Showing posts with label Nate Parker. Show all posts
Showing posts with label Nate Parker. Show all posts

Wednesday, December 21, 2016

The Thorny Ethics of the Oscars; New Yorker, 12/21/16

Michael Schulman, New Yorker; The Thorny Ethics of the Oscars:
"It seems impossible, and misguided, to demand an ethical CAT scan for everyone who’s nominated for an Oscar. Not long ago, I had lunch with an Academy member who had been busily attending screenings. When I asked whether the Affleck story would color his vote, he said anxiously, “I just don’t know.” Each Artist vs. Art case is complicated—less a one-to-one ratio than a quadratic equation—but, at some point, Academy members will be faced with a list of five names and a choice to make. What if it’s between Affleck and Denzel Washington for Best Actor, and you think Washington’s a great guy but Affleck gave the better performance? Forget the rabbi: each Oscar voter is now his or her own Solomon the Wise."

Friday, August 19, 2016

Nate Parker and the Limits of Empathy; New York Times, 8/19/16

Roxane Gay, New York Times; Nate Parker and the Limits of Empathy:
"We’ve long had to face that bad men can create good art. Some people have no problem separating the creation from the creator. I am not one of those people, nor do I want to be. I recognize that people are complex and cannot be solely defined by their worst deeds, but I can no longer watch “The Cosby Show,” for example, without thinking of the numerous sexual assault accusations against Bill Cosby. Suddenly, his jokes are far less funny.
I cannot separate the art and the artist, just as I cannot separate my blackness and my continuing desire for more representation of the black experience in film from my womanhood, my feminism, my own history of sexual violence, my humanity.
“The Birth of a Nation” is being billed as an important movie — something we must see, a story that demands to be heard. I have not yet seen the movie, and now I won’t. Just as I cannot compartmentalize the various markers of my identity, I cannot value a movie, no matter how good or “important” it might be, over the dignity of a woman whose story should be seen as just as important, a woman who is no longer alive to speak for herself, or benefit from any measure of justice. No amount of empathy could make that possible."