Bloomsbury Acquisition of ABC-CLIO To Strengthen Tech, Market Reach; Library Journal, January 12, 2022

Maggie Knapp , Library Journal; Bloomsbury Acquisition of ABC-CLIO To Strengthen Tech, Market Reach

"Bloomsbury Publishing purchased ABC-CLIO in December 2021 for $22.9 million, bringing ABC-CLIO’s four imprints and 32 databases into U.K.-based Bloomsbury’s academic and professional division.

Becky Snyder, co-owner of ABC-CLIO, has 35 years with the company, which was founded in 1955. She noted that from her company’s perspective Bloomsbury was an optimal fit, as leadership looked at options to carry on the ABC-CLIO legacy. The imprints Praeger, Greenwood, and ABC-CLIO Solutions, as well as the company’s databases, often focus on historical and current events topics, presenting overviews, chronologies, primary sources, and analysis primarily for use in high school and up. Libraries Unlimited publishes educational and professional content for library and information service professionals.

One of the most compelling areas of opportunity Bloomsbury offered, Snyder said, was its strength and investment in current and future technology, which will allow ABC-CLIO products to continue the company’s commitment to scholarship while navigating accessibility standards, privacy protection, and emerging platforms and distribution formats." 

How copyright law hides work like Zora Neale Hurston’s new book from the public; The Washington Post, May 7, 2018

Ted Genoways, The Washington Post; How copyright law hides work like Zora Neale Hurston’s new book from the public

"Now, according to the Vulture introduction, the Zora Neale Hurston Trust has new representation, interested in getting unpublished works into print and monetizing those archives. That’s great, from a reader’s perspective, but it also reveals a larger problem where scholarship of literature between World War I and II is concerned. It’s mostly due to the Walt Disney Co.’s efforts to protect ownership of a certain cartoon mouse. Over the years, the company has successfully worked to extend copyright restrictions far beyond the limits ever intended by the original authors of America’s intellectual property laws. Under the original Copyright Act of 1790, a work could be protected for 14 years, renewable for another 14-year term if the work’s author was still alive. In time, the maximum copyright grew from 28 years to 56 years and then to 75 years. In 1998, Sonny Bono championed an extension that would protect works created after 1978 for 70 years after the death of the author and the copyright of works created after 1922 to as long as 120 years.


This worked out great for Disney — which, not coincidentally, was founded in 1923 — but less so for the reputations of authors who produced important work between the 1920s and 1950s. Because copyright law became such a tangle, many of these works have truly languished. Here, Hurston is the rule rather than the exception. I have a file that I’ve kept over the years of significant unpublished works by well-known writers from the era: William Faulkner, Langston Hughes, William Carlos Williams, Hart Crane, Sherwood Anderson and Weldon Kees, among others. The works aren’t really “lost,” of course, but they are tied up in a legal limbo. Because of the literary reputations of those writers, their unpublished works will eventually see the light of day — whenever their heirs decide that the royalties are spreading a little too thin and there’s money to be made from new works. But other important writers who are little-known or unknown will remain so because they don’t have easily identifiable heirs — or, worse, because self-interested, or even uninterested executors, control their estates."

Sara Fine Institute presents: Christine Borgman, "Big Data, Open Data, and Scholarship": Mon Feb 29th 3.00pm - 5.00pm, University of Pittsburgh

Sara Fine Institute presents: Christine Borgman, "Big Data, Open Data, and Scholarship" :

"Monday Feb 29th 3.00pm - 5.00pm

University Club, Ballroom A, 123 University Pl, Pittsburgh, PA 15260

"Big Data, Open Data, and Scholarship"

by Christine L. Borgman

Distinguished Professor & Presidential Chair in Information Studies

University of California, Los Angeles

Scholars gathered data long before the emergence of books, journals, libraries, publishers, or the Internet. Until recently, data were considered part of the process of scholarship, essential but largely invisible. In the “big data” era, the products of these research processes have become valuable objects in themselves to be captured, shared, reused, and sustained for the long term. Data also has become contentious intellectual property to be protected, whether for proprietary, confidentiality, competition, or other reasons. Public policy leans toward open access to research data, but rarely with the public investment necessary to sustain access. Enthusiasm for big data is obscuring the complexity and diversity of data in scholarship and the challenges for stewardship. Data practices are local, varying from field to field, individual to individual, and country to country. This talk will explore the stakes and stakeholders in research data and implications for policy and practice.

Join us Feb. 29, 2016 at 3pm at the University of Pittsburgh’s University Club (Ballroom A). This event is free to attend and no RSVP is required. A reception will follow."