Our Summer of Artificial Intelligence: Copyright Office Hosts Two Webinars on Copyright and AI; U.S. Copyright Office, August 23, 2023

 Nora Scheland, U.S. Copyright Office; Our Summer of Artificial Intelligence: Copyright Office Hosts Two Webinars on Copyright and AI

"Artificial intelligence (AI) has become a significant new focal point for the Copyright Office in 2023. The Office launched an AI initiativein mid-March, which was followed by four comprehensive listening sessions in April and May and then, most recently, by two very popular webinars in June and July.

The webinars, which continued to break attendance records for the Copyright Office, provided an opportunity for the Office to dive deeper into the copyright registration guidance for AI-generated works and perspectives on how AI impacts copyright systems both domestically and across the globe. The webinars were open to the public, and everyone from copyright experts to those curious about copyright could take something away.

The Office’s first webinar in June, Registration Guidance for Works Containing AI-generated Content, was hosted by Associate Register of Copyrights and Director of Registration Policy and Practice Rob Kasunic and deputy director of registration policy and practice Erik Bertin. Kasunic and Bertin walked attendees through the Office’s registration guidance and discussed a variety of hypothetical examples of copyright registration claims featuring some amount of AI-generated content and how the Office would evaluate them. Through the detailed examples, Kasunic and Bertin offered key insights and recommendations for how applicants can navigate registration applications as they register their own creative works.

The webinar wrapped up with a moderated Q&A session. Attendees were encouraged to submit questions during the presentation, and we received nearly 250 questions by the end of the webinar. The attendance climbed to nearly 2,000 people over the 75-minute webinar, a new record for the Office.

If you missed the webinar on registration guidance in June, you can check out a full recording and transcript on our website.

The Office’s second webinar, International Copyright Issues and Artificial Intelligence, was hosted by Office of Policy and International Affairs attorneys and featured two hour-long panels with international copyright experts. Attendance at the second webinar also reached nearly 2,000 people, demonstrating the sustained excitement and curiosity concerning the global conversation around AI and copyright.

Register of Copyrights Shira Perlmutter provided opening remarks and explained why she thought this international conversation was integral to the Office’s AI initiative:

“We know that AI’s use and its impact are not bound by any national borders. . . . [G]overnments around the world are confronting similar legal and policy questions. . . . Looking at the global copyright landscape, several questions have begun to emerge. First, how do international copyright treaties apply to determining authorship and scope of subject matter protection and exceptions and limitations? Second, what actions are other countries or regions starting to take on AI and copyright issues? In what respects are these approaches similar to or different from ours in the United States? Can consensus approaches be found, and if so, through what mechanisms? And finally, to the extent there is divergence, what are the international implications?”

The first panel kicked off with four exciting presentations on developments in AI and copyright legislation and litigation outside the United States.

• Peter Yu, from Texas A&M University School of Law, presented on copyright and artificial intelligence across Asia, particularly in China, Singapore, Japan, and Korea.
• Marcus von Welser, from Vossius in Germany, walked attendees through the European Union’s proposed AI Act and existing text and data mining exceptions from the Copyright in the Digital Single Market Directive.
• Luca Schirru, from KU Leuven in Belgium, presented perspectives on text and data mining developments, including from the global south.
• Shlomit Yanisky-Ravid, from Ono Academic College in Israel, spoke about the effects of language and bias in generative AI technologies on non-English speaking countries and communities.

The second panel featured a lively moderated discussion on authorship, training, exceptions, and limitations of generative AI. The panel was moderated by two Copyright Office attorneys and comprised Jane Ginsburg from Columbia Law School, Andres Guadamuz from the University of Sussex, Bernt Hugenholtz from the University of Amsterdam, and Matthew Sag from Emory University School of Law. The panelists answered questions from the moderators and engaged directly with each other’s perspectives.

If you missed the webinar on international perspectives on copyright and AI in July, you can check out a full recording and transcript on our website.

