Classical Musicians Victimized by Erroneous Copyright Claims; Violinist.com, December 19, 2023

 Laurie Niles, Violinist.com; Classical Musicians Victimized by Erroneous Copyright Claims

""One or more actions were applied to your video because of a copyright match."

This was just one of two copyright claims that Amy Beth Horman received from Facebook Thursday, disputing ownership of videos of her daughter's violin performances. First, she received a copyright claim for a video of Ava's live performance of the Mendelssohn Violin Concerto this week. Then, she got another for video she had posted in 2020 of then-10-year-old Ava performing "Meditation from Thais." These are both classical works that are in the public domain - not subject to copyright.

Nonetheless, classical musicians receive these kinds of dreaded messages on a regular basis if they post videos of their performances on social media outlets such as Facebook, Instagram or YouTube.

Has the musician violated anyone's copyright? Almost never. These are automated copyright claims created by bots on behalf of big companies like Sony Music Entertainment, Warner Music Group or Universal Music. If the bot finds that your performance has approximately the same notes and timing as one in their catalogue, they then claim that they own rights to your recording. But musicians have every right to perform and post a public domain work. Even so, musicians often find their recordings muted, earnings from ads on their performances given instead to the company filing the erroneous claim, and threats of having their accounts suspended or banned."

Here’s my AI policy for students: I don’t have one; The Washington Post, August 29, 2023

Jonathan Zimmerman , The Washington Post; Here’s my AI policy for students: I don’t have one

"Most of all, I want you to decide what is real."

‘It was as if my father were actually texting me’: grief in the age of AI; The Guardian, July 18, 2023

 Aimee Pearcy, The Guardian; ‘It was as if my father were actually texting me’: grief in the age of AI

"For all the advances in medicine and technology in recent centuries, the finality of death has never been in dispute. But over the past few months, there has been a surge in the number of people sharing their stories of using ChatGPT to help say goodbye to loved ones. They raise serious questions about the rights of the deceased, and what it means to die. Is Henle’s AI mother a version of the real person? Do we have the right to prevent AI from approximating our personalities after we’re gone? If the living feel comforted by the words of an AI bot impersonation – is that person in some way still alive?"

Their Art Raised Questions About Technology. Chinese Censors Had Their Own Answer.; The New York Times, December 14, 2018

Amy Qin, The New York Times; Their Art Raised Questions About Technology. Chinese Censors Had Their Own Answer.

Artificial intelligence bots. 3-D printed human organs. Genomic sequencing. 

These might seem to be natural topics of interest in a country determined to be the world’s leader in science and technology. But in China, where censors are known to take a heavy hand, several artworks that look closely at these breakthroughs have been deemed taboo by local cultural officials.

The works, which raise questions about the social and ethical implications of artificial intelligence and biotechnology, were abruptly pulled last weekend from the coming Guangzhou Triennial on the orders of cultural authorities in the southern Chinese province of Guangdong...

“Isn’t contemporary art meant to raise questions, and start discussions about important subjects in actuality and those of our near future?” he wrote. “What are China’s reasons for organizing all these big expensive ‘contemporary art’ manifestations if these questions, the core of contemporary art, freedom of speech, freedom of mind, are ignored and undermined?”"