Showing posts with label acceptance. Show all posts
Showing posts with label acceptance. Show all posts

Wednesday, March 25, 2020

That Discomfort You’re Feeling Is Grief; Harvard Business Review (HBR), March 23, 2020

Scott Berinato, Harvard Business Review (HBR); That Discomfort You’re Feeling Is Grief


"One colleague mentioned that what she felt was grief. Heads nodded in all the panes.

If we can name it, perhaps we can manage it. We turned to David Kessler for ideas on how to do that. Kessler is the world’s foremost expert on grief. He co-wrote with Elisabeth Kübler-Ross On Grief and Grieving: Finding the Meaning of Grief through the Five Stages of Loss. His new book adds another stage to the process, Finding Meaning: The Sixth Stage of Grief. Kessler also has worked for a decade in a three-hospital system in Los Angeles. He served on their biohazard’s team. His volunteer work includes being an LAPD Specialist Reserve for traumatic events as well as having served on the Red Cross’s disaster services team. He is the founder of www.grief.com which has over 5 million visits yearly from 167 countries...

What can individuals do to manage all this grief?

Understanding the stages of grief is a start. But whenever I talk about the stages of grief, I have to remind people that the stages aren’t linear and may not happen in this order. It’s not a map but it provides some scaffolding for this unknown world. There’s denial, which we say a lot of early on: This virus won’t affect us. There’s anger: You’re making me stay home and taking away my activities. There’s bargaining: Okay, if I social distance for two weeks everything will be better, right? There’s sadness: I don’t know when this will end. And finally there’s acceptance. This is happening; I have to figure out how to proceed.

Acceptance, as you might imagine, is where the power lies. We find control in acceptance. I can wash my hands. I can keep a safe distance. I can learn how to work virtually...

One particularly troubling aspect of this pandemic is the open-endedness of it. 

This is a temporary state. It helps to say it. I worked for 10 years in the hospital system. I’ve been trained for situations like this. I’ve also studied the 1918 flu pandemic. The precautions we’re taking are the right ones. History tells us that. This is survivable. We will survive. This is a time to overprotect but not overreact.

And, I believe we will find meaning in it. I’ve been honored that Elisabeth Kübler-Ross’s family has given me permission to add a sixth stage to grief: Meaning. I had talked to Elisabeth quite a bit about what came after acceptance. I did not want to stop at acceptance when I experienced some personal grief. I wanted meaning in those darkest hours. And I do believe we find light in those times. Even now people are realizing they can connect through technology. They are not as remote as they thought. They are realizing they can use their phones for long conversations. They’re appreciating walks. I believe we will continue to find meaning now and when this is over." 

Tuesday, February 12, 2019

‘Sorrow Is the Price You Pay for Love’; The Atlantic, February 5, 2019

Video by Erlend Eirik Mo, The Atlantic;

‘Sorrow Is the Price You Pay for Love’


[Kip Currier: A remarkable short video. Poignant, uplifting, inspiring. A reminder of what matters most, and what's worth striving for and toward.

Watch and share with others.]

"“So much in her story was compelling for me,” Mo told The Atlantic. “It is unique, about a girl doing a male macho dance, and universal, about love and sorrow.”"

Sunday, July 10, 2016

Don’t Klingon to the past, George Takei. A gay Sulu is right for Star Trek 2016; Guardian, 7/10/16

Ryan Gilbey, Guardian; Don’t Klingon to the past, George Takei. A gay Sulu is right for Star Trek 2016:
"There is always a tension in sexual identity between being accepted as normal and insisting on difference. There’s no manual for handling it in fiction. But if there were, Pegg’s approach would deserve a special mention. It is the nearest equivalent to the manner in which most heterosexual people will experience LGBT lifestyles: regardless of how strongly some might insist otherwise, they will already know people who are gay, bisexual or transgender. They may be friends with them, related to them, or work alongside them. They just might not know it yet.
Where Takei has erred, it seems, is in misunderstanding a modern phenomenon – the movie reboot, which by its very nature starts again from scratch.
He may well be interpreting the reinvention of Sulu as an act of hostility, as though the filmmakers are overwriting his old Sulu with their sparkling new one. But the two can exist side by side. One doesn’t cancel out the other – the TV episodes haven’t been removed from syndication, and you can still see the many Star Trek movies Takei was in. (Although, as Pegg pointed out in his late-1990s TV series Spaced, you might want to avoid the odd-numbered ones.) The newer Star Treks are like cover versions that introduce unexpected flavours. They no more tamper with Roddenberry’s vision than Talking Heads’ herky-jerky post-punk spin on Take Me to the River diminishes Al Green’s jubilant original.
Takei, who came out in 2005 at the age of 68, is a marvellous ambassador for equality. However, a person who has found openness and acceptance in his own life but who imposes restrictions on the means by which others do so in theirs can easily risk looking ungracious. It would be better for all concerned if he didn’t cling on – or Klingon – to the past."