Charlotte Higgins , The Guardian; Trump’s assault on the Smithsonian: ‘The goal is to reframe the entire culture of the US’
[Kip Currier: Informative reporting by The Guardian on Trump 2.0 efforts to whitewash and erase centuries of history and culture by imprinting one man's and one movement's views on the Smithsonian museums.
Share this with as many people as possible to raise awareness and promote advocacy for the historical integrity and unfiltered authenticity of museums within the Smithsonian Institution system.]
[Excerpt]
"Lonnie Bunch, in the meantime, is holding a delicate line. On 18 December, a new letter from the White House arrived for him. The Smithsonian had fallen short in providing the information requested on 12 August, it said. “We wish to be assured,” it continued, “that none of the leadership of the Smithsonian museums is confused about the fact that the United States has been among the greatest forces for good in the history of the world. The American people will have no patience for any museum that is diffident about America’s founding or otherwise uncomfortable conveying a positive view of American history.” Then came the threat. “As you may know, funds apportioned for the Smithsonian Institution are only available for use in a manner consistent with Executive Order 14253, ‘Restoring Truth and Sanity to American History,’ and the fulfilment of the requests set forth in our August 12, 2025 letter.”
Bunch wrote a note to all his staff the following day, quietly affirming, once more, the organisation’s autonomy. “For nearly 180 years, the Smithsonian has served our country as an independent and nonpartisan institution committed to its mission – the increase and diffusion of knowledge – for all Americans. As we all know, all content, programming, and curatorial decisions are made by the Smithsonian.”
With JD Vance on the board of regents, along with Republican members of Congress, the question hovers: how long will 73-year-old Bunch survive in his position? “Lonnie knows his time is short,” one DC museum director told me. “It’s a question of how he decides to go, and of which hill he chooses to die on.”"
