"We’ve long had to face that bad men can create good art. Some people have no problem separating the creation from the creator. I am not one of those people, nor do I want to be. I recognize that people are complex and cannot be solely defined by their worst deeds, but I can no longer watch “The Cosby Show,” for example, without thinking of the numerous sexual assault accusations against Bill Cosby. Suddenly, his jokes are far less funny. I cannot separate the art and the artist, just as I cannot separate my blackness and my continuing desire for more representation of the black experience in film from my womanhood, my feminism, my own history of sexual violence, my humanity. “The Birth of a Nation” is being billed as an important movie — something we must see, a story that demands to be heard. I have not yet seen the movie, and now I won’t. Just as I cannot compartmentalize the various markers of my identity, I cannot value a movie, no matter how good or “important” it might be, over the dignity of a woman whose story should be seen as just as important, a woman who is no longer alive to speak for herself, or benefit from any measure of justice. No amount of empathy could make that possible."
Issues and developments related to ethics, information, and technologies, examined in the ethics and intellectual property graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology" will be published in Summer 2025. Kip Currier, PhD, JD
Friday, August 19, 2016
Nate Parker and the Limits of Empathy; New York Times, 8/19/16
Roxane Gay, New York Times; Nate Parker and the Limits of Empathy:
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