‘Who Owns This Sentence?’ Increasingly, Who Knows?; The New York Times, January 24, 2024

 Alexandra Jacobs, The New York Times ; ‘Who Owns This Sentence?’ Increasingly, Who Knows?

"David Bellos and Alexandre Montagu’s surprisingly sprightly history “Who Owns This Sentence?” arrives with uncanny timing...

They sort out the difference between plagiarism, a matter of honor debated since ancient times (and a theme, tellingly, of many recent novels); copyright, a concern of modern law and, crucially, lucre (“the biggest money machine the world has ever seen”); and trademark. If I wanted a picture of Smokey Bear to run with this article, for instance — and I very much do — The New York Times would have to fork up."...

They themselves have a wry way with technical material; this is less Copyright for Dummies, like that endlessly extended, imitatedand spoofed series, than for wits. Discouraged by their publisher from naming a chapter title after the Beatles’ “All You Need Is Love,” the authors deftly illustrate this “absurd” circumstance by only describing in close identifiable detail the band and the song."

Inside The Anti-Ownership Ebook Economy; Library Journal, August 3, 2023

Claire Woodcock  , Library Journal; Inside The Anti-Ownership Ebook Economy

"Most libraries don’t own their own ebooks. This shouldn’t come as a surprise to LJ readers, yet it’s a statement that continues to confound elected officials and administrators who get an astounding amount of say in how much money public and academic libraries are allotted.

This is one of the reasons I, along with my coauthors Sarah Lamdan, Michael Weinberg, and Jason Schultz at the Engelberg Center on Innovation Law & Policy at New York University (NYU) Law, published our recent report, The Anti-Ownership Ebook Economy: How Publishers and Platforms Have Reshaped the Way We Read in the Digital Age. In nearly 60 pages, this report takes a hard look at how license agreements dictate what consumers—both individual and institutional—get to do with their digital book collections."

Science Fiction Magazines Battle a Flood of Chatbot-Generated Stories; The New York Times, February 23, 2023

 Michael Levenson , The New York Times; Science Fiction Magazines Battle a Flood of Chatbot-Generated Stories

"Elaborating on his concerns in the interview, Mr. Clarke said that chatbot-generated fiction could raise ethical and legal questions, if it ever passed literary muster. He said he did not want to pay “for the work the algorithm did” on stories generated by someone who had entered prompts into an algorithm.

“Who owns that, technically?” Mr. Clarke said. “Right now, we’re still in the early days of this technology, and there are a lot of unanswered questions.”"

WHAT IF ‘STAR TREK’ WERE FREE? HOW THE STORIED SCI-FI FRANCHISE COULD INSPIRE COPYRIGHT REFORM; Newsweek, March 5, 2018

Andrew Whalen, Newsweek; 

WHAT IF ‘STAR TREK’ WERE FREE? HOW THE STORIED SCI-FI FRANCHISE COULD INSPIRE COPYRIGHT REFORM

"CBS and Paramount are unlikely to see things the same way. While Star Trek: Discovery press releases trumpet the “ideology and hope for the future that inspired a generation of dreamers and doers,” plans for streaming market domination depend upon exclusivity. The metaphor equating artistic expression and property has become so ingrained that companies regularly reduce their consumers to provisional licensees, subject to whatever controls the copyright holder decides upon, even long after the point of purchase.

“Star Trek stands on the shoulders of giants. It exists because they plundered some of the most interesting stories and memes of science fiction, just as all science fiction writers do, to tell their own story. And to argue that when they did it that was the legitimate progress of art and whenever anyone else does it, it's theft, is pretty self-serving and kind of obviously bullshit,” Doctorow said. “It's a ridiculous thing for a law to ban something that ancient and fundamental to how we experience art.”

Countering the monopoly exercised by copyright holders will require a broader social realignment, under which people come to understand art as a shared cultural endowment, rather than product—a mindset beyond capital."

Patenting the Future of Medicine: The Intersection of Patent Law and Artificial Intelligence in Medicine; Lexology, February 14, 2018

Finnegan, Henderson, Farabow, Garrett & Dunner LLP - Susan Y. Tull, Lexology; Patenting the Future of Medicine: The Intersection of Patent Law and Artificial Intelligence in Medicine

"Artificial intelligence (AI) is rapidly transforming the world of medicine, and the intellectual property directed to these inventions must keep pace. AI computers are diagnosing medical conditions and disorders at a rate equal to or better than their human peers, all while developing their own software code and algorithms to do so. These recent advances raise issues of patentability, inventorship, and ownership as machine-based learning evolves."