Ronald Reagan narrated a short film in 1945 about the Tuskegee Airmen; Task & Purpose, February 20, 2025

 MATT WHITE, Task & Purpose; Ronald Reagan narrated a short film in 1945 about the Tuskegee Airmen

"An Army film produced in 1945 on the Tuskegee airmen begins with footage of a fighter taxiing behind a narrator’s familiar voice.

“It’s morning,” says the unmistakable voice of then-Army captain Ronald Reagan, who always enjoyed his ‘morning’ metaphors. On screen, fighters take to the air. “Twenty miles from the enemy,” Reagan says.

The 10-minute Army-produced film is a kind of first draft of history on the Tuskegee Airmen, the famed World War II flyers who were in the news last month when the Air Force removed — and then partially replaced — videos on the unit from its boot camp. But the National Archives video on those airmen is worth watching, both for what it says and for what it doesn’t say. Along with some vintage footage of training, the film is narrated by future-President Ronald Reagan, back when he was an Army officer making films for what was then the War Department...

Perhaps Reagan’s most notable passage comes toward the end, when he firmly divides the world into two sides — the Axis powers versus the American way — and puts the segregation and racism behind the Tuskegee project squarely into the Axis’ camp. 

“Here’s the answer to Hitler and Hirohito,” Reagan says. “Here’s the answer to the propaganda of the Japs and Nazis. Here’s the answer: Wings for this man.” 

It’s almost as if the future President wanted to say that diversity is a strength."

Kennedy Library closes abruptly; Politico, February 18, 2025

KELLY GARRITY and SEB STARCEVIC, Politico; Kennedy Library closes abruptly

[Kip Currier: The chaos is the point.

Remember what Steve Bannon said: Flood the zone with ****]

[Excerpt]

"The John F. Kennedy Presidential Library and Museum closed abruptly Tuesday afternoon amid a flurry of mass firings at federal agencies across the government.

The effort to slash the federal workforce spearheaded by the Elon Musk-led Department of Government Efficiency hit the Boston-based intuition Thursday afternoon, when the National Archives passed down an order telling leadership to terminate probationary employees, former Rep. Joe Kennedy III said Tuesday evening...

The closure, which began at 2 p.m. Tuesday, isn’t expected to last long. According to a statement from the National Archives, the library “will be open tomorrow, and the National Archives staff looks forward to welcoming guests, visitors, and researchers.”"

The National Archives was wrong to alter history. Fortunately, it reversed course.; The Washington Post, January 18, 2020

Editorial Board, The Washington Post; The National Archives was wrong to alter history. Fortunately, it reversed course.

"This editorial has been updated.

IN AN era of “fake news,” “alternative facts” and other assaults on the very idea of truth, you would expect the National Archives — devoted to the preservation of the nation’s history — to be at the forefront of those pushing back. “The National Archives and Records Administration (NARA) is the nation’s record keeper,” the government agency proudly announces on its website. How utterly depressing it was, then, to discover on Friday that the Archives had gone into the business of altering history.

And how reassuring to read the Archives’ forthright — and, for Washington, extraordinary — statement on Saturday: “We made a mistake. . . . We have removed the current display. . . . We apologize.”

The Post’s Joe Heim reported Friday that the Archives made numerous alterations to a photograph included in an exhibit dedicated to the 100th anniversary of women’s suffrage. The photo shows the massively attended Women’s March held in January 2017 to protest President Trump’s inauguration. But Archives curators altered signs being carried by the women to delete references to Mr. Trump — and thereby they seriously distorted the meaning of the event. “A placard that proclaims ‘God Hates Trump’ has ‘Trump’ blotted out so that it reads ‘God Hates,’ ” The Post reported. But “God Hates” was not the message of the protester carrying that sign. Another sign that reads “Trump & GOP — Hands Off Women” has the word ‘Trump” blurred out.

In their initial weak defense, Archives officials noted that they had not altered articles they preserve for safekeeping, only a photograph for a temporary exhibit. We did not find that reassuring, as we said in the first published version of this editorial. Photo alteration long has been the preserve of authoritarian governments, most famously Soviet dictator Josef Stalin, who erased comrades from historical photographs one by one as he had them executed.

