Showing posts with label booksellers. Show all posts
Showing posts with label booksellers. Show all posts

Monday, October 8, 2018

From Orwell to ‘Little Mermaid,’ Kuwait Steps Up Book Banning; The New York Times, October 1, 2018

Rod Nordland, The New York Times;
From Orwell to ‘Little Mermaid,’ Kuwait Steps Up Book Banning

"At a bookstore in Kuwait City, the proprietor showed off a secret cupboard full of contraband books behind the cash register and a basement storeroom with even more. “It’s a cliché that book banning helps book sales,” she said. “As a bookseller, I can tell you I would much rather have the books out on display.”

The bookseller did have a banned copy of “Zorba the Greek” on display, discretely, since it could result in a minimum fine of about $1,650 if Ministry of Information inspectors saw it. She said she was not too worried. “You can always spot them when they come in,” she said. “You can tell they’re not readers.”"

Monday, July 25, 2016

Hong Kong book fair subdued after bookseller disappearances; Guardian, 7/25/16

Ilaria Maria Sala. Guardian; Hong Kong book fair subdued after bookseller disappearances:
"The controls on travellers have been strengthened, and many who came to Hong Kong to buy books censored in mainland China have stopped buying them, as they may get into trouble at the border.”...
What has befallen the five booksellers has cast a heavy pall across the industry in Hong Kong. “We now have problems at both ends of the book chain”, says Bao Pu, of New Century Press, a publishing house known for high-quality political works banned on the mainland. “Printers are not willing to print politically sensitive books, throughout the Hong Kong printing industry. This is a very serious situation. The printers are deciding what can be read. At the other end of the chain there are the bookstores, and most of them will no longer sell this kind of book because it is considered dangerous.
“Also, you see fewer political books because in this situation, we publish less. I think that Hong Kong is no longer a place that supports independent publishing, since the Causeway Bay Books event [when Gui Minhai was arrested].”"

Wednesday, June 1, 2016

Reprint of Hitler’s ‘Mein Kampf’ Tests German Law; New York Times, 6/1/16

Melissa Eddy, New York Times; Reprint of Hitler’s ‘Mein Kampf’ Tests German Law:
"A German publisher of right-wing books has begun selling a reprint of Adolf Hitler’s “Mein Kampf,” originally issued in 1943 by the Nazi party’s central publishing house, a move that risks violating Germany’s law against the distribution of Nazi propaganda.
A copyright on “Mein Kampf” that was held by the Bavarian government expired on Dec. 31, and an annotated scholarly edition was published this year with government permission.
Now, state prosecutors in the German city of Leipzig, where the publisher, Der Schelm, is based, are investigating whether they can press charges . Last week, prosecutors in Bamberg opened a separate investigation after a bookseller, who was not identified, advertised Der Schelm’s edition.
Although Hitler’s two-volume treatise, written from 1924 to 1927 and laying out his ideas on race and violence, is widely available on the internet, the annotated version is the only one that is legal in Germany. The 3,500 comments accompanying the text provide context for the work, and they are aimed, in part, at trying to prevent a new generation from taking up Nazi ideologies.
“Promoting an edition without annotations is considered a criminal offense,” Christopher Rosenbusch, a spokesman for prosecutors in Bamberg, said on Wednesday."

Wednesday, March 16, 2016

The latest news on 'To Kill a Mockingbird' shows how big corporations control copyright law; Los Angeles Times, 3/14/16

Michael Hiltzik, Los Angeles Times; The latest news on 'To Kill a Mockingbird' shows how big corporations control copyright law:
"According to a March 4 notice issued by Hachette to booksellers and reported by the New Republic, permission for the mass-market edition has been withdrawn by the novel's publisher, HarperCollins. (HarperCollins also brought out "Go Set a Watchman.") Hachette can sell off its remaining copies, which it's doing at a further discount, but henceforth "Mockingbird" will be available chiefly in a HarperCollins trade paperback edition, which lists for $14.99.
The burden will fall on school districts that traditionally laid in a large volume of mass-market books for their pupils. Hachette says that more than two-thirds of the 30 million copies sold worldwide since publication have been its low-priced edition. Hachette told bookstores, according to the New Republic: "The disappearance of the iconic mass-market edition is very disappointing to us, especially as we understand this could force a difficult situation for schools and teachers with tight budgets who cannot afford the larger, higher priced paperback edition that will remain in the market."
The real problem this development points to is with copyright law, which has been getting consistently rewritten in the United States and other countries to extend the length of authors' rights to the point where their heirs, and heirs of heirs, are the chief beneficiaries of the copyright. But that's only superficially. The real beneficiaries are corporations, which continue to profit from successful works of art for decades after their creators have passed on. Corporations such as HarperCollins...
Yet as we can see from the extinction of the mass-market paperback of "Mockingbird," such extensions stifle the dissemination of creative works rather than encourage it. The squabble over the copyright to Anne Frank's diaries, which we reported on here, also illustrates how the grip of copyright law leaves the control of creative works in the hands of people who may not share the desires of the works' creators. Harper Lee has passed on, Anne Frank is long gone, and Walt Disney is represented in the marketplace by a corporation that is hopelessly far removed from his artistic and even his business creation."