Guest Editorial: Bunch exit from Smithsonian latest casualty in Trump’s war on Black history; New Pittsburgh Courier, September 25, 2026

Courier Newsroom , New Pittsburgh Courier; Guest Editorial: Bunch exit from Smithsonian latest casualty in Trump’s war on Black history

[Kip Currier: The Pittsburgh Courier has a rich history as one of America's most influential Black newspapers. The paper was started as a simple broadsheet in 1907 by aspiring writer and H.J. Heinz Company security guard, Edwin Nathaniel Harleston. In the 1960's the paper was relaunched as The New Pittsburgh Courier. 

The editorial below addresses the recent retirement announcement by Lonnie Bunch III, the head of the Smithsonian museums. Issues implicated include cultural heritage center curation and leadership, intellectual freedom, access to information, the historical record, memory, preservation, truth, and accuracy of information, among others.]

"Lonnie Bunch, a historian who made history as the Smithsonian Institution’s first African American secretary, became a recurring target as President Donald Trump intensified his attacks on how America tells the story of race, slavery and inequality.

Bunch’s resignation this week should concern anyone who cares about American history, the truth and intellectual freedom.

But what is happening now goes beyond an attempt to erase Black history. It is an effort to cancel Black thought. The phrase “cancel culture” has been weaponized for years by conservatives who argue that dissenting viewpoints are being silenced. Yet, what is happening when Black voices that challenge comforting myths about America are pushed aside? This is not simply a debate about museum exhibits. It is a battle over who gets to define America’s story.

Trump wants to shape how Americans understand their past. The Smithsonian became a battleground in that effort."

Trump administration moving ahead with signs outside Smithsonian museum; The Washington Post; September 16, 2026

Jonathan Edwards

 and 

Elahe Izadi

, The Washington Post; Trump administration moving ahead with signs outside Smithsonian museum

Interior Secretary Doug Burgum said about a dozen signs would be installed outside the National Museum of American History warning of curators’ “personal viewpoints.”

"The Trump administration is moving ahead with plans to comply with President Donald Trump’s order to install signs outside the Smithsonian’s National Museum of American History that would warn visitors about what the White House has called ideological bias in the institution’s presentation of the nation’s past.

The Interior Department is preparing about a dozen signs, expected to cost roughly $7,000 apiece, Interior Secretary Doug Burgum disclosed in a Sept. 3 letter to Sen. Jeff Merkley (D-Oregon), the top Democrat on the Senate Appropriations subcommittee with jurisdiction over Smithsonian funding. Burgum said the signs, which he described as temporary, have not yet been finalized...

The planned signs are one piece of a broader campaign by the Trump administration to reshape how the Smithsonian presents American history, an effort that has intensified in recent months through executive orders, reviews of museum exhibits and threats to withhold some forms of federal support from the institution...

Trump ordered the signs after the White House issued a 162-page report on July 4 accusing the American History Museum and its director, Anthea Hartig, of promoting “extreme political activism.” The report, which rattled Smithsonian employees, scrutinized current and former exhibits and drew extensively from public comments by Hartig and other Smithsonian officials."

Lonnie Bunch Protected the Smithsonian From More Than Trump; The Atlantic, September 9, 2026

 Sebastian Smee, The Atlantic; Lonnie Bunch Protected the Smithsonian From More Than Trump

"Since his appointment as the Smithsonian’s top official—its 14th secretary and the first historian and Black man to hold the position—in June 2019, Bunch has been the glue holding the Smithsonian together. Through a combination of principled stances and deft political skills, he has kept the sprawling institution on mission and aligned with its public. Chief Justice John Roberts, who serves as the Smithsonian’s chancellor, said in a statementthat Bunch has “pursued excellence in the telling of our nation’s story” and that the Smithsonian has “benefited greatly from his wisdom, vision, and leadership.”"

Smithsonian’s Secretary to Resign as Trump Tries to Rule the Institution; The New York Times, September 8, 2026

Robin Pogrebin and Graham Bowley , The New York Times; Smithsonian’s Secretary to Resign as Trump Tries to Rule the Institution

"After a seven-year run marked most recently by attacks from the Trump administration, Lonnie G. Bunch III announced on Tuesday that he was stepping down as secretary of the Smithsonian Institution.

The White House has escalated its criticism of how the Smithsonian presents American history and values, prompting concern from some about what they see as an assault on the institution’s autonomy and commendation from others for reining in an organization they view as overtaken by liberal bias.

In an interview, Mr. Bunch, 73, said it was not the pressure that had led to his departure."