The United States government should never play the same game, even on a small scale. The goal in this case may have been not to irritate the snowflake in chief residing up Pennsylvania Avenue from the Archives. After all, the Women’s March harks back to one of the foundational lies of the Trump presidency, when he falsely insisted, and insisted that his officials likewise falsely insist, that his inauguration crowd was the largest of all time. Mr. Trump’s refusal to back down then set the pattern for his presidency: Lies are acceptable, and evidence can be ignored.

Rather than remind anyone of such unpleasantness, the Archives chose to falsify history and pretend that the Women’s March had nothing to do with Mr. Trump. That, as we wrote, offered a terrible lesson to young visitors to the exhibit about how democracies deal with news, with history — with truth.

Now the Archives has presented a far more uplifting lesson. Admitting and correcting a mistake are usually a lot harder for any of us than erring in the first place. But in their statement, officials did not flinch. The Archives will replace the altered image “as soon as possible with one that uses the unaltered image. We apologize, and will immediately start a thorough review of our exhibit policies and procedures so that this does not happen again.”

Good for them."

The Washington Post; National Archives says it was wrong to alter images; The Washington Post, January 18, 2020

Steve Thompson and Joe Heim , The Washington Post; National Archives says it was wrong to alter images

 

"Officials at the National Archives on Saturday said they had removed from display an altered photo from the 2017 Women’s March in which signs held by marchers critical of President Trump had been blurred.

 

In tweets on Saturday, the museum apologized and said: “We made a mistake.”

“As the National Archives of the United States, we are and have always been completely committed to preserving our archival holdings, without alteration,” one of the tweets said.

“This photo is not an archival record held by the @usnatarchives, but one we licensed to use as a promotional graphic,” it said in another tweet. “Nonetheless, we were wrong to alter the image.”...

Marchers in the 2017 photograph by Mario Tama of Getty Images were shown carrying a variety of signs, at least four of which were altered by the museum. A placard that proclaimed “God Hates Trump” had Trump blotted out so that it read “God Hates.” A sign that read “Trump & GOP — Hands Off Women” had the word Trump blurred. Signs with messages that referenced women’s anatomy were also digitally altered."

The National Archives used to stand for independence. That mission has been compromised.; The Washington Post, January 18, 2020

Philip Kennicott , The Washington Post; The National Archives used to stand for independence. That mission has been compromised.

"Now the Archives has foolishly compromised the public’s sense of its independence, so artfully embedded in its landmark building. By blurring out details from protest signs in an image of the 2017 Women’s March, including the name of President Trump and references to the female anatomy — a decision the Archives publicly apologized for on Saturday — it has damaged the faith many Americans, particularly women, may have had in its role as an impartial conservator of the nation’s records. It has unnecessarily squandered something that cannot easily be regained.

There must be consequences.

An Archives spokeswoman told The Washington Post the changes to a large-format image included in an exhibition about women’s suffrage were made “so as not to engage in current political controversy.” If that was the intent, they obviously failed, embroiling the institution in exactly the controversy they say they wanted to avoid. But no matter the proferred explanation or statement of apology, the decision indicates a lack of leadership and distinct confusion about the mission at the Archives. If the Archives wants to teach Americans about history, then it must be scrupulously honest in its presentation of all documentary evidence."

National Archives exhibit blurs images critical of President Trump; The Washington Post, January 17, 2020

Joe Heim , The Washington Post; National Archives exhibit blurs images critical of President Trump

 

""There's no reason for the National Archives to ever digitally alter a historic photograph," Rice University historian Douglas Brinkley said. "If they don't want to use a specific image, then don't use it. But to confuse the public is reprehensible. The head of the Archives has to very quickly fix this damage. A lot of history is messy, and there's zero reason why the Archives can't be upfront about a photo from a women's march."...

 

Karin Wulf, a history professor at the College of William & Mary and executive director of the Omohundro Institute of Early American History and Culture, said that to ensure transparency, the Archives at the very least should have noted prominently that the photo had been altered.

"The Archives has always been self-conscious about its responsibility to educate about source material, and in this case they could have said, or should have said, 'We edited this image in the following way for the following reasons,' " she said. "If you don't have transparency and integrity in government documents, democracy doesn't function.""