A fight to protect the dignity of Michelangelo’s David raises questions about freedom of expression; AP, March 28, 2024

Colleen Barry, AP; A fight to protect the dignity of Michelangelo’s David raises questions about freedom of expression

"The decisions challenge a widely held practice that intellectual property rights are protected for a specified period before entering the public domain — the artist’s lifetime plus 70 years, according to the Berne Convention signed by more than 180 countries including Italy.

More broadly, the decisions raise the question of whether institutions should be the arbiters of taste, and to what extent freedom of expression is being limited...

Court cases have debated whether Italy’s law violates a 2019 European Union directive stating that any artwork no longer protected by copyright falls into the public domain, meaning that “everybody should be free to make, use and share copies of that work.”

The EU Commission has not addressed the issue, but a spokesman told the AP that it is currently checking “conformity of the national laws implementing the copyright directive” and would look at whether Italy’s cultural heritage code interferes with its application."

Elena Ferrante’s Right to a Pseudonym; Atlantic, 11/15/16

Atlantic; Elena Ferrante’s Right to a Pseudonym:

"Curiously, the United States remains possibly the only country in the world not to recognize an author’s right to be named as the creator of his or her own work, despite huge pressure from authors’ groups and legal experts to do so. American law provides for a limited “right of attribution,” as it is called in the U.S. Copyright Act, but only in relation to works of fine art. Writers, musicians, and creators working in other disciplines have no such right at all. Establishing one would bring the United States into line with the rest of the world—a good thing when creative works literally circulate without borders, and reputations must stand or fall on the global stage.

In Italy, the copyright law says that a pseudonym will be treated as equivalent to the author’s true name, unless (and until) the author chooses to reveal his or her identity. Both the language of the law, and its silences, are arguably significant. In no way is any outsider empowered to reveal an author’s “true” identity when the author has chosen to publish under a pseudonym. Italian law wouldn’t seem to condone a concerted effort such as Gatti’s to uncover Ferrante’s identity."

How the Mafia Murdered the Townspeople of Amatrice; Daily Beast, 8/31/16

Barbie Latza Nadeau, Daily Beast; How the Mafia Murdered the Townspeople of Amatrice:

"What struck most people first was why the Romolo Capranica primary school in Amatrice had been destroyed. After all, the city paid more than €700,000 in 2013 to renovate the structure, including high-tech anti-seismic features that are supposed to be in place in any public building. But when investigators looked up the building code records, the seals and stamps that proved compliance were apparently faked and fudged. In essence, the documents meant to ensure anti-seismic protection measures were installed in a primary school in an earthquake zone had been faked. The school fell because someone had cheated the system.

And now, Italy’s chief anti-Mafia prosecutor, Franco Roberti, is warning that, if left to its own devices, the mob will strike again and infiltrate the eventual rebuilding contracts in the area."