As the year draws to a close, I am pleased to recognize an impressive slate of accomplishments at the U.S. Copyright Office. Despite some challenges, including a lengthy government shutdown, the Office continued to produce high-quality work and reliable service to the public—from policy analyses to technology updates; efficient registration, recordation and deposit; and education and outreach. I am grateful for the opportunity to lead such a skilled and dedicated staff.
A central policy focus of the year was further work on the Office’s comprehensive artificial intelligence initiative. In January, we published Part 2 of our report, Copyright and Artificial Intelligence, addressing the copyrightability of works generated using AI. In May, we released a pre-publication version of Part 3, addressing the ingestion of copyrighted works for generative AI training.
A particularly exciting development has been in the area of IT modernization: the launch of more components of the Enterprise Copyright System (ECS). The Office engaged in a successful limited pilot with members of the public of both the eDeposit upload functionality and our most-used registration form, the Standard Application. The development teams are implementing the feedback received, and work has begun on the first ECS group registration application. We also launched the ECS licensing component, which improves the Office’s internal capabilities in administering section 111 of the Copyright Act.
Another ECS component, the new and improved Copyright Public Records System (CPRS), replaced our legacy system as the official Office record in June. More and more pre-1978 historical public records have been digitized and published, with 19,135 copyright record books now available online, amounting to more than 72 percent of the total collection.
The Office also made strides in administration and public service. Our small claims court, the Copyright Claims Board (CCB), completed its third full year, offering a more accessible option for resolving copyright disputes below a certain monetary value. The Office published a rule expediting the process for obtaining a certification of a final determination and initiated a study of the CCB’s operations to be delivered to Congress in 2026.
Our public information and education programs continued to grow. The Office hosted or participated in 190 events and speaking engagements and assisted the public, in both English and Spanish, with responses to 247,484 inquiries in-person and by phone, email, and other communications. We launched a new Registration Toolkit and a Copyright for Kids activity sheet. In September, the Office hosted the International Copyright Institute, our premier weeklong training event for foreign copyright officials, coproduced with the World Intellectual Property Organization (WIPO).
This fall, we responded to a Congressional request on issues relating to performance rights organizations (PROs). And earlier in December, we announced a new group registration option for two-dimensional artwork, responding to the needs of visual artists. The Office also has taken forward the periodic review, mandated by the Music Modernization Act, of the mechanical licensing collective (MLC) and digital licensee coordinator (DLC), to be completed in 2026.
On the litigation front, the Office worked with the Department of Justice to develop and articulate positions in copyright-related cases. One major win was an appellate decision affirming the Office’s rejection of an application to register a work claimed to be produced entirely by artificial intelligence. The D.C. Circuit agreed with our view that human authorship is required for copyright protection.
Collaboration with and advising other federal agencies was again a key part of our interagency work in the international arena. This included participating in WIPO meetings on copyright and contributing to the U.S. Trade Representative’s annual Special 301 Report.
Concurrent with all of this activity, the Office’s provision of our regular services continued apace. Despite furloughs during the six-week lapse in appropriations, we issued 415,780 registrations and recorded 12,310 documents containing 5,704,306 works in fiscal year 2025. All the while, we maintained historically low processing times. We also received and transferred 503,389 copyright deposits, worth more than $57.8 million, to Library of Congress collections.
The Copyright Office remains committed to advancing copyright law and policy and supporting stakeholders in the creation and use of works of authorship. The work of the past year demonstrates the value of a resilient institution, grounded in expertise and public service. We look forward to further achievements in 2026."
