‘Mockingbird’ Producer Reconsiders, Letting Local Plays Go Forward; The New York Times, March 1, 2019

Michael Paulson and Alexandra Alter, The New York Times; ‘Mockingbird’ Producer Reconsiders, Letting Local Plays Go Forward

"Mr. Rudin defended his actions in a brief statement, saying, “As stewards of the performance rights of Aaron Sorkin’s play, it is our responsibility to enforce the agreement we made with the Harper Lee estate and to make sure that we protect the extraordinary collaborators who made this production.”

But he also blamed the situation on the Dramatic Publishing Company, which is run by Christopher Sergel III, Mr. Sergel’s grandson, saying it had erred in issuing licenses to present the play to theaters that should not have received them. Mr. Rudin has argued that a 1969 agreement between Ms. Lee, the author of the novel, and Dramatic Publishing bars productions by theaters within 25 miles of a city that in 1960 had a population of more than 150,000 people, as well as productions using professional actors, when a “first-class” production is running on Broadway or on tour.

“We have been hard at work creating what I hope might be a solution for those theater companies that have been affected by this unfortunate set of circumstances, in which rights that were not available to them were licensed to them by a third party who did not have the right to do so,” Mr. Rudin said. “In an effort to ameliorate the hurt caused here, we are offering each of these companies the right to perform our version of ‘To Kill a Mockingbird,’ Aaron Sorkin’s play currently running on Broadway.”...

“Unfortunately this issue has been the shot heard ’round the fine arts world over recent days,” said Davis Varner, the president of the board of the Theater of Gadsden, a community theater in Alabama that is planning to stage the Sergel version this month. The theater is not near a big city, so its rights appear to be unchallenged, but Mr. Varner issued a statement referring to Mr. Rudin as “the bully from Broadway” and said, “I am saddened and disappointed for those groups who have been forced to cancel their productions through no fault of their own.”

Others took to social media to vent their unhappiness.

As great as the new version on Broadway is, Scott Rudin's strongarming of local theater companies to shut down their versions of To Kill a Mockingbird seems repressive and anti-art.

— david maraniss (@davidmaraniss) March 1, 2019"