has permitted a limited right to provide digitized copies to patrons of other libraries, the EU has been considering proposals to allow digitization of cultural heritage institutions, including libraries."

Smithsonian Releases 2.8 Million Images Into Public Domain; Smithsonian Magazine, February 25, 2020

Katherine J. Wu , Smithsonian Magazine; Smithsonian Releases 2.8 Million Images Into Public Domain

"For the first time in its 174-year history, the Smithsonian has released 2.8 million high-resolution two- and three-dimensional images from across its collections onto an open access online platform for patrons to peruse and download free of charge. Featuring data and material from all 19 Smithsonian museums, nine research centers, libraries, archives and the National Zoo, the new digital depot encourages the public to not just view its contents, but use, reuse and transform them into just about anything they choose—be it a postcard, a beer koozie or a pair of bootie shorts.

And this gargantuan data dump is just the beginning. Throughout the rest of 2020, the Smithsonian will be rolling out another 200,000 or so images, with more to come as the Institution continues to digitize its collection of 155 million items and counting...

The database’s launch also marks the latest victory for a growing global effort to migrate museum collections into the public domain. Nearly 200 other institutions worldwide—including Amsterdam’s Rijksmuseum, New York’s Metropolitan Museum of Art and the Art Institute of Chicago—have made similar moves to digitize and liberate their masterworks in recent years. But the scale of the Smithsonian’s release is “unprecedented” in both depth and breadth, says Simon Tanner, an expert in digital cultural heritage at King’s College London.

Spanning the arts and humanities to science and engineering, the release compiles artifacts, specimens and datasets from an array of fields onto a single online platform."

Torching the Modern-Day Library of Alexandria: "Somewhere at Google there is a database containing 25 million books and nobody is allowed to read them."; The Atlantic, April 20, 2017

James Somers, The Atlantic; Torching the Modern-Day Library of Alexandria: "Somewhere at Google there is a database containing 25 million books and nobody is allowed to read them."

"After the settlement failed, Clancy told me that at Google “there was just this air let out of the balloon.” Despite eventually winning Authors Guild v. Google, and having the courts declare that displaying snippets of copyrighted books was fair use, the company all but shut down its scanning operation.

It was strange to me, the idea that somewhere at Google there is a database containing 25-million books and nobody is allowed to read them. It’s like that scene at the end of the first Indiana Jones movie where they put the Ark of the Covenant back on a shelf somewhere, lost in the chaos of a vast warehouse. It’s there. The books are there. People have been trying to build a library like this for ages—to do so, they’ve said, would be to erect one of the great humanitarian artifacts of all time—and here we’ve done the work to make it real and we were about to give it to the world and now, instead, it’s 50 or 60 petabytes on disk, and the only people who can see it are half a dozen engineers on the project who happen to have access because they’re the ones responsible for locking it up."

Lou Reed Archives Head to New York Public Library; New York Times, March 2, 2017

Ben Sisario, New York Times; 

Lou Reed Archives Head to New York Public Library

"Ms. Anderson said that the library’s mandate of making its collections available to the public was central to her decision to place the archive there. But she also felt that it all simply belonged in New York.

“Lou is kind of Mr. New York,” Ms. Anderson said. “This is the city he loved the most. It doesn’t make any sense for him to be anywhere else. Then, what’s the best place in New York? This is the best place in New York.”

She also giggled a little, and made a mock librarian’s shush, as she added: “I just love that somebody who is so loud is in the New York Public Library.”"

Unpublished Black History; New York Times, 2/1/16

Rachel L. Swarns, Darcy Eveleigh, and Damien Cave, New York Times; Unpublished Black History:

"Hundreds of stunning images from black history, drawn from old negatives, have long been buried in the musty envelopes and crowded bins of the New York Times archives.

None of them were published by The Times until now.

Were the photos — or the people in them — not deemed newsworthy enough? Did the images not arrive in time for publication? Were they pushed aside by words here at an institution long known as the Gray Lady?...

Every day during Black History Month, we will publish at least one of these photographs online, illuminating stories that were never told in our pages and others that have been mostly forgotten...

Many of these photographs, and their stories, are equally intriguing. But the collection is far from comprehensive. There are gaps, for many reasons."