Trump administration is erasing history and science at national parks, lawsuit argues; AP, February 17, 2026

MATTHEW DALY, AP; Trump administration is erasing history and science at national parks, lawsuit argues

"Conservation and historical organizations sued the Trump administration on Tuesday over National Park Service policies that the groups say erase history and science from America’s national parks. 

A lawsuit filed in Boston says orders by President Donald Trump and Interior Secretary Doug Burgum have forced park service staff to remove or censor exhibits that share factually accurate and relevant U.S. history and scientific knowledge, including about slavery and climate change. 

Separately, LGBTQ+ rights advocates and historic preservationists sued the park service Tuesday for removing a rainbow Pride flag from the Stonewall National Monument, the New York site that commemorates a foundational moment in the modern LGBTQ+ rights movement. 

The changes at exhibits came in response to a Trump executive order “restoring truth and sanity to American history” at the nation’s museums, parks and landmarks. It directed the Interior Department to ensure those sites do not display elements that “inappropriately disparage Americans past or living.” Burgum later directed removal of “improper partisan ideology” from museums, monuments, landmarks and other public exhibits under federal control...

The suit was filed by a coalition that includes the National Parks Conservation Association, American Association for State and Local History, Association of National Park Rangers and Union of Concerned Scientists. It comes as a federal judge on Monday ordered that an exhibit about nine people enslaved by George Washington must be restored at his former home in Philadelphia."

Judge invokes George Orwell’s ‘1984’ in ordering restoration of Philadelphia slavery exhibit; The Hill, February 16, 2026

 ZACH SCHONFELD, The Hill; Judge invokes George Orwell’s ‘1984’ in ordering restoration of Philadelphia slavery exhibit 

"A federal judge ordered the National Park Service to restore exhibits about slaves who lived at the nation’s one-time executive mansion in Philadelphia, agreeing with the city that the Trump administration likely unlawfully removed the displays. 

U.S. District Judge Cynthia Rufe invoked the dystopian novel “1984” as she blocked the Trump administration from changing or damaging the site, which is now an outdoor exhibition.

“As if the Ministry of Truth in George Orwell’s 1984 now existed, with its motto ‘Ignorance is Strength,’ this Court is now asked to determine whether the federal government has the power it claims—to dissemble and disassemble historical truths when it has some domain over historical facts. It does not,” Rufe wrote. 

Rufe is an appointee of former President George W. Bush."

‘Orwell: 2+2=5’ Review: How George Came to See the World as Orwellian; The New York Times, October 2, 2025

 Manohla Dargis, The New York Times; ‘Orwell: 2+2=5’ Review: How George Came to See the World as Orwellian

"“The opinion that art should have nothing to do with politics is itself a political attitude,” George Orwell wrote in 1946, a year after the end of the World War II. That line appears early in “Orwell: 2 + 2 = 5,” an essayistic documentary from Raoul Peck that surveys its title subject’s life and work, using them as a lens to explore authoritarian power in the past and the present. Densely packed, the movie is a whirlwind of ideas and images, by turns heady, enlivening, disturbing and near-exhausting. It’s a work of visceral urgency from Peck, who’s best known for his 2017 documentary “I Am Not Your Negro,” about James Baldwin.

Peck plucked that observation about art and politics from Orwell’s essential 1946 essay “Why I Write,” in which he lists “four great motives for writing” — especially for writing prose and, of course, aside from earning a living — including “political purpose.” Near the end of the essay, Orwell writes that he hopes to start a new book. What soon followed was “Nineteen Eighty-Four,” the seismic novel that helped turn his name into an adjective. Anchored by Orwell’s writing — and Damian Lewis’s calm, intimate voice-over — Peck charts the writer’s life in tandem with world-shattering events, focusing on when he was working on “Nineteen Eighty-Four,” which was published in 1949. Months later, Orwell was dead."

George Orwell, 1984

“War is peace. 
Freedom is slavery. 
Ignorance is strength.” 

― George Orwell, 1984

Sir Harold Evans’ New Book Is a Master Class in How to Write; Daily Beast, May 20, 2017

Malcolm Jones, Daily Beast; Sir Harold Evans’ New Book Is a Master Class in How to Write

"Like George Orwell, Evans understands in his bones that words are not just pretty things, that in the wrong hands they can mislead, betray, and even cause great harm. Beginning on page one and running right through to the end of the book is an iron spine of fair play and honesty. “This book on clear writing is as concerned with how words confuse and mislead, with or without malice aforethought, as it is with literary expression,” he writes in the introduction, and then circles back on the last page of the book to drive home the point once more: “The fog that envelops English is not just a question of good taste, style, and esthetics. It is a moral issue.”"