The Smithsonian’s most contested exhibition is back on view, mostly intact; The Washington Post, May 15, 2026

Philip Kennicott, The Washington Post; The Smithsonian’s most contested exhibition is back on view, mostly intact

"No single exhibition in Washington may be more scrutinized than the Portrait Gallery’s “America’s Presidents,” and among its critics, apparently, was Trump, whose administration took issue with the wall texts that mentioned his impeachments among other low points of his first presidency. The beloved exhibition, which includes the iconic Gilbert Stuart “Lansdowne” Portrait of George Washington, reopens today after a month-long closure to refresh and rethink key elements of the display. The good news: The basic facts about Trump, along with all the other presidents, are still on offer; wall texts haven’t been removed, though some of them have been edited; and the exhibition continues to present an accurate, pithy overview of American history, warts and all."

Smithsonian removes Trump impeachment text as it swaps his portrait; The Washington Post, January 10, 2026

Samantha Chery

, 

Janay Kingsberry

 and 

Kelsey Ables

, The Washington Post; Smithsonian removes Trump impeachment text as it swaps his portrait

[Kip Currier: Trump 2.0's efforts to censor, distort, and propagandize history, as these Smithsonian instances illustrate, are appalling; but they're nothing the world hasn't experienced before from other despotic rulers throughout history who have striven to falsify and hide their conduct and crimes. 

The good news is that people like these reporters are documenting as many of these examples as possible and, at some future point, the historical record can be restored.

Moroever, as the article's comments frequently note, many, many people already know the truth about Trump's two impeachments, arraignments in four separate criminal cases, conviction for 34 felonies, etc. That knowledge can't be purged from the minds of the people who already know his character and actions.]

[Excerpt]

"The National Portrait Gallery removed a swath of text that mentioned President Donald Trump’s two impeachments and the Jan. 6, 2021, insurrection as it swapped out a prominent photo of him this week."

Trump’s assault on the Smithsonian: ‘The goal is to reframe the entire culture of the US’; The Guardian, January 8, 2026

Charlotte Higgins , The Guardian; Trump’s assault on the Smithsonian: ‘The goal is to reframe the entire culture of the US’

[Kip Currier: Informative reporting by The Guardian on Trump 2.0 efforts to whitewash and erase centuries of history and culture by imprinting one man's and one movement's views on the Smithsonian museums.

Share this with as many people as possible to raise awareness and promote advocacy for the historical integrity and unfiltered authenticity of museums within the Smithsonian Institution system.]

[Excerpt]

"Lonnie Bunch, in the meantime, is holding a delicate line. On 18 December, a new letter from the White House arrived for him. The Smithsonian had fallen short in providing the information requested on 12 August, it said. “We wish to be assured,” it continued, “that none of the leadership of the Smithsonian museums is confused about the fact that the United States has been among the greatest forces for good in the history of the world. The American people will have no patience for any museum that is diffident about America’s founding or otherwise uncomfortable conveying a positive view of American history.” Then came the threat. “As you may know, funds apportioned for the Smithsonian Institution are only available for use in a manner consistent with Executive Order 14253, ‘Restoring Truth and Sanity to American History,’ and the fulfilment of the requests set forth in our August 12, 2025 letter.”

Bunch wrote a note to all his staff the following day, quietly affirming, once more, the organisation’s autonomy. “For nearly 180 years, the Smithsonian has served our country as an independent and nonpartisan institution committed to its mission – the increase and diffusion of knowledge – for all Americans. As we all know, all content, programming, and curatorial decisions are made by the Smithsonian.”

With JD Vance on the board of regents, along with Republican members of Congress, the question hovers: how long will 73-year-old Bunch survive in his position? “Lonnie knows his time is short,” one DC museum director told me. “It’s a question of how he decides to go, and of which hill he chooses to die on.”"

Trump’s Attempt to Make Museums Submit Feels Familiar; The New York Times, August 15, 2025

Michelle Goldberg , The New York Times; Trump’s Attempt to Make Museums Submit Feels Familiar

"Five years ago, many institutions in the United States tried, with varying degrees of seriousness and skill, to come to terms with our country’s legacy of racism. A backlash to this reckoning helped propel Donald Trump back into the White House, where he has taken a whole-of-government approach to wiping out the idea that America has anything to apologize for. As part of this campaign, the administration seeks to force our national museums to conform to its triumphalist version of history.

In March, Trump signed an executive order, “Restoring Truth and Sanity to American History,” criticizing versions of history that foster “a sense of national shame.” Museums and monuments, it said, should celebrate America’s “extraordinary heritage” and inculcate national pride. This week, the administration announced that it was reviewing displays at eight national museums — including the Museum of American History, the National Museum of African American History and Culture and the Smithsonian American Art Museum — and giving them 120 days to bring their content in line with Trump’s vision.

We’re already seeing glimpses of what that looks like. Last month, the National Museum of American History removed references to Trump’s impeachments from an exhibit on the American presidency. Those references were restored last week, but with changes: The exhibit no longer says that Trump made “false statements” about the 2020 election or that he encouraged the mob on Jan. 6...

