I Photographed an Appalachian Family for 15 Years; The New York Times, November 6, 2025

Photographs by Maddie McGarvey

Text by Emi Nietfeld

, The New York Times; I Photographed an Appalachian Family for 15 Years

[Kip Currier: This is a remarkable photographic essay shedding light on individual lived experiences in Appalachian Ohio, but also shared human connections and universal emotions of fear, longing, uncertainty, desperation, hope, and resilience.

I came away from the piece, probably like many other readers, wondering in what ways we as individuals and societies can provide more infrastructure and services -- not less -- to help fellow humans to break out of cycles of poverty and need.

The piece is even more poignant in light of the current government shutdown and disruptions in SNAP food assistance benefits for more than 40 million Americans.]

[Excerpt]

"Today, the toddler who ran playfully through Ms. McGarvey’s photographs is a high school graduate facing an uncertain future. Through her childhood and adolescence, Paige raised herself and took care of her younger brothers while her family moved frequently between small coal towns, without a stable place to land.

When I saw Ms. McGarvey’s project, I felt an immediate connection to Paige. As a teen I spent time in foster care and bounced between sleeping on friends’ sofas, in my car or in a shelter. The details in the photographs transported me back to that turbulent period: the detritus piled on the broken stovetop; the hours hanging out at McDonald’s; the world dissolving into weariness before you’re even old enough to drive.

Most of all, I recognized Ms. McGarvey’s project as an act of witnessing, documenting one family’s life in its daily tenderness, ordinary suffering and full complexity."

Pueblo artist seeking copyright protection for AI-generated work; The Gazette, August 8, 2024

O'Dell Isaac , The Gazette; Pueblo artist seeking copyright protection for AI-generated work

"“We’re done with the Copyright Office,” he said. “Now we’re going into the court system.”

Allen said he believes his case raises two essential questions: What is art? And if a piece doesn’t belong to the artist, whom does it belong to?

Tara Thomas, director of the Bemis School of Arts at Colorado College, said the answers may not be clear-cut.

“There was a similar debate at the beginning of photography,” Thomas said. "Was it the camera, or was it the person taking the photos? Is the camera the artmaker, or is it a tool?”

Allen said it took more than two decades for photography to gain acceptance as an art form.

“We’re at a similar place in AI art,” he said. 

“Right now, there is a massive stigma surrounding AI, far more so than there was with photography, so the challenge is much steeper. It is that very stigma that is contributing to the stifling of innovation. Why would anybody want to incorporate AI art into their workflow if they knew they couldn’t protect their work?”"

How Using A Drone Changed The Way This Photographer Saw Inequality; HuffPost, July 3, 2018

Amanda Duberman, HuffPost;

How Using A Drone Changed The Way This Photographer Saw Inequality

 

"A few years ago, Johnny Miller got a drone. 

The photographer was studying anthropology at the University of Cape Town in South Africa and used his drone to take a video of him and his friends hiking local Table Mountain. Watching the footage he shot, Miller was stunned at how an aerial view gave him a completely different perspective on an area he’d looked at dozens of times. 

“That was the moment when I realized that the drone had this ability and this power to make you see things very differently,” he told HuffPost. “And I wondered if you could look at social issues the same way.”"