Complaint Faults Museum Director for Hanging His In-Law’s El Greco; The New York Times, July 15, 2020

Graham Bowley, The New York Times; Complaint Faults Museum Director for Hanging His In-Law’s El Greco 

A whistle-blower accusation argues that conflict-of-interest rules to prevent self-dealing have been skirted at the Detroit Institute of Arts.

"“It’s a common practice for American museums to engage collectors and patrons asking them to loan paintings,” he said in an interview.

But his answers have failed to satisfy the museum employees who filed the complaint at a time when other concerns, including ones about Mr. Salort-Pons’s management style and about DIA’s treatment of its Black employees, are roiling the institute.

They say that a lack of transparency surrounding the artwork cloaked a situation that could financially benefit the director and his family, since a painting’s exhibition in the institute could burnish its value. 

Some ethics experts, too, said he probably didn’t go far enough in disclosing his family’s interest.

“A museum official (or close relative) who loans an object to the museum for display then sells it after exhibition would likely earn an enhanced price for the object,” said Greg Stevens, director of the Institute of Museum Ethics at Seton Hall University. “And it would also cause the appearance of impropriety to arise — namely, that the museum used its prestige, resources, and reach to enrich the official.”"