For Pawel Machcewicz, founding director of the Museum of the Second World War, it’s been unsettling to see American museums subject to the sort of political intimidation he experienced in Poland...

Standing up to his government was costly. Machcewicz said he was subject to two separate criminal investigations, and for a time he left the country...

But for now, Machcewicz has the peace that comes from doing the right thing. “If I had capitulated, I would have been a completely frustrated man, because I would feel like someone who has betrayed himself,” he said. It’s a message that those who are tempted to try to appease this administration, at our museums or anywhere else, might remember."

The Smithsonian Changes Its Description of Trump’s Role on Jan. 6; The New York Times, August 8, 2025

 Graham Bowley, The New York Times; The Smithsonian Changes Its Description of Trump’s Role on Jan. 6

"The Smithsonian put up new text on Friday that changed its description of President Trump’s impeachment following the Jan. 6, 2021, attack on the Capitol."

Smithsonian Adopts Policy on Ethical Returns; Smithsonian, May 3, 2022

Smithsonian; Smithsonian Adopts Policy on Ethical Returns

"“There is a growing understanding at the Smithsonian and in the world of museums generally that our possession of these collections carries with it certain ethical obligations to the places and people where the collections originated,” said Smithsonian Secretary Lonnie Bunch. “Among these obligations is to consider, using our contemporary moral norms, what should be in our collections and what should not. This new policy on ethical returns is an expression of our commitment to meet these obligations.”

“When we talk about the shared stewardship of collections, what we are really talking about is a change of both scholarly practice and philosophy,” said Kevin Gover, the Smithsonian’s Under Secretary for Museums and Culture. “We seek to share what we know of our collections and to learn from the communities of origin in a collaborative exchange of knowledge.”

Smithsonian museums will each establish criteria and procedures for deaccessioning and returning collections for ethical reasons based on this new policy. In certain cases, the Smithsonian’s Board of Regents may be required to approve the deaccession and return when objects are of significant monetary value, research or historical value, or when the deaccession might create significant public interest.

The Values and Principles Statement below is also part of the Smithsonian’s Collections Management policy:"

Why the Smithsonian Adopted a New Policy on Ethical Collecting; Smithsonian Magazine, June 2022

Lonnie G. Bunch III, Secretary, Smithsonian Institution, Smithsonian Magazine; Why the Smithsonian Adopted a New Policy on Ethical Collecting

For more than a century, museum artifacts were acquired in ways we no longer find acceptable. How can we repair the damage?

"In 2021, the Smithsonian asked a group of collections specialists and curators to examine how to make ethical concerns central to our ongoing stewardship of Smithsonian collections. The group’s recommendations, with overwhelming support from the collections community, went into effect at the end of April. The new policy authorizes our museums to enter arrangements to share authority, expertise and responsibility for objects’ care and return certain objects based on how and under what circumstances they were acquired. Unethical acquisition could include an object having been stolen, taken under duress or removed without the owner’s consent.

The first return under consideration is a set of objects dating from the 13th century removed by the British during an 1897 raid of Benin City in what is now the nation of Nigeria. These artifacts, known as the Benin bronzes, were donated to or acquired by numerous museums over the years, including the National Museum of African Art. Of the 39 pieces in its collection, 29 have been confirmed or determined likely to have been looted, and pending approval by the Smithsonian Board of Regents, will be returned to the Nigerian government."

Smithsonian Releases 2.8 Million Images Into Public Domain; Smithsonian Magazine, February 25, 2020

Katherine J. Wu , Smithsonian Magazine; Smithsonian Releases 2.8 Million Images Into Public Domain

"For the first time in its 174-year history, the Smithsonian has released 2.8 million high-resolution two- and three-dimensional images from across its collections onto an open access online platform for patrons to peruse and download free of charge. Featuring data and material from all 19 Smithsonian museums, nine research centers, libraries, archives and the National Zoo, the new digital depot encourages the public to not just view its contents, but use, reuse and transform them into just about anything they choose—be it a postcard, a beer koozie or a pair of bootie shorts.

And this gargantuan data dump is just the beginning. Throughout the rest of 2020, the Smithsonian will be rolling out another 200,000 or so images, with more to come as the Institution continues to digitize its collection of 155 million items and counting...

The database’s launch also marks the latest victory for a growing global effort to migrate museum collections into the public domain. Nearly 200 other institutions worldwide—including Amsterdam’s Rijksmuseum, New York’s Metropolitan Museum of Art and the Art Institute of Chicago—have made similar moves to digitize and liberate their masterworks in recent years. But the scale of the Smithsonian’s release is “unprecedented” in both depth and breadth, says Simon Tanner, an expert in digital cultural heritage at King’s College London.

Spanning the arts and humanities to science and engineering, the release compiles artifacts, specimens and datasets from an array of fields onto a single online platform."