The Office’s two webinars wrapped up a busy spring and summer season of listening, information gathering, and direct outreach on AI and copyright. Between April and July, nearly 8,000 people participated in or attended the Office’s AI listening sessions and webinars. This fall, the Office will receive public comments on a notice of inquiry as the work continues on our AI initiative. Follow copyright.gov/ai for updates and events, and sign up for email notifications on our website."

It's Copyright Week: Join Us in the Fight for a Better Copyright Law; Electronic Frontier Foundation (EFF), 1/16/17

Kerry Sheehan, Electronic Frontier Foundation (EFF); 

It's Copyright Week: Join Us in the Fight for a Better Copyright Law

"We're taking part in Copyright Week, a series of actions and discussions supporting key principles that should guide copyright policy. Every day this week, various groups are taking on different elements of the law, and addressing what's at stake, and what we need to do to make sure that copyright promotes creativity and innovation...

Here are this year’s Copyright Week principles:

• Monday: Building and Defending the Public Domain. The public domain is our cultural commons and a crucial resource for innovation and access to knowledge. Copyright policy should strive to promote, and not diminish, a robust, accessible public domain.

• Tuesday: You Bought It, You Own It, You Fix It. Copyright law shouldn't interfere with your freedom to truly own your stuff: to repair it, tinker with it, recycle it, use it on any device, lend it, and then give it away (or re-sell it) when you're done.

• Wednesday: Transparency and Representation. Copyright policy must be set through a participatory, democratic, and transparent process. It should not be decided through back room deals, secret international agreements, or unilateral attempts to apply national laws extraterritorially.

• Thursday: 21st Century Creators. Copyright law should account for the interests of all creators, not just those backed by traditional copyright industries. YouTube creators, remixers, fan artists and independent musicians (among others) are all part of the community of creators that encourage cultural progress and innovation.

• Friday: Copyright and Free Speech. Freedom of expression is fundamental to our democratic system. Copyright law should promote, not restrict or suppress free speech.

Every day this week, we’ll be sharing links to blog posts and actions on these topics at https://www.eff.org/copyrightweek and at #CopyrightWeek.

If you’ve followed Copyright Week in past years, you may note that this year, we didn’t designate a specific day to focus on fair use. Fair use—the legal doctrine that permits many important uses of copyrighted works without permission or payment—is critical to the law’s ability to promote creativity, innovation, and freedom of expression. Fair use is a part of each of this year’s principles."

Google Case Ends, but Copyright Fight Goes On; Publishers Weekly, 4/22/16

Andrew Albanese, Publishers Weekly; Google Case Ends, but Copyright Fight Goes On:

"In a statement, Authors Guild officials called the Supreme Court’s denial a “colossal loss” for authors and bemoaned the “expansion of fair use” in the digital age. Executive director Mary Rasenberger suggested that the courts in the Google case were “blinded” by the “public-benefit arguments.” And Authors Guild president Roxana Robinson added that the Supreme Court’s denial was “further proof that we’re witnessing a vast redistribution of wealth from the creative sector to the tech sector.”

Others, however, including public advocacy group Public KnowIedge hailed the end of the litigation. “The Supreme Court’s decision to let the Second Circuit’s ruling stand reflects what we have long said, that fair use is a powerful and flexible doctrine that enables not only new works, but also innovative uses of existing works," said Raza Panjwani, Policy Counsel at Public Knowledge. "This denial will hopefully lead to new efforts to expand our access to culture and knowledge through digital formats.”

Jonathan Band, an attorney for the library community agrees. "I don't know if anyone else will create another search database for books," he told PW, "but others will create search databases for other sorts of materials, to the benefit of public and the copyright owners."

But that theme—that the courts are enabling the tech sector to unfairly build its value off the backs of creators—has become an animating principle in a copyright policy fight that is slowly beginning to take shape. And while the Google case may have ended in the courts, the copyright fight in the policy arena is likely just getting started...

“I think it hurts them,” [Grimmelmann] said. “The way they lost this case, by litigating this through to four resounding fair-use decisions, the last of which was written by Pierre Leval [considered the nation’s foremost jurist on fair use], it’s hard to imagine any way to lay down stronger bricks for fair use than that.”"